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The glories of the Baroque age, mainly the arts of literature, painting, and music, areewpoint notable for its scope and catholicity. The term Baroque here denotes a period from the early seventeenth to try. From Jensen's method of moving from one country and time to another we discover that Addison's writings, Vivaldi'gs, Shaftesbury's aesthetics, and Coeffeteau's psychology all help elucidate seventeenth-century ideas and works of ajor attention to Enland, but does not neglect France and Italy. Ranging widely over an entire aesthetic movement, he rtistic creation, rhetoric, education, moral values, social mores, scientific discoveries, and issues of taste, and riation of Baroque art.
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The International Review of the Aesthetics and Sociology of Music features original scholarly articles on music aesthetics, the sociology of music, the social history of music, and the history of ideas in music. The journal has been published since 1970, with articles written in English, French, and German. In addition to articles, it features reviews, announcements and reports on conferences.
Music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Philosophy and aesthetics
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The Musical Times is the oldest continuously-published music journal in the world, founded in 1844. For more information, including an extensive archive of obituaries of leading musicians from throughout the period of its existence, and extracts from current articles, go to http://themusicaltimes.blogspot.com/.
Music --- JEX3 --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries)
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Music --- Muziek. --- Muziekwetenschap. --- Musique --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries)
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Music --- Muziek. --- Ancient music --- Music, Ancient --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries)
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Music --- Muziek. --- Ancient music --- Music, Ancient --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries)
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Music --- Ancient music --- Music, Ancient --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries)
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Music --- Ancient music --- Music, Ancient --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries)
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The aim of this journal is to nourish the trend of 'critical' musicology in Italy and abroad. Articles are published in French, English, Italian, Spanish and German with Italian or English abstracts. The journal is spokesman for no particular organisation if not that of a group of scholars who animate and direct it. It is however closely connected to the PhD. Program in Musicology at the University of Bologna and to the association "Il Saggiatore Musicale" that, since 1995, promotes lectures, conferences, study groups, meetings, musicological seminars.
Music --- Muziekwetenschap. --- Ancient music --- Music, Ancient --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries)
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Music --- Performance --- Performance. --- Musical performance --- Performance of music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries)
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