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A concise, accessible and innovative account of a major poet and thinker.
Coleridge, Samuel Taylor, --- Critique et interprétation --- Coleridge, S. T. --- Kolʹridzh, Samuil, --- Кольридж, Самуил, --- Kolʹridzh, Samuil Teĭlor, --- Кольридж, Самуил Тейлор, --- Kūlīridzh, Ṣāmwīl Tīlūr, --- קולרידג׳, סמיואל טיילור --- Kūlīridj, Ṣāmwīl Tīlūr, --- كولردج، صمويل تيلور, --- קאָלרידש, ס. ט., --- Criticism and interpretation.
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Coleridge, Samuel Taylor, --- Coleridge, Samuel Taylor --- -Criticism and interpretation --- Criticism and interpretation. --- Coleridge, S. T. --- Kolʹridzh, Samuil, --- Кольридж, Самуил, --- Kolʹridzh, Samuil Teĭlor, --- Кольридж, Самуил Тейлор, --- Kūlīridzh, Ṣāmwīl Tīlūr, --- קולרידג׳, סמיואל טיילור --- Kūlīridj, Ṣāmwīl Tīlūr, --- كولردج، صمويل تيلور, --- קאָלרידש, ס. ט., --- Coleridge, Samuel Taylor (1772-1834) --- Critique et interprétation
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Published in 1847 by Joseph Cottle (1770-1853), this work recounts his relationship with Coleridge and Southey, whom he first met in 1794 as a successful bookseller in Bristol. Cottle went on to finance a number of the Romantic poets' publications, including Wordsworth and Coleridge's Lyrical Ballads (1798), which is seen as marking the start of Romanticism. A reworking of Cottle's controversial Early Recollections (1837), Reminiscences was criticised upon publication for being exaggerated and misleading, coloured by the breakdown of the author's friendship with the poets, as well as revealing information about disputes, moneylending and Coleridge's opium addiction. In spite of its shortcomings, the work gives a uniquely valuable insight into the lives and characters of the Romantic poets by a member of their inner circle. Cottle's memoir has much to reveal about the poets' private lives and artistic influences during a key moment in the Romantic period.
Authors, English --- Coleridge, Samuel Taylor, --- Southey, Robert, --- Southey, Roberto, --- Coleridge, S. T. --- Kolʹridzh, Samuil, --- Кольридж, Самуил, --- Kolʹridzh, Samuil Teĭlor, --- Кольридж, Самуил Тейлор, --- Kūlīridzh, Ṣāmwīl Tīlūr, --- קולרידג׳, סמיואל טיילור --- Kūlīridj, Ṣāmwīl Tīlūr, --- كولردج، صمويل تيلور, --- קאָלרידש, ס. ט.,
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Coleridge's relation to his German contemporaries constitutes the toughest problem in assessing his standing as a thinker. For the last half-century this relationship has been described, ultimately, as parasitic. As a result, Coleridge's contribution to religious thought has been seen primarily in terms of his poetic genius. This book revives and deepens the evaluation of Coleridge as a philosophical theologian in his own right. Coleridge had a critical and creative relation to, and kinship with, German Idealism. Moreover, the principal impulse behind his engagement with that philosophy is traced to the more immediate context of English Unitarian-Trinitarian controversy of the eighteenth and nineteenth centuries. The book re-establishes Coleridge as a philosopher of religion and as a vital source for contemporary theological reflection.
Philosophy, German --- Coleridge, Samuel Taylor, --- Coleridge, S. T. --- Kolʹridzh, Samuil, --- Кольридж, Самуил, --- Kolʹridzh, Samuil Teĭlor, --- Кольридж, Самуил Тейлор, --- Kūlīridzh, Ṣāmwīl Tīlūr, --- קולרידג׳, סמיואל טיילור --- Kūlīridj, Ṣāmwīl Tīlūr, --- كولردج، صمويل تيلور, --- קאָלרידש, ס. ט., --- Philosophy. --- Religion. --- Contributions in religion. --- Contributions in philosophy. --- Criticism and interpretation. --- Arts and Humanities --- Religion
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Ewan James Jones argues that Coleridge engaged most significantly with philosophy not through systematic argument, but in verse. Jones carries this argument through a series of sustained close readings, both of canonical texts such as Christabel and The Rime of the Ancient Mariner, and also of less familiar verse, such as Limbo. Such work shows that the essential elements of poetic expression - a poem's metre, rhythm, rhyme and other such formal features - enabled Coleridge to think in an original and distinctive manner, which his systematic philosophy impeded. Attentiveness to such formal features, which has for some time been overlooked in Coleridge scholarship, permits a rethinking of the relationship between eighteenth-century verse and philosophy more broadly, as it engages with issues including affect, materiality and self-identity. Coleridge's poetic thinking, Jones argues, both consolidates and radicalises the current literary critical rediscovery of form.
Coleridge, Samuel Taylor, --- Coleridge, S. T. --- Kolʹridzh, Samuil, --- Кольридж, Самуил, --- Kolʹridzh, Samuil Teĭlor, --- Кольридж, Самуил Тейлор, --- Kūlīridzh, Ṣāmwīl Tīlūr, --- קולרידג׳, סמיואל טיילור --- Kūlīridj, Ṣāmwīl Tīlūr, --- كولردج، صمويل تيلور, --- קאָלרידש, ס. ט., --- Criticism and interpretation. --- Poetic works.
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Author of 'The Rime of the Ancient Mariner', 'Kubla Khan' and 'Christabel', and co-author with Wordsworth of Lyrical Ballads in 1798, Samuel Taylor Coleridge was one of the great writers and thinkers of the Romantic revolution. This innovative introduction discusses his interest in language and his extraordinary private notebooks, as well as his poems, his literary criticism and his biography. John Worthen presents a range of readings of Coleridge's work, along with biographical context and historical background. Discussion of Coleridge's notebooks alongside his poems illuminates this rich material and finds it a way into his creativity. Readers are invited to see Coleridge as an immensely self-aware, witty and charismatic writer who, although damaged by an opium habit, responded to and in his turn influenced the literary, political, religious and scientific thinking of his time.
Coleridge, Samuel Taylor, --- Coleridge, S. T. --- Kolʹridzh, Samuil, --- Кольридж, Самуил, --- Kolʹridzh, Samuil Teĭlor, --- Кольридж, Самуил Тейлор, --- Kūlīridzh, Ṣāmwīl Tīlūr, --- קולרידג׳, סמיואל טיילור --- Kūlīridj, Ṣāmwīl Tīlūr, --- كولردج، صمويل تيلور, --- קאָלרידש, ס. ט., --- Criticism and interpretation. --- Arts and Humanities --- Literature
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The reminiscences of Bristol bookseller Joseph Cottle (1770-1853) have been described as 'unreliable but essential'. The son of a tailor, Cottle was an avid reader, opening a bookshop in 1791. Three years later he was introduced to Samuel Taylor Coleridge and Robert Southey, and became the earliest publisher of their works: through them, he also knew Wordsworth, and published the Lyrical Ballads in 1798. He later fell out with all three men, and in 1837 published (despite Southey and Coleridge's family attempting to prevent it) this quickly notorious two-volume work, through which Cottle lost an expensive libel case in which he was sued by Hannah More's coachman. Ten years later, he recast the book as Reminiscences of Samuel Taylor Coleridge and Robert Southey (also reissued in this series). Both works contain evasions and distortions, but are valuable for their account of some vital years in the lives of the great Romantic poets.
Poets, English --- Coleridge, Samuel Taylor, --- English poets --- Coleridge, S. T. --- Kolʹridzh, Samuil, --- Кольридж, Самуил, --- Kolʹridzh, Samuil Teĭlor, --- Кольридж, Самуил Тейлор, --- Kūlīridzh, Ṣāmwīl Tīlūr, --- קולרידג׳, סמיואל טיילור --- Kūlīridj, Ṣāmwīl Tīlūr, --- كولردج، صمويل تيلور, --- קאָלרידש, ס. ט.,
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The reminiscences of Bristol bookseller Joseph Cottle (1770-1853) have been described as 'unreliable but essential'. The son of a tailor, Cottle was an avid reader, opening a bookshop in 1791. Three years later he was introduced to Samuel Taylor Coleridge and Robert Southey, and became the earliest publisher of their works: through them, he also knew Wordsworth, and published the Lyrical Ballads in 1798. He later fell out with all three men, and in 1837 published (despite Southey and Coleridge's family attempting to prevent it) this quickly notorious two-volume work, through which Cottle lost an expensive libel case in which he was sued by Hannah More's coachman. Ten years later, he recast the book as Reminiscences of Samuel Taylor Coleridge and Robert Southey (also reissued in this series). Both works contain evasions and distortions, but are valuable for their account of some vital years in the lives of the great Romantic poets.
Poets, English --- Coleridge, Samuel Taylor, --- English poets --- Coleridge, S. T. --- Kolʹridzh, Samuil, --- Кольридж, Самуил, --- Kolʹridzh, Samuil Teĭlor, --- Кольридж, Самуил Тейлор, --- Kūlīridzh, Ṣāmwīl Tīlūr, --- קולרידג׳, סמיואל טיילור --- Kūlīridj, Ṣāmwīl Tīlūr, --- كولردج، صمويل تيلور, --- קאָלרידש, ס. ט.,
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Coleridge-Taylor, Samuel --- Coleridge, Samuel Taylor --- -Criticism and interpretation --- Poetry in English --- Critical studies --- Readings, 1792-1955 --- Coleridge, Samuel Taylor, --- Readings, 1792-1955. --- Coleridge, S. T. --- Kolʹridzh, Samuil, --- Кольридж, Самуил, --- Kolʹridzh, Samuil Teĭlor, --- Кольридж, Самуил Тейлор, --- Kūlīridzh, Ṣāmwīl Tīlūr, --- קולרידג׳, סמיואל טיילור --- Kūlīridj, Ṣāmwīl Tīlūr, --- كولردج، صمويل تيلور, --- קאָלרידש, ס. ט., --- Criticism and interpretation. --- Coleridge, Samuel Taylor (1772-1834) --- Critique et interprétation
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Coleridge-Taylor, Samuel --- Coleridge, Samuel Taylor, --- Criticism and interpretation --- Coleridge, Samuel Taylor --- -Criticism and interpretation --- Criticism and interpretation. --- Coleridge, S. T. --- Kolʹridzh, Samuil, --- Кольридж, Самуил, --- Kolʹridzh, Samuil Teĭlor, --- Кольридж, Самуил Тейлор, --- Kūlīridzh, Ṣāmwīl Tīlūr, --- קולרידג׳, סמיואל טיילור --- Kūlīridj, Ṣāmwīl Tīlūr, --- كولردج، صمويل تيلور, --- קאָלרידש, ס. ט., --- Coleridge, Samuel Taylor, - 1772-1834 - Criticism and interpretation --- Coleridge, Samuel Taylor (1772-1834) --- Critique et interprétation --- Coleridge, Samuel Taylor, - 1772-1834
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