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Keneally, Thomas --- Walcott, Derek --- Okigbo (christopher) --- Trickster in literature
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Literature American --- Literature (General) --- infirmité --- postmodernisme amérindien --- décepteur --- haiku --- éthique de la terre --- roman de campus --- disability --- Postindian --- trickster --- land ethics --- campus novel
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Bedrieger in de literatuur --- Fourbe dans la litterature --- Narration (Rhetoric) --- Narration (Rhétorique) --- Narrative writing --- Point de vue (Littérature) --- Point of view (Literature) --- Point of view (Literatuur) --- Point-of-view (Literature) --- Trickster in literature --- Verhaal (Retoriek) --- Women and literature --- Tricksters in literature. --- History --- O'Connor, Flannery --- Technique. --- O'Connor, Flannery Mary --- Technique --- O'Connor, Flannery (1925-1964) --- Critique et interprétation
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The impetus for Charms of the Cynical Reason is the phenomenal and little-explored popularity of various tricksters flourishing in official and unofficial Soviet culture, as well as in the post-soviet era. Mark Lipovetsky interprets this puzzling phenomenon through analysis of the most remarkable and fascinating literary and cinematic images of soviet and post-soviet tricksters, including such "cultural idioms" as Ostap Bender, Buratino, Vasilii Tyorkin, Shtirlitz, and others. The steadily increasing charisma of Soviet tricksters from the 1920's to the 2000's is indicative of at least two fundamental features of both the soviet and post-soviet societies. First, tricksters reflect the constant presence of irresolvable contradictions and yawning gaps within the soviet (as well as post-soviet) social universe. Secondly, these characters epitomize the realm of cynical culture thus far unrecognized in Russian studies. Soviet tricksters present survival in a cynical, contradictory and inadequate world, not as a necessity, but as a field for creativity, play, and freedom. Through an analysis of the representation of tricksters in soviet and post-soviet culture, Lipovetsky attempts to draw a virtual map of the soviet and post-soviet cynical reason: to identify its symbols, discourses, contradictions, and by these means its historical development from the 1920's to the 2000's.
Russian fiction --- Tricksters in literature. --- Tricksters in motion pictures. --- Trickster in literature --- Tricksters --- Motion pictures --- Literature and society --- History and criticism. --- History. --- History --- Literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Social aspects --- History and criticism --- Popular culture --- Popular culture. --- Tricksters. --- 1900-1999. --- Russia (Federation). --- Soviet Union. --- Sociolinguistics --- Audio-visual materials --- Mass media --- Performing arts --- literature --- Soviet culture
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In the past, scholars have looked at narratives of the African diaspora only to discover how these memoirs, poems, and fictions related to the West. The Trickster Comes West: Pan-African Influence in Early Black Diasporan Narratives explores relationships among African American, Afro-Caribbean, and Afro-British narratives of slavery and of New World and British oppression and what African influences brought to these diasporic expressions. Using an interdisciplinary method that combines history, literary theory, cultural studies, anthropology, folklore, and philosophy, the book examines the work of Pan-African trickster icons, such as Leuk (Rabbit), Golo (Monkey), Bouki (Hyena), Mbe (Tortoise), and Anancy (Spider), on the resistance strategies of early black writers who were exposing the evils of slavery, racism, sexism, economic exploitation, and other forms of oppression. Works discussed in this book include Phillis Wheatley's Poems on Various Subjects, Religious and Moral (1773), Quobna Ottobah Cugoano's Thoughts and Sentiments on the Evil of Slavery (1787), Olaudah Equiano's The Interesting Narrative of the Life of Olaudah Equiano (1795), Elizabeth Hart Thwaites's "History of Methodism" (1804), Anne Hart Gilbert's "History of Methodism" (1804), and Mary Prince's The History of Mary Prince: A West Indian Slave, Related By Herself (1831). Analyzing these writings in the context of the black Atlantic struggle for freedom, The Trickster Comes West relocates the beginnings of Pan-Africanism and suggests the strong influence of its theories of communal resistance, racial solidarity, and economic development on pioneering black narratives.
Caribbean literature (English) --- American literature --- Black people --- Pan-Africanism in literature. --- Slave narratives --- Tricksters in literature. --- African diaspora in literature. --- Slavery in literature. --- Black authors --- History and criticism. --- African American authors --- Race identity --- America --- Civilization --- African influences. --- Slavery and slaves in literature --- Slaves in literature --- Trickster in literature --- Autobiography --- Slaves' writings --- Black persons --- Blacks --- Negroes --- Ethnology --- English literature --- Caribbean literature --- Africa --- Enslaved persons in literature --- Enslaved persons' writings --- Littérature antillaise de langue anglaise --- Littérature caribéenne --- Littérature américaine --- Noirs --- Esclavage --- Africains --- Amérique --- Histoire et critique --- Auteurs noirs américains --- Ethnicité --- Dans la littérature --- À l'étranger --- Civilisation --- Etats-Unis --- Influence africaine
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Bedrieger in de literatuur --- Ethnic groups in literature --- Ethnicity in literature --- Ethnicité dans la littérature --- Ethnische groepen in de literatuur --- Etnisch bewustzijn in de literatuur --- Femmes issues des minorités dans la littérature --- Fourbe dans la litterature --- Groupes ethniques dans la littérature --- Minority women in literature --- Narration (Rhetoric) --- Narration (Rhétorique) --- Narrative writing --- Trickster in literature --- Verhaal (Retoriek) --- Vrouwen van minderheden in de literatuur --- American fiction --- Tricksters in literature --- American prose literature --- Literature and folklore --- Women and literature --- American Literature --- English --- Languages & Literatures --- Women authors --- History and criticism --- Minority authors --- History --- Folklore and literature --- Literature and folk-lore --- Narrative (Rhetoric) --- 20th century --- United States --- Kingston, Maxine Hong --- Criticism and interpretation --- Erdrich, Louise --- Morrison, Toni --- Literature --- Folklore --- American literature --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Tricksters in literature. --- Minority women in literature. --- Ethnic groups in literature. --- Ethnicity in literature. --- History and criticism. --- Criticism and interpretation. --- Erdrich, Karen Louise --- Hong, Maxine Jinsidun --- Hong, Maxine Ting Ting --- Jinsidun, Makexin Hong --- Tang, Tingting, --- 汤亭亭 --- 洪婷婷 --- Wofford, Chloe Anthony --- Morrisonová, Toni --- מוריסון, טוני --- AMERICAN FICTION --- AMERICAN PROSE LITERATURE --- TRICKSTER IN LITERATURE --- LITERATURE AND FOLKLORE --- WOMEN AND LITERATURE --- ETHNICITY IN LITERATURE --- NARRATION --- ALLEN (PAULA GUNN) --- ANZALDUA (GLORIA) --- ERDRICH (LOUISE) --- HARRIS (TRUDIER) --- HYNES (WILLIAM) --- KINGSTON (MAXINE HONG) --- TuSMITH (BONNIE) --- VIZENOR (GERALD) --- POSTMODERNISME (LITTERATURE) --- MORRISON (TONI), 1931 --- -WOMEN AUTHORS --- 20th CENTURY --- MINORITY AUTHORS --- HISTORY AND CRITICISM --- U.S. --- HISTORY --- 20TH CENTURY --- RHETORIC --- WOMAN WARRIOR, THE --- ETATS-UNIS
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