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The Italian presence in American art, 1860-1920
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ISBN: 058519534X Year: 1992 Publisher: New York : Fordham University Press ; Roma : Istituo della enciclopedia italian,

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"Like a magic potion, Italianita has seeped through the stream of American aesthetic consciousness ever since Benjamin West stepped onto Italian soil in 1760. The first period of this artistic phenomenon was investigated in The Italian Presence in American Art, 1760-1860 and the book at hand thus continues this intellectual exploration in its development during the following sixty years. Those decades between the Civil War and World War I brought to a climax the growing sense of American continental nationhood, and this strengthened perception of national identity was reflected in American art. A synthesis was achieved in which American values and images were fused with the great tradition flowing from its Italian source." "Among the themes that arise from this examination of the role that Italy played in shaping American art is first and foremost the struggle to resolve the issue of what American art ought to express: our European heritage or our cultural independence. This question penetrates to the heart of the most widely debated topic in present-day American culture - multiculturalism. The reader may well find previously unconsidered relationships between our past and present, and may be led to reconsider problems posed by the conflicting needs of unity and diversity in our nation. Other themes that appear in these essays deal with the development of American wealth and its role in influencing the taste of the period, and with feminism. In these pages it will be noticed how very closely American art mirrors the American Experience. While all art reflects the cultural context in which it is created, the nature of American art, predominantly Romantic-Realism, makes the link between idea and image particularly visible. What becomes evident is that "the Italian presence" was almost never a simple matter of direct influence; rather it was an experience for American artists that afforded them, above all, insight and inspiration. Italy was America's muse."--Jacket

Recycled culture in contemporary art and film : the uses of nostalgia
Author:
ISBN: 0521016312 0521815681 9780521815680 9780521016315 9780511814297 1139086030 0511814291 Year: 2003 Publisher: Cambridge : Cambridge University Press,

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The reuse of images, plots and genres from film history has become prominent in contemporary culture. In this 2003 study, Vera Dika explores this phenomenon from a broad range of critical perspectives, examining works of art and film that resist the pull of the past. Dika provides an in-depth analysis of works in several media, including performance, photography, Punk film, and examples from mainstream American and European cinema. Proclaiming the renewed importance of the image and of genre, she investigates works as diverse as Cindy Sherman's Untitled Film Stills, Amos Poe's The Foreigner, Terence Malick's Badlands, and Francis Ford Coppola's One from the Heart. Her study positions avant-garde art work within the context of contemporary mainstream film practice, as well as in relationship to their historical moment.

Minimal art : a critical anthology.
Authors: ---
ISBN: 0520201477 0525472118 9780525472117 9780520201477 Year: 1995 Volume: D211 Publisher: Berkeley University of California press

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Agam, Yaacov ; Agostini, Peter ; Ahlander, Leslie Judd ; Albers, Josef ; Alloway, Lawrence ; Anastasi, William ; Andre, Carl ; Annesley, David ; Antonakos, Stephen ; Anuszkiewicz, Richard ; Apple, Billy ; Arp, Hans (Jean) ; Artschwager, Richard ; Ashbery, John ; Ashton, Dore ; Aubertin, Bernard ; Baer, Jo ; Baker, Elizabeth ; Balla, Giacomo ; Balthus ; Bannard, Darby ; Baranov-Rossiné, W. ; Bardo, Arthur ; Baringer, Richard ; Barry, Robert ; Bart, Robert ; Battcock, Gregory ; Bell, Larry ; Belloli, Carlo ; Benedikt, Michael ; Bengston, Billy ; Bennett, John F. ; Benton, Fletcher ; Berlant, Tony ; Bernhouse, Donald ; Bill, Max ; Bishop, James ; Bladen, Ronald ; Boccioni, Umberto ; Bochner, Mel ; Bolus, Michael ; Bonnard, Pierre ; Bontecou, Lee ; Boriani, Davide ; Boto, Martha ; Bourdon, David ; Brancusi, Constantin ; Braque, Georges ; Breer, Robert ; Brett, Guy ; Breuer, Marcel ; Bridgman, P.W. ; Bronzino, Agnolo ; Brunelle, Al ; Bury, Pol ; Cadoo, Emil ; Cage, John ; Calas, Nicolas ; Calder, Alexander ; Cambillo, Maria Trudi ; Canova, Antonio ; Caro, Anthony ; Carrieri, Raffaele ; Carrà, Carlo ; Castel, Louis Bertrand ; Cavell, Stanley ; Chamberlain, John ; Christo ; Chryssa ; Clay, Jean ; Coates, Robert ; Colombo, Gianni ; Colt, Priscilla ; Coplans, John ; Cornell, Joseph ; Cote, Alan ; Crampton, Rollin ; Cézanne, Paul ; D'Arcangelo, Allan ; Dali, Salvador ; Darboven, Hanne ; David, Jacques Louis ; David, Ronald ; Davis, Gene ; Davis, Stuart ; De Chirico, Giorgio ; De Kooning, Elaine ; Decker, Lindsey ; Degas, Edgar ; Delacroix, Eugène ; Delap, Tony ; Depero, Fortunato ; Dine, Jim ; Dorfles, Gillo ; Dougherty, Frazer ; Dove, Arthur ; Downing, Thomas ; Doyle, Tom ; Duchamp, Marcel ; Duran, Robert ; Ernst, Max ; Evans, Jan ; Feeley, Paul ; Ferber, Herbert ; etc.

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