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The publication 'More Home, More Garden 1977-2018' has been produced on the occasion of the participation of Marie-José Van Hee architecten to the 16th International Architecture Exhibition in Venice, at the invitation of Yvonne Farrell and Shelley McNamara. It contains so called 'black drawings' and a text by Van Hee, as well as a selection of photographs made over a period of four decades.
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The Belgian architect Marie-José Van Hee (° 1950) takes a special place in contemporary architecture. She is best known for her residences and renovations, her own iconic house has been published in numerous books and magazines. The Momu Fashion Museum in Antwerp is also a well-known design.
Architecture --- Van Hee, Marie-José, --- Van Hee, Marie-José --- architects --- Hee, Van, Marie-José --- Marie-José Van Hee Architecten [Ghent] --- Flanders --- Hee, Marie-José van, --- 72.07 --- Architectuur; België; Marie-José van Hee --- Belgische architecten --- Architecten. Stedenbouwkundigen --- Van Hee, Marie-José °1950 (°Gent, België) --- Architectuur ; België ; Marie-José van Hee --- Vrouwelijke architecten --- Marie-José Van Hee Architecten --- België --- 72.036 --- 72.037 --- 20ste eeuw (architectuur) --- Twintigste eeuw (architectuur) --- 21ste eeuw (architectuur) --- Eenentwintigste eeuw (architectuur) --- Architectuur --- Architectuur ; België --- Architecten ; België --- Architecture, Domestic --- Architecture domestique --- History --- Architectuur ; België --- Architecten ; België --- Femmes architectes. --- Femmes architectes
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Architecture --- design [discipline] --- dwellings --- architects --- ontwerpen --- woningen --- Hee, Van, Marie-José --- Belgium
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architectuur --- dwellings --- Architecture --- architectural criticism --- woningbouw --- woningen --- beeldende kunst --- fine arts --- architecture [discipline] --- architectonics --- architectuurkritiek --- Hee, Van, Marie-José --- Belgium --- Bouwkunst --- Van Hee, Marie-José --- Architecture, Domestic --- Architecture domestique --- History --- Histoire --- Hee, Marie-José van, --- België --- 72 VAN HEE, MARIE-JOSE --- 72.036 <493> --- -Architecture, Domestic --- -Academic collection --- Marie-José Van Hee (° 1950, Gent, B.) --- Architectuur ; België ; 1977-2003 ; M. José Van Hee --- Belgische architecten --- 72.07 --- Architectuur ; België ; 1977-2003 : Marie José Van Hee --- Architecture, Rural --- Domestic architecture --- Home design --- Houses --- One-family houses --- Residences --- Rural architecture --- Villas --- Dwellings --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Architectuur. Bouwkunst--VAN HEE, MARIE-JOSE --- Moderne bouwkunst. Architectuur van de 20e eeuw--België --- Architecten. Stedenbouwkundigen A - Z --- Design and construction --- Hee, Marie-Jose van --- -Criticism and interpretation --- Van Hee, Marie-José, --- 72.036 <493> Moderne bouwkunst. Architectuur van de 20e eeuw--België --- 72 VAN HEE, MARIE-JOSE Architectuur. Bouwkunst--VAN HEE, MARIE-JOSE --- Hee, Marie-José van, --- Academic collection --- Van Hee, Marie-José, --- Criticism and interpretation. --- Architecte --- Architecture contemporaine --- Anvers --- Bruxelles --- Flandre --- Gand --- fine arts [discipline] --- VAN HEE, Marie-José (1950 - ....) --- ARCHITECTURE --- ARCHITECTURE DOMESTIQUE --- 1990 - .... --- BELGIQUE
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Five well-known graduates of the class of 1974 of the St Lucas Institute in Ghent, Marie-José Van Hee, Paul Robbrecht & Hilde Daem, Christian Kieckens and Marc Dubois can be considered as leading architects of their generation. To the present-day, their professional careers and legacy have been of great importance to the development of Flemish architecture. In their early works and writings, they established a distinct architectural language, rooted in historical knowledge and with a reflection to art and craftsmanship. Architecture was singled out as a spatial phenomenon with an autonomous logic grounded in inhabitation and experience. This generation represents a significant turn towards architectural autonomy in Flanders which resonated with similar international developments in the late 1970s. Moreover they played a decisive role in the emancipation and professionalization of the architectural culture in Flanders. Exhibition: De Singel, Antwerp, Belgium (12.02-05.06.2016).
architectuur --- architects --- kunst --- ontwerpen --- Kieckens, Christian --- Daem, Hilde --- Hee, Van, Marie-José --- Dubois, Marc --- Robbrecht, Paul --- Flanders --- Architecture --- History --- Histoire --- Hee, Marie-José van, --- Kieckens, Christian, --- Academic collection --- C3 --- Sint-Lucasinstituut, Gent (1862-1980) --- 72.038(493) --- Architectuur ; België ; 2de helft 20ste eeuw --- Van Hee, Marie-José --- Robbrecht, Paul en Hilde Daem --- Belgische architecten --- Architectuur ; Vlaanderen ; 20ste eeuw --- Sint-Lucas architectuur ; oud-leraars ; docenten --- Kunst en cultuur --- Architectuurgeschiedenis ; 1950 - 2000 ; België --- Van Hee, Marie-José, --- Dubois, Marc, --- Robbrecht en Daem --- Robbrecht en Daem. --- Hee, Marie-José van, --- Histoire. --- History. --- Architecture - Belgium - Flanders - History --- Hee, Marie-José van, - 1950 --- -Kieckens, Christian, - 1951 --- -Dubois, Marc, - 1950 --- -Robbrecht, Paul --- Dubois, Marc, 1950 --- architecture [discipline]
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a+u’s October issue features 18 projects, ranging from private residences to urban plazas, by architect Marie-José Van Hee, whose practice is based in Ghent, Belgium. Guest editor Hera Van Sande notes how Van Hee’s buildings “blend in with their environment as if they have always been there” and her “architectural spaces evoke repose, reflection, serenity, silence.” Working almost entirely in Flanders, Van Hee creates architectural works that are intensely personal, as an extension of her aesthetic passion, which also encompasses cooking, literature, and fashion. The projects presented here all begin with an aerial photograph of the broader site context alongside Van Hee’s sketches. These sketches, or rather black drawings, are layers of pencil lines drawn on top of each other. They communicate the architectural images that Van Hee visualizes as “her hand mediates between the mental images and the spatial projections on a sheet of paper” and “negotiate between her imagination and the constrictions of our physical world while she juggles different scales simultaneously,” as described in the introduction by Sam De Vocht.
architects --- Marie-José Van Hee Architecten [Ghent] --- 72.07 --- Van Hee, Marie-José °1950 (°Gent, België) --- Marie-José Van Hee Architecten --- Belgische architecten --- Vrouwelijke architecten --- Architecture and Urbanism ; a+u (tijdschrift) --- Architecten. Stedenbouwkundigen A - Z --- Architecture --- Architecture, Domestic --- Architecture, Domestic. --- Architecture.
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Fiction --- Dutch literature --- Plissart, Marie-Françoise --- Camp sites, facilities, etc. --- Low-income housing --- Trailer camps --- architectuur --- Architecture --- Sociology of environment --- Camp sites, facilities, etc
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Private houses --- Architecture --- architecture [discipline] --- Reeth, Van, Bob --- Vandenhove, Charles --- Eysselinck, Gaston --- Liebaut, Eugeen --- Callebout, Peter --- Hee, Van, Marie-José --- Velde, Van de, Henry --- anno 1800-1999 --- Belgium
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Architecture --- architecture [object genre] --- Cuyvers, Wim --- Beel, Stéphane --- Liebaut, Eugeen --- Severen, van, Maarten --- Geyter, de, Xaveer --- Kieckens, Christian --- Neutelings, Willem Jan --- Crepain, Jo --- Hee, Van, Marie-José --- Architecten Werk Groep [Antwerpen] --- anno 2000-2009 --- Flanders
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publicatie n.a.v. de tentoonstelling gehouden te Venetië (architectuur Biennale) van 9 september tot 7 november 2004
architectuur --- ruimtelijke ordening --- culturele antropologie --- Sociology of culture --- Environmental planning --- Architecture --- social anthropology --- Sociology of environment --- cultuurgeschiedenis --- comprehensive plans [reports] --- Kinshasa --- 711.4 --- Congo --- Democratische Republiek Congo --- Plissart, Marie-Françoise --- #SBIB:39A73 --- #SBIB:39A8 --- Steden cultuur Afrika Congo Kinshasa --- Thema's in de fotografie steden Kinshasa --- Fotografen 2004 Marie-Françoise Plissart --- Biennale van Venetië (2004) 9de internationale architectuurtentoonstelling Belgisch paviljoen --- 71(6) --- by Filip De Boeck & Marie-Françoise Plissart --- fotografie --- Plissart Marie-Françoise --- stadsfotografie --- antropologie --- stedenbouw --- stedelijkheid --- documentaire fotografie --- reportagefotografie --- 77.071 PLISSART --- 77.044 PLISSART --- Stedenbouw --- Etnografie: Afrika --- Antropologie: linguïstiek, audiovisuele cultuur, antropologie van media en representatie --- Stedenbouw. Ruimtelijke ordening Afrika --- Ethnology --- Anthropologie sociale et culturelle --- Kinshasa (Congo) --- Urbanisme --- Aspect social --- Kinshasa (Congo, République démocratique) --- Conditions sociales --- History of civilization --- Steden ; cultuur ; Afrika ; Congo ; Kinshasa --- Thema's in de fotografie ; steden ; Kinshasa --- Fotografen ; 2004 ; Marie-Françoise Plissart --- Biennale van Venetië (2004) ; 9de internationale architectuurtentoonstelling ; Belgisch paviljoen --- Stedenbouw. Ruimtelijke ordening ; Afrika --- Kinshasa, Zaire --- Kinshasha (Congo) --- Kinshasa (Zaire) --- Ville de Kinshasa (Congo) --- Ville-Province de Kinshasa (Congo) --- Leopoldville (Congo) --- Religious life and customs. --- Social life and customs. --- Social life and customs --- Religious life and customs --- Conditions sociales. --- Kinshasa (Congo) - Social life and customs --- Kinshasa (Congo) - Religious life and customs
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