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"A collection of essays exploring the role of textual studies in understanding and editing texts, and in understanding the historical developments and cultural differences in editorial and archival systems"--
Criticism, Textual. --- Editing. --- Textual criticism --- Editing --- Authorship --- Epic poetry, Greek Criticism, Textual --- Criticism, Textual
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Textual Cultures brings together essays by scholars from numerous disciplines and focuses on issues of textual editing, redefinitions of textuality, the history of the book, material culture, and the fusion of codicology with literary, musicological, and art historical interpretation and iconography. Contributors from across the world in diverse fields investigate the meaning and implications of textuality and widen understanding of how new critical and methodological developments are redefining and integrating notions of what constitutes a text in diverse cultural contexts. It was published originally, beginning in 1983, as Text: An Interdisciplinary Annual of Textual Studies and is the official publication of the Society for Textual Scholarship.
Graphics industry --- Literature --- Criticism, Textual --- Criticism, Textual. --- 17.63 textlinguistics --- Arts and Humanities --- Language & Linguistics --- Textual criticism --- Editing --- Epic poetry, Greek Criticism, Textual
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Most contemporary digital studies are interested in distant-reading paradigms for large-scale literary history. This book asks what happens when such telescopic techniques function as a microscope instead. The first monograph to bring a range of computational methods to bear on a single novel in a sustained fashion, it focuses on the award-winning and genre-bending Cloud Atlas (2004). Published in two very different versions worldwide without anyone taking much notice, David Mitchell's novel is ideal fodder for a textual-genetic publishing history, reflections on micro-tectonic shifts in language by authors who move between genres, and explorations of how we imagine people wrote in bygone eras. Though Close Reading with Computers focuses on but one novel, it has a crucial exemplary function: author Martin Paul Eve demonstrates a set of methods and provides open-source software tools that others can use in their own literary-critical practices. In this way, the project serves as a bridge between users of digital methods and those engaged in more traditional literary-critical endeavors.
Mathematical linguistics --- Mitchell, David --- Criticism, Textual --- Digital humanities --- Computational linguistics --- Humanities --- Epic poetry, Greek Criticism, Textual --- Methodology --- Computer programs. --- Research --- Methodology. --- Criticism, Textual. --- Close reading. --- Cloud Atlas. --- David Mitchell. --- critique. --- digital humanities. --- distant reading. --- historical fiction. --- publishing. --- textual scholarship.
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" From the white editorial authentication of slave narratives, to the cultural hybridity of the Harlem Renaissance, to the overtly independent publications of the Black Arts movement, to the commercial power of Oprah's Book Club, African American textuality has been uniquely shaped by the contests for cultural power inherent in literary production and distribution. Always haunted by the commodification of blackness, African American literary production interfaces with the processes of publication and distribution in particularly charged ways. An energetic exploration of the struggles and complexities of African American print culture, this collection ranges across the history of African American literature, and the authors have much to contribute on such issues as editorial and archival preservation, canonization, and the "packaging" and repackaging of black-authored texts. Publishing Blackness aims to project African Americanist scholarship into the discourse of textual scholarship, provoking further work in a vital area of literary study"--
American literature --- Criticism, Textual. --- Literature publishing --- African Americans --- African Americans in literature. --- African American authors --- History and criticism --- Theory, etc. --- Publishing --- History. --- Political aspects --- Intellectual life. --- Literary publishing --- Literature --- English literature --- Textual criticism --- Afro-Americans in literature --- Negroes in literature --- LITERARY CRITICISM / American / African American. --- Publishers and publishing --- Agrarians (Group of writers) --- Editing --- African American intellectuals --- Epic poetry, Greek Criticism, Textual --- Criticism, Textual
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This collection of essays from world-renowned scholar Hans Walter Gabler contains writings from a decade and a half of retirement spent exploring textual criticism, genetic criticism, and literary criticism. In these sixteen stimulating contributions, he develops theories of textual criticism and editing that are inflected by our advance into the digital era; structurally analyses arts of composition in literature and music; and traces the cultural implications discernible in book design, and in the canonisation of works of literature and their authors. Distinctive and ambitious, these essays move beyond the concerns of the community of critics and scholars. Gabler responds innovatively to the issues involved and often endeavours to re-think their urgencies by bringing together the orthodox tenets of different schools of textual criticism. He moves between a variety of topics, ranging from fresh genetic approaches to the work of James Joyce and Virginia Woolf, to significant contributions to the theorisation of scholarly editing in the digital age. Written in Gabler's fluent style, these rich and elegant compositions are essential reading for literary and textual critics, scholarly editors, readers of James Joyce, New Modernism specialists, and all those interested in textual scholarship and digital editing under the umbrella of Digital Humanities.
Criticism, Textual. --- Textual criticism --- Editing --- Epic poetry, Greek Criticism, Textual --- Criticism, Textual --- Transmission of texts --- Literary transmission --- Manuscript transmission --- Textual transmission --- Editions --- Manuscripts --- Transmission of texts. --- digital scholarly editing --- genetic criticism --- literary criticism --- composition --- canonisation --- textual criticism --- book design --- James Joyce --- Manuscript --- Ulysses (novel) --- Virginia Woolf --- William Shakespeare
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Andrew Ford here addresses, in a manner both engaging and richly informed, the perennial questions of what poetry is, how it came to be, and what it is for. Focusing on the critical moment in Western literature when the heroic tales of the Greek oral tradition began to be preserved in writing, he examines these questions in the light of Homeric poetry. Through fresh readings of the Iliad and the Odyssey, and referring to other early epics as well, Ford deepens our understanding of what poetry was at a time before written texts, before a developed sense of authorship, and before the existence of institutionalized criticism.Placing what is known about Homer's art in the wider context of Homer's world, Ford traces the effects of the oral tradition upon the development of the epic and addresses such issues as the sources of the poet's inspiration and the generic constraints upon epic composition. After exploring Homer's poetic vocabulary and his fictional and mythical representations of the art of singing, Ford reconstructs an idea of poetry much different from that put forth by previous interpreters. Arguing that Homer grounds his project in religious rather than literary or historical terms, he concludes that archaic poetry claims to give a uniquely transparent and immediate rendering of the past.Homer: The Poetry of the Past will be stimulating and enjoyable reading for anyone interested in the traditions of poetry, as well as for students and scholars in the fields of classics, literary theory and literary history, and intellectual history.
Epic poetry, Greek --- History and criticism --- Homerus --- Homer --- Hóiméar --- Hūmīrūs --- Homeros --- Gomer --- Omir --- Omer --- Omero --- Ho-ma --- Homa --- Homérosz --- האמער --- הומירוס --- הומר --- הומרוס --- هومر --- هوميروس --- 荷马 --- Ὅμηρος --- Гамэр --- Hamėr --- Омир --- Homère --- Homero --- 호메로스 --- Homerosŭ --- Homērs --- Homeras --- Хомер --- ホメーロス --- ホメロス --- Гомер --- Homeri --- Hema --- Pseudo-Homer --- Pseudo Omero --- Criticism and interpretation. --- History and criticism.
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Applying linguistic theory to the study of Homeric style, Egbert J. Bakker offers a highly innovative approach to oral poetry, particularly the poetry of Homer. By situating formulas and other features of oral style within the wider contexts of spoken language and communication, he moves the study of oral poetry beyond the landmark work of Milman Parry and Albert Lord.One of the book's central features, related to the research of the linguist Wallace Chafe, is Bakker's conception of spoken discourse as a sequence of short speech units reflecting the flow of speech through the consciousness of the speaker. Bakker shows that such short speech units are present in Homeric poetry, with significant consequences for Homeric metrics and poetics. Considering Homeric discourse as a speech process rather than as the finished product associated with written discourse, Bakker's book offers a new perspective on Homer as well as on other archaic Greek texts. Here Homeric discourse appears as speech in its own right, and is freed, Bakker suggests, from the bias of modern writing style which too easily views Homeric discourse as archaic, implicitly taking the style of classical period texts as the norm. Bakker's perspective reaches beyond syntax and stylistics into the very heart of Homeric-and, ultimately, oral-poetics, altering the status of key features such as meter and formula, rethinking their relevance to the performance of Homeric poetry, and leading to surprising insights into the relation between "speech" and "text" in the encounter of the Homeric tradition with writing.
Discourse analysis, Literary. --- Epic poetry, Greek --- Oral tradition --- Oral-formulaic analysis. --- Poetics --- Speech in literature. --- History and criticism. --- History --- Homer --- Criticism and interpretation. --- Formulaic analysis, Oral --- Folk literature --- Folklore --- Literary discourse analysis --- Rhetoric --- Literary style --- History and criticism --- Methodology --- Homeros --- Homère --- Hóiméar --- Hūmīrūs --- Gomer --- Omir --- Omer --- Omero --- Ho-ma --- Homa --- Homérosz --- האמער --- הומירוס --- הומר --- הומרוס --- هومر --- هوميروس --- 荷马 --- Ὅμηρος --- Гамэр --- Hamėr --- Омир --- Homero --- 호메로스 --- Homerosŭ --- Homērs --- Homeras --- Хомер --- ホメーロス --- ホメロス --- Гомер --- Homeri --- Hema --- Pseudo-Homer --- Pseudo Omero --- Homerus --- Historical & comparative linguistics
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