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Our own birth and death elude our conscious experience. The world’s literatures give us the opportunity to access the beginning and end of a life, to represent, reflect upon, and (re)stage birth, life, dying, and death. This highly mobile configuration releases a tremendous creative energy, which this volume analyzes against the backdrop of the question of the knowledge of life. Unsere eigene Geburt und unser eigener Tod entziehen sich unserem reflektierten Erleben. Die Literaturen der Welt bieten uns die Chance, Zugriff auf Anfang und Ende eines Lebens zu erhalten, Geburt, Leben, Sterben und Tod zu repräsentieren, zu reflektieren und zu (re)inszenieren. Aus dieser hochmobilen Konfiguration ergeben sich ungeheure kreative Kräfte, welche dieser Band mit Blick auf die Frage des Lebenswissens analysiert. Welche literaturgeschichtlich und ästhetisch relevanten Aspekte treten in den Geburts- und Sterbeszenen in den romanischen Literaturen der Moderne hervor? Inwieweit enthalten die Gestaltungsformen von Geburt und Sterben erzähltechnische Programmierungen, die uns nicht notwendigerweise den Schlüssel zum eigenen Leben, sicherlich aber den zum Leben der Literaturen der Welt in die Hand geben? Furchtlos sollen diese Vorlesungen das Zusammenleben von Liebe und Tod, von Leben und Lesen, das (literarische) Erleben von Geburt oder das (literarische) Überleben des eigenen Todes anhand von Texten aus der Romania des 18. bis 20. Jahrhunderts untersuchen.

Death in literature. --- Life in literature. --- Romance fiction --- LITERARY CRITICISM / European / General. --- History and criticism. --- Life/death. --- Romance literatures. --- literature and life sciences. --- world literatures. --- Love stories --- Romances (Love stories) --- Romantic fiction --- Romantic stories --- Fiction

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At first glance, romance seems an improbable angle from which to write a cultural history of the German Democratic Republic. By most accounts the GDR was among the most dour and disciplined of socialist states, so devoted to the rigors of Stalinist aesthetics that the notion of an East German romantic comedy was more likely to generate punch lines than lines at the box office.But in fact, as John Urang shows in Legal Tender, love was freighted as a privileged site for the negotiation and reorganization of a surprising array of issues in East German public culture between 1949 and 1989. Through close readings of a diverse selection of films and novels from the former GDR, Urang offers an eye-opening account of the ideological stakes of love stories in East German culture. Throughout its forty-year existence the East German state was plagued with an ongoing problem of legitimacy. The love story's unique and unpredictable mix of stabilizing and subversive effects gave it a peculiar status in the cultural sphere.Urang shows how love stories could mediate the problem of social stratification, providing a language with which to discuss the experience of class antagonism without undermining the Party's legitimacy. But for the Party there was danger in borrowing legitimacy from the romantic plot: the love story's destabilizing influences of desire and drive could just as easily disrupt as reconcile. A unique contribution to German studies, Legal Tender offers remarkable insights into the uses and capacities of romance in modern Western culture.

German fiction -- Germany (East) -- History and criticism. --- Germany (East) -- Civilization. --- Love -- Social aspects -- Germany (East). --- Love in literature. --- Love in motion pictures. --- Love stories, German -- Germany (East) -- History and criticism. --- Romance films -- Germany (East) -- History. --- Romance fiction, German --- German fiction --- Romance films --- Love in literature --- Love in motion pictures --- Love --- Languages & Literatures --- Germanic Literature --- History and criticism --- History --- Social aspects --- Love stories, German --- History and criticism. --- History. --- Germany (East) --- Civilization. --- Affection --- Chick flicks --- Love films --- Hollywood romance films --- Romance (Motion pictures) --- Romance movies --- Romance pictures (Motion pictures) --- Romantic films --- Romantic movies --- German romance fiction --- Germany (Democratic Republic, 1949- ) --- Deutsche Demokratische Republik --- Tyske demokratiske republik --- Democratic German Republic --- German Democratic Republic --- East German Democratic Republic --- East Germany (Democratic Republic) --- DDR --- Germanskai︠a︡ Demokraticheskai︠a︡ Respublika --- Nĕmecká demokratická republika --- NDR --- Nimet︠s︡ʹka Demokratychna Respublika --- GDR --- Niemiecka Republika Demokratyczna --- NRD --- Német Demokratikus Köztársaság --- NDK --- Tyska demokratiska republiken --- Östtyskland --- Republica Democrată Germană --- Repubblica democratica tedesca --- Germany (Democratic Republic) --- D.D.R. --- N.D.R. --- G.D.R. --- N.R.D. --- N.D.K. --- República Democrática Alemana --- RDA --- R.D.A. --- Ostdeutschland --- Eastern Germany --- Cộng hòa dân chủ Đức --- Emotions --- First loves --- Friendship --- Intimacy (Psychology) --- Motion pictures --- Germany --- Germany (Territory under Allied occupation, 1945-1955) --- Germany (Territory under Allied occupation, 1945-1955 : British Zone) --- Germany (Territory under Allied occupation, 1945-1955 : French Zone) --- Germany (Territory under Allied occupation, 1945-1955 : Russian Zone) --- Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone) --- Germany (West) --- Literature: history & criticism