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Some manuscripts have been produced for the personal use of their scribe only; whereas a number of them are valued as autographs, most have been ephemeral and were discarded. Personal manuscripts were not written for a patron, commissioner, or client. They are personal copies, anthologies, florilegia, personal notes, excerpts, drafts and notebooks, as well as family books, accountancy notebooks and many others; these forms often being mixed with one another. This volume introduces a number of such manuscripts in a comparative perspective, from Japan to Europe through the Middle East, with a focus on the Near and Middle East. The main concern is the possibility of identifying typical features of such manuscripts in terms of materials, visual organization and content. In attempting this, both the conditions of production and traces of the manuscripts' use are taken into consideration, with particular attention to their material aspects.
Autograph. --- Manuscripts. --- Codicology.
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Some manuscripts have been produced for the personal use of their scribe only; whereas a number of them are valued as autographs, most have been ephemeral and were discarded. Personal manuscripts were not written for a patron, commissioner, or client. They are personal copies, anthologies, florilegia, personal notes, excerpts, drafts and notebooks, as well as family books, accountancy notebooks and many others; these forms often being mixed with one another. This volume introduces a number of such manuscripts in a comparative perspective, from Japan to Europe through the Middle East, with a focus on the Near and Middle East. The main concern is the possibility of identifying typical features of such manuscripts in terms of materials, visual organization and content. In attempting this, both the conditions of production and traces of the manuscripts’ use are taken into consideration, with particular attention to their material aspects.
LITERARY CRITICISM / General. --- Manuscript. --- autograph. --- codicology. --- draft.
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Some manuscripts have been produced for the personal use of their scribe only; whereas a number of them are valued as autographs, most have been ephemeral and were discarded. Personal manuscripts were not written for a patron, commissioner, or client. They are personal copies, anthologies, florilegia, personal notes, excerpts, drafts and notebooks, as well as family books, accountancy notebooks and many others; these forms often being mixed with one another. This volume introduces a number of such manuscripts in a comparative perspective, from Japan to Europe through the Middle East, with a focus on the Near and Middle East. The main concern is the possibility of identifying typical features of such manuscripts in terms of materials, visual organization and content. In attempting this, both the conditions of production and traces of the manuscripts’ use are taken into consideration, with particular attention to their material aspects.
LITERARY CRITICISM / General. --- Manuscript. --- autograph. --- codicology. --- draft.
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Autograph albums --- Manuscripts --- Autographs --- Albums d'autographes --- Facsimiles
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Autographs --- Autograph letters --- Handwriting --- Letters in manuscript --- Manuscripts --- Writing --- Signatures (Writing)
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Autographs --- Collectors and collecting. --- 091.5 --- -Autograph letters --- Handwriting --- Letters in manuscript --- Manuscripts --- Writing --- Signatures (Writing) --- Autografen --- Collectors and collecting --- -Autografen --- 091.5 Autografen --- -091.5 Autografen --- Autograph letters --- Autographs - Collectors and collecting. --- Autographes
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Autograph albums --- Manuscripts, German. --- Humanists --- Hermeling, Heinrich Carlhack, --- 091:082.2 --- 082.2 --- Alba amicorum--(handschriften) - Voor libri amicorum over handschriften, zie {091 <082>} --- Festschriften. Feestbundels--(werken over) --- Manuscripts, German --- Alba amicorum. --- Humanisme (cultuurgeschiedenis) --- History --- Duitsland. --- 082.2 Festschriften. Feestbundels--(werken over) --- 091:082.2 Alba amicorum--(handschriften) - Voor libri amicorum over handschriften, zie {091 <082>} --- Humanisme (cultuurgeschiedenis). --- German manuscripts --- Scholars --- Alba amicorum --- Album amicorum --- Autograph books --- Books, Autograph --- Albums --- Autograph verse --- Hermeling, Heinrich Carlhack --- Autograph albums - Germany --- Humanists - Germany. --- Hermeling, Heinrich Carlhack, - 1571-1614. --- Hermeling, heinrich carlhack (1571-1614) --- Humanisme --- Citations --- Allemagne --- Sources
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091 <43 NURNBERG> --- 091:082.2 --- 76.041.7 <43> --- Miniature painting, European --- -Miniature painting --- -Autograph albums --- -Miniature paintings --- Miniature art --- Painting --- Alba amicorum --- Album amicorum --- Autograph books --- Books, Autograph --- Albums --- Autograph verse --- European miniature painting --- Handschriftenkunde. Handschriftencatalogi--Duitsland voor 1945 en na 1989--NURNBERG --- Alba amicorum--(handschriften) - Voor libri amicorum over handschriften, zie {091 <082>} --- Grafische kunsten. Grafiek. Prentkunst--?.041.7--Duitsland voor 1945 en na 1989 --- Catalogs --- Germanisches Nationalmuseum Nurnberg --- -Germanisches National-Museum zur Deutschen Kunst- und Kulturgeschichte --- Germanisches Nationalmuseum (Nuremberg, Germany) --- Nuremberg (Germany). --- Germanisches National Museum (Nuremberg, Germany) --- Germanisches Museum (Nuremberg, Germany) --- German National Museum (Nuremberg, Germany) --- Nuremberg. --- -Handschriftenkunde. Handschriftencatalogi--Duitsland voor 1945 en na 1989--NURNBERG --- -Catalogs --- 091:082.2 Alba amicorum--(handschriften) - Voor libri amicorum over handschriften, zie {091 <082>} --- 091 <43 NURNBERG> Handschriftenkunde. Handschriftencatalogi--Duitsland voor 1945 en na 1989--NURNBERG --- Autograph albums --- Miniature painting --- Miniature paintings --- Germanisches Nationalmuseum Nürnberg --- Catalogs. --- Germanisches nationalmuseum (nüremberg, allemagne) --- Miniatures --- Genealogie --- Collections d'art --- Allemagne --- 16e-18e siecles
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«Caro amico, ti scrivo questa lettera di mia mano»: così affermano gli autori medievali le cui testimonianze sono qui raccolte e analizzate. In un mondo in cui la maggioranza degli intellettuali non scriveva di proprio pugno ma componeva dettando a un segretario, l’ambito epistolare rappresenta uno dei contesti in cui la pratica dell’autografia e la sua rinnovata valorizzazione si svilupparono, anticipando la loro diffusione in età moderna. Le lettere contengono spesso informazioni sulle circostanze e le motivazioni della scrittura, offrendosi dunque come una fonte particolarmente indicata per indagarle. L’analisi dei riferimenti a casi di autografia epistolare all’interno di lettere latine scritte tra l’inizio dell’XI secolo e la metà del XIII consente di esplorare la consapevolezza che gli autori stessi avevano dei possibili usi e vantaggi dell’autografia, da inquadrarsi più in generale nella loro concezione della scrittura.
Autographs --- Letter writing, Latin --- Latin literature, Medieval and modern --- Education --- Social Sciences --- Book Studies & Arts --- History --- History and criticism --- Autograph letters --- Handwriting --- Letters in manuscript --- Manuscripts --- Writing --- Signatures (Writing) --- History and criticism.
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"Yearbook of Central European culture."
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