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Art nouveau. --- Rilke, Rainer Maria, --- Criticism and interpretation. --- Art belle époque --- Art nouva --- Arte joven --- Belle époque art --- Jugendstil --- Modern style (Art nouveau) --- Modernisme (Art nouveau) --- Modernismo (Art nouveau) --- Nieuwe kunst --- Stile Liberty --- Style nouille (Art nouveau) --- Aesthetic movement (Art) --- Art

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This book traces the influence of the changing political environment on Czech art, criticism, history, and theory between 1895 and 1939, looking beyond the avant-garde to the peripheries of modern art. The period is marked by radical political changes, the formation of national and regional identities, and the rise of modernism in Central Europe - specifically, the collapse of Austria-Hungary and the creation of the new democratic state of Czechoslovakia. Marta Filipov studies the way in which narratives of modern art were formed in a constant negotiation and dialogue between an effort to be international and a desire to remain authentically local.

Nationalism and art --- Modernism (Art) --- Art --- Art and society --- Political aspects --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Art and nationalism --- Art and sociology --- Society and art --- Sociology and art --- Art, Occidental --- Art, Primitive --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Social aspects

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Exile and migration played a critical role in the diffusion and development of modernism around the globe, yet have long remained largely understudied phenomena within art historiography. Focusing on the intersections of exile, artistic practice and urban space, this volume brings together contributions by international researchers committed to revising the historiography of modern art. It pays particular attention to metropolitan areas that were settled by migrant artists in the first half of the 20th century. These arrival cities developed into hubs of artistic activities and transcultural contact zones where ideas circulated, collaborations emerged, and concepts developed. Taking six major cities as a starting point--Bombay (now Mumbai), Buenos Aires, Istanbul, London, New York, and Shanghai -- the authors explore how urban topographies and landscapes were modified by exiled artists re-establishing their practices in metropolises across the world. Questioning the established canon of Western modernism, Arrival Cities investigates how the migration of artists to different urban spaces impacted their work and the historiography of art. In doing so, it aims to encourage the discussion between international scholars from different research fields, such as exile studies, art history, social history, architectural history, architecture, and urban studies.

325 --- 7.096 --- Emigration and immigration --- Arts and society --- Modernism (Art) --- Expatriate artists --- Art and cities --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Art and towns --- Cities and art --- Towns and art --- Cities and towns --- Artists, Expatriate --- Exiled artists --- Artists --- Exiles --- Arts --- Arts and sociology --- Society and the arts --- Sociology and the arts --- 7.096 Klankvoorstellingen van kunstvormen: radiouitzendingen van culturele manifestaties --- Klankvoorstellingen van kunstvormen: radiouitzendingen van culturele manifestaties --- Landverhuizing. Kolonisatie. Immigratie. Emigratie --(politiek)--EU --- Social aspects --- History --- Artists [Expatriate ] --- Kunstgeschiedenis --- Arts and society. --- Art and cities. --- Social aspects. --- 1900-1999 --- Turkey --- New York (State) --- India --- England --- China --- Argentina --- Buenos Aires --- Shanghai --- New York (City) --- Constantinople