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Some contemporary approaches to literature still accept the separation of historical, biographical, external concerns from formal, internal ones. On the borderline that lends this division between inside and outside its apparent coherence is signature. In Peggy Kamuf's view, studying signature will help us to rediscover some of the stakes of literary writing beyond the historicist/formalist opposition. Drawing on Derrida's extensive work on signatures and proper names, Kamuf investigates authorial signature in key writers from Rousseau to Woolf, as well as the implications of signature for the institutions of authorship and criticism.
Sociology of literature --- Authorship. --- Authoring (Authorship) --- Writing (Authorship) --- Literature --- Modern philosophy: since c 1800
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The contributors to this volume discuss the formation and transformation of ancient concepts of authorship, specifically among those types of texts that are classified as "religious literature" - whether Greco-Roman, early Jewish, and early Christian. In twelve case studies spanning the time from Ben Sira to Tertullian, various ways of how authors considered themselves to be individual producers of texts and religious voices are carved out. The volume presents authors who fashion themselves either as orthonymous, anonymous, or pseudepigraphic writers, and who share the idea of being "religious agents". The search for these religious voices undertaken here is a valuable contribution to both research in ancient "Autorforschung" and the religio-historical study of how religious knowledge was produced in the ancient Mediterranean world.
Christian literature, German --- History and criticism. --- Religious literature --- Authorship --- History --- History and criticism --- Authoring (Authorship) --- Writing (Authorship) --- Literature --- Religious writing --- Authorship. --- History. --- Autorschaft --- religiöse Stimme --- religiöse Spezialitäten --- religiöse Literatur --- heilige Texte --- Neues Testament --- Kirchengeschichte --- Antike --- Religionswissenschaft --- Antike Religionsgeschichte
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Authorship --- Publishers and publishing --- Success in business --- Business --- Business failures --- Creative ability in business --- Prediction of occupational success --- Book publishing --- Books --- Book industries and trade --- Booksellers and bookselling --- Authoring (Authorship) --- Writing (Authorship) --- Literature --- Publishing --- E-books
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This book throws new light on the question of authorship in the Latin literature of the later medieval and in the early modern periods. It shows that authorship was not something to be automatically assumed in an empathic sense, but was chiefly to be found in the paratextual features of works and was imparted by them. This study examines the strategies and tools used by authors circa 1350-1650, to assert their authorial aspirations. Enenkel demonstrates how they incorporated themselves into secular, ecclesiastical, spiritual and intellectual power structures. He shows that in doing so rituals linked to the ceremonial of ruling, played a fundamental role, for example, the ritual presentation of a book or the crowning of a poet. Furthermore Enenkel establishes a series of qualifications for entry to the Respublica litteraria, with which the authors of books announced their claims to authorship.
Latin literature, Medieval and modern --- Authorship --- Authors, Medieval. --- Literature, Medieval --- Transmission of texts --- Literary transmission --- Manuscript transmission --- Textual transmission --- Criticism, Textual --- Editions --- Manuscripts --- Medieval authors --- Authoring (Authorship) --- Writing (Authorship) --- Literature --- History and criticism. --- History --- Criticism, Textual. --- Humanities
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With Faithful Translators Jaime Goodrich offers the first in-depth examination of women's devotional translations and of religious translations in general within early modern England. Placing female translators such as Queen Elizabeth I and Mary Sidney Herbert, Countess of Pembroke, alongside their male counterparts, such as Sir Thomas More and Sir Philip Sidney, Goodrich argues that both male and female translators constructed authorial poses that allowed their works to serve four distinct cultural functions: creating privacy, spreading propaganda, providing counsel, and representing religious groups. Ultimately, Faithful Translators calls for a reconsideration of the apparent simplicity of "faithful" translations and aims to reconfigure perceptions of early modern authorship, translation, and women writers.
Theory of literary translation --- English literature: authors --- anno 1600-1699 --- anno 1500-1599 --- Christian literature --- English literature --- Women translators --- Authorship --- Women and literature --- Translating and interpreting --- 27 <420> "15/17" --- Literature --- Authoring (Authorship) --- Writing (Authorship) --- Translators --- Women linguists --- Christian writings --- Christianity and literature --- Religious literature --- Translations into English --- History and criticism. --- History --- History. --- Kerkgeschiedenis--Engeland--Moderne Tijd --- Translations into English&delete& --- History and criticism
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Technological and economic concerns have long been the drivers of debate about copyright. But diverse disciplines in the humanities - including literary studies, aesthetics, film studies, and the philosophy of art - have a great deal to offer if we wish to establish a more nuanced and useful conception of copyright and authorship. This volume brings together scholars from a range of disciplines to explore the challenges inherent in translating aesthetics and creativity studies to concepts of copyright, especially as longstanding approaches are troubled by the rise of the digital.
82:316 --- 347.78 --- Literatuursociologie --- Auteursrecht --- 347.78 Auteursrecht --- 82:316 Literatuursociologie --- Authorship --- Copyright --- Literary property --- Property, Literary --- Intangible property --- Intellectual property --- Anti-copyright movement --- Authors and publishers --- Book registration, National --- Patent laws and legislation --- Law and legislation --- Authorship. --- Copyright. --- Authoring (Authorship) --- Writing (Authorship) --- Literature --- Authorship theory, creativity studies, copyright law.
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"Quoting is all around us. But do we really know what it means? How do people actually quote today, and how did our present systems come about? This book brings together a down-to-earth account of contemporary quoting with an examination of the comparative and historical background that lies behind it and the characteristic way that quoting links past and present, the far and the near. Drawing from anthropology, cultural history, folklore, cultural studies, sociolinguistics, literary studies and the ethnography of speaking, Ruth Finnegan's fascinating study sets our present conventions into cross-cultural and historical perspective. She traces the curious history of quotation marks, examines the long tradition of quotation collections with their remarkable recycling across the centuries, and explores the uses of quotation in literary, visual and oral traditions. The book tracks the changing definitions and control of quoting over the millennia and in doing so throws new light on ideas such as 'imitation', 'allusion', 'authorship', 'originality' and 'plagiarism'."--Publisher's website.
Quotation. --- Allusions --- Quotation --- Authorship. --- Languages --- Foreign languages --- Anthropology --- Communication --- Ethnology --- Information theory --- Meaning (Psychology) --- Philology --- Linguistics --- Authoring (Authorship) --- Writing (Authorship) --- Literature --- cultural anthropology --- imitation --- oral traditions --- quotation --- cultural history --- folklore --- quotation marks --- english --- plagiarism --- language --- quoting --- sociolinguistics --- originality --- oral literature --- Erasmus --- Latin
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This book is a timely response to a rather urgent call to seek an updated methodology in rereading and reappraising early Chinese texts in light of newly discovered early writings. For a long time, the concept of authorship in the formation and transmission of early Chinese texts has been misunderstood. The nominal author who should mainly function as a guide to text formation and interpretation is considered retrospectively as the originator and writer of the text. This book illustrates that although some notions about the text as the author's property began to appear in some Eastern Han texts, a strict correlation between the author and the text results from later conceptions of literary history. Before the modern era, there existed a conceptual gap between an author and a writer. A pre-modern Chinese text could have had both an author and a writer, or even multiple authors and multiple writers. This work is the first study addressing these issues by more systematically emphasizing the connection of the text, the author, and the religious and sociopolitical settings in which these issues were embedded. It is expected to constitute a palpable contribution to Chinese studies and the discipline of philology in general
Chinese literature --- Authorship --- Transmission of texts --- History and criticism. --- History --- Literary transmission --- Manuscript transmission --- Textual transmission --- Criticism, Textual --- Editions --- Manuscripts --- Authoring (Authorship) --- Writing (Authorship) --- Literature --- Autorschaft. --- Chinesische Texte. --- Confucius. --- Liu An. --- Methodik. --- Sima Qian. --- Sinologie. --- Yellow Emperor. --- LANGUAGE ARTS & DISCIPLINES / Authorship.
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Despite its centrality to much of contemporary personal and public discourse, sexuality remains infrequently discussed in most composition courses, and in our discipline at large. Moreover, its complicated relationship to discourse, to the very languages we use to describe and define our worlds, is woefully understudied in our discipline. Discourse about sexuality, and the discourse of sexuality, surround us-circulating in the news media, on the Web, in conversations, and in the very languages we use to articulate our interactions with others and our understanding of ourselves. It forms a
Authorship - Study and teaching (Higher) - Social aspects. --- English language - Rhetoric - Study and teaching - Social aspects. --- English language. --- Gender identity. --- Language Arts & Disciplines. --- Sex. --- English language --- Authorship --- Gender identity --- Sex --- English Language --- English --- Languages & Literatures --- Rhetoric --- Study and teaching --- Social aspects --- Study and teaching (Higher) --- Social aspects. --- Gender (Sex) --- Human beings --- Human sexuality --- Sex (Gender) --- Sexual behavior --- Sexual practices --- Sexuality --- Sex identity (Gender identity) --- Sexual identity (Gender identity) --- Authoring (Authorship) --- Writing (Authorship) --- Sexology --- Identity (Psychology) --- Sex (Psychology) --- Queer theory --- Literature --- Germanic languages --- Gender dysphoria
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communicatie, schriftelijk --- academisch rapporteren --- Scholarly publishing. --- Informatievaardigheden --- Wetenschappelijke rapporten --- Informatievaardigheden. --- Wetenschappelijke rapporten. --- Academic writing --- Authorship --- Scholarly publishing --- #SBIB:303H0 --- #SBIB:309H519 --- 001.891 --- 001.891 Wetenschappelijk onderzoek. Research. Onderzoekmethoden --- Wetenschappelijk onderzoek. Research. Onderzoekmethoden --- Academic publishing --- Publishers and publishing --- Authoring (Authorship) --- Writing (Authorship) --- Literature --- Learned writing --- Scholarly writing --- Methoden in de sociale wetenschappen: algemeen --- Praktische handleidingen i.v.m. schrijven en spreken --- Science --- Academic writing. --- Authorship. --- Rédaction technique --- Thèses et écrits académiques
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