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En février 1946, Geneviève Massignon, la fille du grand orientaliste Louis Massignon, a 24 ans. Elle part affronter le rude hiver canadien pour y conduire une étude sur le parler acadien, prenant note de tous les contes et de toutes les chansons populaires qu'elle peut recueillir dans cette province canadienne francophone. Puis, en 1961, à la veille de sa soutenance de thèse, elle décide de retourner sur les lieux, munie cette fois d'un matériel d'enregistrement plus fiable. Elle récolte ainsi plus de 500 chansons, qu'elle classe par thèmes. Elle meurt en 1966 sans avoir achevé l'édition de son étude, et son frère, Daniel Massignon, fait don en 1988 à la Phonothèque nationale de ces enregistrements et notes manuscrites. C'est le folkloriste Georges Delarue qui prendra en charge l'édition définitive de cet ouvrage dont le premier volume contient les textes de 50 chansons présentées avec toutes leurs variantes, conservées, vivifiées et transformées dans les provinces maritimes du Canada et le Madawaska américain. Elles sont accompagnées de commentaires détaillés visant à les situer dans leur histoire et leur devenir. Les mélodies, présentées dans le second volume, sont chaque fois notées avec une très grande précision permettant une analyse mélodique fouillée. Pour chaque chanson, une bibliographie détaillée ainsi que diverses remarques dans les commentaires permettent de la situer par rapport à ses homologues recueillies sur le territoire français.

Chansons populaires acadiennes --- Folk songs [Acadian ] --- Volksliederen [Acadianse ] --- Music --- Music, Dance, Drama & Film --- Printed Music, Vocal --- #VCV monografie 1999 --- Ethnomusicology --- Canada --- Acadia --- Folk songs --- ethnomusicologie --- tradition orale (musique) --- musicologie --- chanson

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Bing Crosby's innovations as recording artist, actor, businessman, and radio and television performer. A multidisciplinary exploration, plus personal testimony from family members and colleagues. Going My Way: Bing Crosby and American Culture is the first serious study of the singer/actor's art and of his centrality to the history of twentieth-century popular music, film, and the entertainment industry. The volume uses a wide range of scholarly and cultural perspectives to explore Crosby's unique and lasting achievements. It also includes tributes and reminiscences from Bing's widow Kathryn, his grandson Steve, his record producer Ken Barnes, and one of his most popular successors, Michael Feinstein. Other contributors include Gary Giddins, the author of a widely acclaimed recent biography of the singer, and Will Friedwald, the acknowledged expert on the developmentof the "great American songbook." In addition to studying Bing Crosby's innovations and remarkable achievements as a recording artist, Going My Way explores his accomplishments as an actor, businessman, and radio and television performer. Going My Way makes an impressive case not only for Crosby's considerable talent and inimitable style, but also for his raising the quality of popular singing to the level of art. Contributors: Ken Barnes, Samuel L. Chell, Kathryn Crosby, Steven C. Crosby, John Mark Dempsey, Bernard F. Dick, Deborah Dolan, Michael Feinstein, Will Friedwald, Jeanne Fuchs, Gary Giddins, Peter Hammar, M. Thomas Inge, Malcolm MacFarlane, Eric Michael Mazur, Martin McQuade, Elaine Anderson Phillips, Ruth Prigozy, Walter Raubicheck, Linda A. Robinson, Stephen C. Shafer, David White, F.W. Wiggins Ruth Prigozy is Professor of English at Hofstra University. Walter Raubicheck is Professor of English and Chair of the English Department at Pace University.

Crosby, Bing Harry Lillis --- Criticism and interpretation --- Chanteurs --- Acteurs --- Singers --- Actors --- Crosby, Bing, --- Criticism and interpretation. --- United States. --- Singers. --- Actors. --- PERFORMING ARTS / Film & Video / History & Criticism --- MUSIC --- American culture. --- Bing Crosby. --- Entertainment industry. --- Popular music. --- Printed Music --- General. --- PERFORMING ARTS / Film & Video / History & Criticism.

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Qu'elle permette d'oublier les horreurs vecues, de donner du courage aux soldats et a leur famille, de souder une nation face a l'ennemi, d'accompagner la memoire des disparus et de reconforter les survivants, la musique a occupe une place importante durant la Grande Guerre. Inscrit dans une dynamique de recherche scientifique, ce livre propose des enquetes originales sur la vie musicale au front et a l'arriere. Centre sur la creation artistique, il apporte des eclairages inedits, notamment sur la facon dont les compositeurs et les interpretes ont vecu leur art dans un moment aussi critique de

War songs --- World War, 1914-1918 --- Music --- Chansons de guerre --- Première guerre mondiale --- Musique --- History and criticism. --- Songs and music --- Music and the war --- History and criticism --- Histoire et critique --- Chants et musique --- Musique et guerre --- Guerre mondiale (1914-1918) --- Vie musicale --- Popular music -- England. --- War songs -- England. --- World War, 1939-1945 -- Songs and music, English. --- Music, Dance, Drama & Film --- Printed Music, Vocal --- muziektheorie --- muziekpedagogiek --- Eerste Wereldoorlog --- France --- Première guerre mondiale --- Histoire et critique. --- 78.29.1 --- 78.28.1 --- 78.45.9 --- Musique et guerre. --- World War, 1914-1918 - Music and the war --- Creatie --- Muziekleven --- Frankrijk --- 20e eeuw

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Exploring the crossroads between autobiographical narrative and musical composition, this book examines Berg's transformation of Frank Wedekind's Erdgeist (1895) and Die Büchse der Pandora (1904) -- the plays used inthe formation of the libretto for Lulu -- according to notions of gender identity, social customs, and the aesthetics of modernity in Vienna of the 1920s and 1930s. While Berg modernized several aspects of the plays by Wedekind and incorporated serial techniques of composition from Arnold Schoenberg, he never let go of the idealistic Wagnerian perspectives of his youth. In fact, he went as far as reconfiguring aspects of Richard Wagner's life as anideal identity to be played out in the compositional process. In the process of composing the opera, Berg also reflected on the most important cultural figures in fin-de-siècle Vienna that affected his worldview, including Karl Kraus, Emil Lucka, Otto Weininger, and others. Adopting an approach that combines a systematic analysis of Berg's numerous sketches for Lulu, correspondence, and the finished work with interpretive models drawn from cultural studies and philosophy, this book elucidates the ways in which Berg grappled with his self-image as an "incorrigible romantic" (unverbesserliche Romantiker) at the end of his life, explaining aspects of his musical language that have been considered strange or anomalous in the scholarship. Silvio J. dos Santos is assistant professor of musicology at the University of Florida.

Berg, Alban, --- Wagner, Richard, --- Wagner, Wilhelm Richard, --- Drach, Wilhelm, --- Fājner, Rītshārd, --- Vāgners, Richards, --- Vagner, Rikhard, --- Vagner, R. --- Wagner, R. --- Wagunā, R., --- Vagneri, Rihard, --- Wagner, Riccardo, --- ואגנר, ריכארד, --- ואגנר, ריכרד, --- Criticism and interpretation. --- Rezeption --- HISTORY --- MUSIC --- Austria & Hungary. --- Printed Music --- Vocal. --- Lyrics. --- Instruction & Study --- Voice. --- Lulu (Berg, Alban) --- Fortwirken --- Nachwirkung --- Nachleben --- Wirkungsgeschichte --- Aneignung --- Auswirkung --- Fortleben --- 1920s. --- 1930s. --- Alban Berg. --- Autobiographical narratives. --- Emil Lucka. --- Gender identity. --- Identity. --- Karl Kraus. --- Lulu. --- Musical composition. --- Narratives. --- Otto Weininger. --- Personal experiences. --- Richard Wagner. --- Social customs. --- Vienna.

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Bing Crosby's innovations as recording artist, actor, businessman, and radio and television performer. A multidisciplinary exploration, plus personal testimony from family members and colleagues. Going My Way: Bing Crosby and American Culture is the first serious study of the singer/actor's art and of his centrality to the history of twentieth-century popular music, film, and the entertainment industry. The volume uses a wide range of scholarly and cultural perspectives to explore Crosby's unique and lasting achievements. It also includes tributes and reminiscences from Bing's widow Kathryn, his grandson Steve, his record producer Ken Barnes, and one of his most popular successors, Michael Feinstein. Other contributors include Gary Giddins, the author of a widely acclaimed recent biography of the singer, and Will Friedwald, the acknowledged expert on the developmentof the "great American songbook." In addition to studying Bing Crosby's innovations and remarkable achievements as a recording artist, Going My Way explores his accomplishments as an actor, businessman, and radio and television performer. Going My Way makes an impressive case not only for Crosby's considerable talent and inimitable style, but also for his raising the quality of popular singing to the level of art. Contributors: Ken Barnes, Samuel L. Chell, Kathryn Crosby, Steven C. Crosby, John Mark Dempsey, Bernard F. Dick, Deborah Dolan, Michael Feinstein, Will Friedwald, Jeanne Fuchs, Gary Giddins, Peter Hammar, M. Thomas Inge, Malcolm MacFarlane, Eric Michael Mazur, Martin McQuade, Elaine Anderson Phillips, Ruth Prigozy, Walter Raubicheck, Linda A. Robinson, Stephen C. Shafer, David White, F.W. Wiggins Ruth Prigozy is Professor of English at Hofstra University. Walter Raubicheck is Professor of English and Chair of the English Department at Pace University.

Crosby, Bing, --- Criticism and interpretation. --- Crosby, Harry Lillis, --- Bingsy, --- Crosby, Bing --- Crosby, Harry Lillis --- Bingsy --- Singers. --- Actors. --- PERFORMING ARTS / Film & Video / History & Criticism --- MUSIC --- Chanteurs --- Acteurs --- Singers --- Actors --- Printed Music --- General. --- United States. --- Stage actors --- Theater actors --- Theatrical actors --- Artists --- Entertainers --- Theater --- Vocalists --- Musicians --- ABŞ --- ABSh --- Ameerika Ühendriigid --- America (Republic) --- Amerika Birlăshmish Shtatlary --- Amerika Birlăşmi Ştatları --- Amerika Birlăşmiş Ştatları --- Amerika ka Kelenyalen Jamanaw --- Amerika Qūrama Shtattary --- Amerika Qŭshma Shtatlari --- Amerika Qushma Shtattary --- Amerika (Republic) --- Amerikai Egyesült Államok --- Amerikanʹ Veĭtʹsėndi͡avks Shtattnė --- Amerikări Pĕrleshu̇llĕ Shtatsem --- Amerikas Forenede Stater --- Amerikayi Miatsʻyal Nahangner --- Ameriketako Estatu Batuak --- Amirika Carékat --- AQSh --- Ar. ha-B. --- Arhab --- Artsot ha-Berit --- Artzois Ha'bris --- Bí-kok --- Ē.P.A. --- É.-U. --- EE.UU. --- Egyesült Államok --- ĒPA --- Estados Unidos --- Estados Unidos da América do Norte --- Estados Unidos de América --- Estaos Xuníos --- Estaos Xuníos d'América --- Estatos Unitos --- Estatos Unitos d'America --- Estats Units d'Amèrica --- Ètats-Unis d'Amèrica --- États-Unis d'Amérique --- ÉU --- Fareyniḳṭe Shṭaṭn --- Feriene Steaten --- Feriene Steaten fan Amearika --- Forente stater --- FS --- Hēnomenai Politeiai Amerikēs --- Hēnōmenes Politeies tēs Amerikēs --- Hiwsisayin Amerikayi Miatsʻeal Tērutʻiwnkʻ --- Istadus Unidus --- Jungtinės Amerikos valstybės --- Mei guo --- Mei-kuo --- Meiguo --- Mî-koet --- Miatsʻyal Nahangner --- Miguk --- Na Stàitean Aonaichte --- NSA --- S.U.A. --- SAD --- Saharat ʻAmērikā --- SASht --- Severo-Amerikanskie Shtaty --- Severo-Amerikanskie Soedinennye Shtaty --- Si͡evero-Amerikanskīe Soedinennye Shtaty --- Sjedinjene Američke Države --- Soedinennye Shtaty Ameriki --- Soedinennye Shtaty Severnoĭ Ameriki --- Soedinennye Shtaty Si͡evernoĭ Ameriki --- Spojené obce severoamerické --- Spojené staty americké --- SShA --- Stadoù-Unanet Amerika --- Stáit Aontaithe Mheiriceá --- Stany Zjednoczone --- Stati Uniti --- Stati Uniti d'America --- Stâts Unîts --- Stâts Unîts di Americhe --- Steatyn Unnaneysit --- Steatyn Unnaneysit America --- SUA --- Sŭedineni amerikanski shtati --- Sŭedinenite shtati --- Tetã peteĩ reko Amérikagua --- U.S. --- U.S.A. --- United States of America --- Unol Daleithiau --- Unol Daleithiau America --- Unuiĝintaj Ŝtatoj de Ameriko --- US --- USA --- Usono --- Vaeinigte Staatn --- Vaeinigte Staatn vo Amerika --- Vereinigte Staaten --- Vereinigte Staaten von Amerika --- Verenigde State van Amerika --- Verenigde Staten --- VS --- VSA --- Wááshindoon Bikéyah Ałhidadiidzooígíí --- Wilāyāt al-Muttaḥidah --- Wilāyāt al-Muttaḥidah al-Amirīkīyah --- Wilāyāt al-Muttaḥidah al-Amrīkīyah --- Yhdysvallat --- Yunaeted Stet --- Yunaeted Stet blong Amerika --- ZDA --- Združene države Amerike --- Zʹi͡ednani Derz͡havy Ameryky --- Zjadnośone staty Ameriki --- Zluchanyi͡a Shtaty Ameryki --- Zlucheni Derz͡havy --- ZSA