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Philosophy of nature --- Architecture --- Theory of knowledge --- Épistémologie --- --mélanges --- --Matière --- --Philosophie --- --cultuurfilosofie --- filosofie --- architectuur --- architectuurtheorie --- materie --- wetenschap --- materialiteit --- ruimtelijkheid --- tijdelijkheid --- tijd --- ruimte --- wetenschapsfilosofie --- postmodernisme --- Portoghesi Paolo --- Gregotti Vittorio --- 7.01 --- 72.01 --- Conferences - Meetings --- Matter --- Physics --- Philosophy, Modern --- Science --- Architecture, Modern --- Philosophy --- cultuurfilosofie --- --Matter --- Matière --- Philosophie

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Dessin artistique --- Fotografie --- Peinture --- Photographie --- Ransonnet, Jean-Pierre --- Schilderkunst --- Tekenkunst --- Ransonnet, Jean-Pierre, --- Criticism and interpretation. --- Critique et interprétation. --- kunst --- België --- fotografie --- kunst en fotografie --- tekenkunst --- twintigste eeuw --- woord en beeld --- schilderkunst --- Ransonnet Jean-Pierre --- ruimtelijkheid --- tijdelijkheid --- tijd --- ruimte --- 7.071 RANSONNET --- Critique et interprétation.

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Art and technology --- Visual perception --- Art and technology. --- Visual perception. --- kunst --- waarneming --- schaduwvorming --- ruimtelijkheid --- 7.01 --- 77.01 --- 791.41 --- tijdelijkheid --- tijd --- projectie --- schaduw --- ruimte --- van Eyck Jan --- Adams Ansel --- Rembrandt --- zwart --- esthetica --- kleurenleer --- kleur --- schilderkunst --- grafiek --- videokunst --- video --- computers --- computerkunst --- nieuwe media --- film --- fotografie --- lichtkunst --- licht --- perceptie --- kunst en technologie --- technologie --- kunsttheorie --- Optics. Quantum optics --- Science --- general lighting

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Two leading contemporary art historians present a stunning reconsideration of the problem of time in the Renaissance. With intellectual brilliance, Alexander Nagel and Christopher S. Wood reexamine the meanings, uses, and effects of chronologies, models of temporality, and notions of originality and repetition in Renaissance images and artifacts. [...] The buildings, paintings, drawings, prints, sculptures, and medals addressed in this book were shaped by concerns about authenticity, about reference to prestigious origins and precedents, and about the implications of transposition from one medium to another. Byzantine icons taken to be early Christian antiquities, the acheiropoeton or image made without hands, the activities of spoliation and citation, differing approaches to art restoration, legends about movable buildings, and forgeries and pastiches: all of these emerge as basic conceptual structures of Renaissance art. The authors show how the complex and layered temporalities of images offered a counterpoint to the linear chronologies that increasingly structured commerce, politics, travel, and everyday life in the fourteenth and fifteenth centuries. While a work of art does bear witness to the moment of its fabrication, Nagel and Wood argue that it is equally important to understand its temporal instability: how it points away from that moment, backward to a remote ancestral origin, to a prior artifact or image, even to an origin outside of time, in divinity. The authors conclude with an analysis of Roman episodes and projects of the decades around 1500, culminating in Raphael's Stanza della Segnatura.

Art --- anno 500-1499 --- anno 1500-1599 --- Art, Renaissance. --- Architecture, Renaissance. --- Building materials --- Time and art. --- Recycling. --- Architecture, Renaissance --- Art, Renaissance --- Time and art --- Art and time --- Architectural materials --- Architecture --- Building --- Building supplies --- Buildings --- Construction materials --- Structural materials --- Materials --- Renaissance art --- Renaissance architecture --- Renaissance revival (Architecture) --- Recycling --- Renaissance --- Analyse de l'art --- kunst --- kunsttheorie --- 7.01 --- 7.034 --- renaissance --- tijdelijkheid --- tijd --- Geschichte 1420-1550. --- Geschichte 1420-1600. --- 1400-1500. --- 1500-1600. --- Art de la Renaissance --- Architecture de la Renaissance --- Construction --- Temps et art --- Matériaux --- Recyclage

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Music theory --- Muziektheorie --- Tempo (Music) --- Tempo (Musique) --- Tempo (Muziek) --- Théorie musicale --- 592 --- Academic collection --- 7.073 --- 78.01 --- 7.01 --- Onderzoek in de kunsten --- IvOK ; Instituut voor Onderzoek in de Kunsten --- Artistiek onderzoek --- 78.01 "19" --- Muziek ; technieken voor tempo en tijd --- muziek --- muziektheorie --- tempo --- compositie --- onderzoek in de kunsten --- IvOK --- tijd --- tijdelijkheid --- 373.67 --- 7 --- 78 --- Publicaties onderzoeksinstellingen --- Kunst ; onderzoek in de kunsten, ontwerpproblemen --- Muziek ; theorie, filosofie, esthetica --- Kunst ; theorie, filosofie, esthetica --- Muziekfilosofie. Muziekesthetiek--20e eeuw. Periode 1900-1999 --- 78.01 "19" Muziekfilosofie. Muziekesthetiek--20e eeuw. Periode 1900-1999 --- Composition (Music) --- Instruction and study --- History --- 20th century --- 78.61 --- CDL --- 373.67.04 --- 78.02 --- Onderwijs ; kunst- architectuuronderwijs ; onderzoek in de kunsten ; architectuuronderzoek ; doctoraatsonderzoek --- Muziek ; compositietechnieken --- Hedendaagse muziek --- Compositietechnieken --- 21e eeuw --- 20e eeuw --- Zeit --- Musik --- Metrik --- Rhythmus --- Geschichte 1950-2007 --- Zeit. --- Musik. --- Rhythmus.