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The shift between the first and second half of the twentieth century marked a watershed. It represented the "sunset of modernity" and made tradition unattainable, thereby calling into question the very survival of poetry. This collection focuses on the work of Giuseppe Ungaretti as poet, translator, and critic, which took the lead from this fracture. As the essays gathered here show, this fracture took a specific shape in Ungaretti's work, which was reviewed in distinct ways and had a lasting impact up to the present day, alongside twentieth-century history and poetry. The book thus offers a multifaceted picture aimed at assessing albeit provisionally the later Ungaretti's writings and his legacy for future generations of writers.
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Nach 1918 stützen sich zahlreiche Versuche, einen Begriff von der »Moderne« zu entwickeln, auf die Zuweisung neuer Sinnpotenziale an den Körper. In der Lebensreformbewegung wird der Körper zum Inbegriff von Natürlichkeit, der Wettkampfsport richtet ihn am Kriterium der Effizienz aus, und die entstehende Modeindustrie macht den Leib zur Ware. Die Kunst und die neuen Massenmedien bieten diesen Positionen ideale Foren zur Austragung ihres symbolischen Streits. Der bebilderte, umfangreiche Band führt die wesentlichen Körperkonstrukte der zwanziger Jahre erstmals zusammen und analysiert sie vom Maschinenmensch über die FKK-Ästhetik und den Mannequin-Körper bis zum Ausdruckstanz in mehr als 20 Ausprägungen. »[This] collection of essays, five of which are in English, will surely benefit any scholar working in the quickly expanding field of body studies, and the admirably interdisciplinary nature of this volume means that it should be on the bookshelf of anyone who studies art, film, fashion, dance, sports, or the FKK movement in Weimar Germany.« Erik Jensen, German Studies Review, 2 (2007) Besprochen in: Kulturwissenschaftliches Jahrbuch Moderne, 2 (2006), Stefanie Rinke
Sociology --- Arts. --- Cultural History. --- Cultural Studies. --- Media. --- Popular Art. --- Human figure in art --- Body image in art --- Arts, German --- social aspects --- Human body in art --- Art --- Composition (Art) --- Figurative art --- Anatomy, Artistic --- Figure drawing --- Figure painting --- Körper; Kunst; Medien; Weimarer Republik; Kulturgeschichte; Populäre Kunst; Kulturwissenschaft; Body; Arts; Media; Cultural History; Popular Art; Cultural Studies --- Human body in mass media --- Mass media --- History
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In CHINESE SURPLUS Ari Heinrich dissects the figure of the medically or artistically commodified body in Chinese culture and popular science. Providing a history of how bodies have been thought and seen to mirror the nation, Heinrich charts the trajectory from an imperial idea of the body as a machine with interchangeable parts to current representations in which the parts are worth more than the whole and may be harvested at will--what he calls a diasporic form of the body. In seeing the body this way Heinrich makes clear his case for a new method he calls biopolitical aesthetics, one that uses the tools of literary and visual culture analysis to restore agency to aesthetics in the production of meaning in life during contemporary biopolitical times.
Human body (Philosophy) --- Human body --- Aesthetics --- Aesthetics, Modern --- Medicine in art. --- Human figure in art. --- Biopolitics --- Political aspects --- Political behavior --- Human body in art --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Body, Human --- Body, Human (Philosophy) --- History --- Human behavior --- Political science --- Sociobiology --- Art --- Composition (Art) --- Figurative art --- Anatomy, Artistic --- Figure drawing --- Figure painting --- Philosophy --- Criticism --- Literature --- Proportion --- Symmetry --- Human beings --- Body image --- Human anatomy --- Human physiology --- Mind and body --- Psychology --- Radio broadcasting Aesthetics --- China --- Hong Kong
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