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Marketing for Cultural Organizations presents traditional marketing theory with a focus on the aspects most relevant to arts or cultural organizations. The book explains how to overcome the division between the concepts of high art and popular culture by targeting the new tech savvy cultural consumer. As arts patronage has declined, and given new technological advances, arts organizations have had to adapt to a new environment and compete for an audience. This edition emphasizes visitor or audience participation, as well as the use of social media in attracting and maintaining an audience. Learning to harness social media and technology in order to encourage a dialogue with its audience is of primary importance for arts organizations. This book covers: - Cost effective methods of researching the audience using technology - Developing a consistent, branded online message - Using social media to increase audience engagement, and involve them in the creative process With an approach that is jargon-free and focused on practical application, this book is designed for both undergraduate and graduate students of arts marketing and cultural management.
Performing arts --- Museums --- Marketing.
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O que é mímica corporal dramática? Quais os seus princípios e fundamentos técnicos? Qual a sua aplicabilidade em projetos artísticos contemporâneos? Para discutir essas e outras questões, o livro apresenta alguns aspectos históricos, técnicos e poéticos dessa arte e aborda as controvertidas afirmações acerca das restrições de sua aplicação na contemporaneidade. A obra pretende fornecer um guia de estudos prático-teóricos para os interessados na Mímica Corporal Dramática de Étienne Decroux, como elemento complementar à prática nas salas de ensaio e no exercício cotidiano de artistas da cena.
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Performing arts --- Sports --- United States.
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The best actor never gets the role. But the right actor always gets hired and if you want to be the right actor, you need to create a well-paved pathway through the traffic jam that can slow you down, divert your attention and create stress behind the wheel of the career you're committed to driving forward. It's your journey and it's time for a career tune up, even if you're just starting out In this revised and expanded Next Edition to his popular book for actors, talent manager, educator and author Brad Lemack tackles the tough challenges actors face in seeking, building and maintaining rewarding careers in the new landscape. From the role of personal ethics and integrity to landing the role of a lifetime, Lemack teaches readers how to navigate through and thrive in a continually changing landscape in an industry challenged to redefine itself and how it does business. Whether you're new to the business or in need of a professional career rebranding, The New Business of Acting: The Next Edition will empower you with a critical perspective on how to create, map out and embark on a life-long journey that will earn you the career-building opportunities you seek.
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"Josephine Lee looks at how nineteenth and early twentieth century commercial American theater combined Black and Asian stage representations. In minstrelsy, melodrama, vaudeville, and musical theater, both white and Black performers enacted blackface characterizations alongside Oriental stereotypes of opulence and deception, comic servitude, and exotic sexuality. Building on scholarship on orientalism in arts and culture and Blackness in minstrelsy, Lee shows how blackface was often associated with working-class masculinity and the development of a nativist white racial identity for European immigrants. Meanwhile, everything 'oriental,' Lee argues, marked what was culturally coded as foreign, feminized, and ornamental, and these conflicting racial representations were often intermingled in actual stage performance"
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Exploring anti-mimesis and image destruction in Western European films, Iconoclasm in European Cinema offers a comprehensive study of philosophical iconoclasm in cinema. Drawing on continental philosophy of the image, medieval theology and recent developments in film ethics, it investigates the aesthetic and ethical significance of destroying certain film images, both literally (via damages to the filmstrip) and metaphorically (through blank screens, altered motion and disruptive sounds).
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A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.Maverick Movies tells the improbable story of New Line Cinema, a company that cut a remarkable path through the American film industry and movie culture. Founded in 1967 as an art-film distributor, New Line made a small fortune running John Waters's Pink Flamingos at midnight screenings in the 1970s and found reliable returns with the Nightmare on Elm Street franchise in the 1980s. By 2001, the company competed with the major Hollywood studios and reached global box-office success with the Lord of the Rings franchise. Blurring boundaries between high and low culture, between independent film and Hollywood, and between the margins and the mainstream, New Line Cinema offers a compelling case study of the evolution of contemporary film culture through the disintegration of the mass audience fostered by the classic Hollywood studios into the multitude of niche audiences that Hollywood seeks today.
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Performing arts --- Theater --- Casting --- United States.
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Performing arts --- Sports --- Law and legislation --- Texas.
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