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Edith Wharton (1862- 1937), who lived nearly half of her life during the cinema age when she published many of her well-known works, acknowledged that she disliked the movies, characterizing them as an enemy of the imagination. Yet her fiction often referenced film and popular Hollywood culture, and she even sold the rights to several of her novels to Hollywood studios. Edith Wharton on Film explores these seeming contradictions and examines the relationships among Wharton' s writings, the popular culture in which she published them, and the sub
Visual perception in literature. --- American fiction --- Wharton, Edith, --- Jones, Edith Newbold --- Olivieri, David, --- Wharton, Edith Newbold Jones, --- Уортон, Эдит, --- Gouorton, Intith, --- Knowledge --- Film adaptations. --- Criticism and interpretation. --- Art.
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Edith Wharton was one of America's most popular and prolific writers, becoming the first woman to win the Pulitzer Prize for Fiction in 1921. In a publishing career spanning seven decades, Wharton lived and wrote through a period of tremendous social, cultural and historical change. Bringing together a team of international scholars, this volume provides the first substantial text dedicated to the various contexts that frame Wharton's remarkable career. Each essay offers a clearly argued and lucid assessment of Wharton's work as it relates to seven key areas: life and works, critical receptions, book and publishing history, arts and aesthetics, social designs, time and place, and literary milieux. These sections provide a broad and accessible resource for students coming to Wharton for the first time while offering scholars new critical insights.
Wharton, Edith, --- Jones, Edith Newbold --- Olivieri, David, --- Wharton, Edith Newbold Jones, --- Уортон, Эдит, --- Gouorton, Intith, --- Criticism and interpretation. --- Arts and Humanities --- Literature
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'Edith Wharton and Cosmopolitanism' explores Edith Wharton's relation to the concept of cosmopolitanism, as it extended toward her politics, her aesthetics, and her vision of cultural differences. Essays explore Wharton's cosmopolitan ideas and ideals, influences such as American art historian Charles Eliot Norton; her attitudes toward transatlanticism and globalization; and her art-historical discoveries in Europe.
Women intellectuals --- Cosmopolitanism. --- Authors, American --- Intellectuals --- Political science --- Internationalism --- Wharton, Edith, --- Jones, Edith Newbold --- Olivieri, David, --- Wharton, Edith Newbold Jones, --- Уортон, Эдит, --- Gouorton, Intith,
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In Edith Wharton's works, references to architecture, interior decoration, painting, sculpture, and fashion abound. As these essays demonstrate, art and objects are for Wharton evidence of cultural belief and reflect the values, assumptions, and customs of the burgeoning consumer culture in which she lived and about which she wrote. Furthermore, her meditations about issues of architecture, design, and decoration serve as important commentaries on her vision of the literary arts. In The Decoration of Houses she notes that furniture and bric-à-brac are often crowded into a room in order to com
American literature. --- Material culture in literature. --- Wharton, Edith, 1862-1937 -- Criticism and interpretation. --- Material culture in literature --- Wharton, Edith, --- Jones, Edith Newbold --- Olivieri, David, --- Wharton, Edith Newbold Jones, --- Уортон, Эдит, --- Gouorton, Intith, --- Criticism and interpretation.
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In August 1937 a small group of Edith Wharton's intimate friends gathered to pay their last respects at her funeral in France. Among that small group of people was her friend for many years, Lawrence 'Johnnie' Johnston, the creator of two famous gardens, at Hidcote Manor, Gloucestershire, in England and Serre de la Madone, Menton, on the Cote d'Azur in the south of France. Wharton and Johnston shared not only a love of nature and gardens but also a shared experience of life. Both were private people who had had very similar childhoods, experiencing the loss of their fathers at an early age. Ye
Women authors, American --- American women authors --- Wharton, Edith, --- Johnston, Lawrence Waterbury, --- Jones, Edith Newbold --- Olivieri, David, --- Wharton, Edith Newbold Jones, --- Уортон, Эдит, --- Gouorton, Intith, --- Homes and haunts. --- Hidcote Manor Garden (England)
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‘In Rattray’s hands, Edith Wharton is re-presented as a writer mastering a wide range of genres beyond the celebrated fiction. Wharton’s achievements in poetry, drama, architecture and design, criticism, memoir, and travel writing emerge as sites for her most confident, radical experiments. This game-changing book will lay to rest the image of the grand dame, showing Wharton to defy categorization and to be as “large” and full of “multitudes” as the Whitman she so admired.’ — Emily J. Orlando, Professor of English at Fairfield University, USA, and author of Edith Wharton and the Visual Arts (2007) Based on extensive new archival research, Edith Wharton and Genre: Beyond Fiction offers the first study of Wharton’s full engagement with original writing in genres outside those with which she has been most closely identified. So much more than an acclaimed novelist and short story writer, Wharton is reconsidered in this book as a controversial playwright, a gifted poet, a trailblazing travel writer, an innovative and subversive critic, a hugely influential design writer, and an author who overturned the conventions of autobiographical form. Her versatility across genres did not represent brief sidesteps, temporary diversions from what has long been read as her primary role as novelist. Each was pursued fully and whole-heartedly, speaking to Wharton’s very sense of herself as an artist and her connected vision of artistry and art. The stories of these other Edith Whartons, born through her extraordinary dexterity across a wide range of genres, and their impact on our understanding of her career, are the focus of this new study, revealing a bolder, more diverse, subversive and radical writer than has long been supposed.
Wharton, Edith, --- Criticism and interpretation. --- Jones, Edith Newbold --- Olivieri, David, --- Wharton, Edith Newbold Jones, --- Уортон, Эдит, --- Gouorton, Intith, --- America—Literatures. --- Literature, Modern—19th century. --- Literature, Modern—20th century. --- North American Literature. --- Nineteenth-Century Literature. --- Twentieth-Century Literature. --- America --- Literature, Modern --- Literature --- Literatures. --- 19th century. --- 20th century.
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Art and literature --- Visual perception in literature. --- History --- Wharton, Edith, --- Jones, Edith Newbold --- Olivieri, David, --- Wharton, Edith Newbold Jones, --- Уортон, Эдит, --- Gouorton, Intith, --- Criticism and interpretation. --- Knowledge --- Wharton, Edith Newbold --- Criticism and interpretation --- Art --- United States --- 20th century --- Visual perception in literature
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Women and literature --- Sentimentalism in literature. --- Realism in literature. --- Sentimentalism in literature --- Realism in literature --- English --- Languages & Literatures --- American Literature --- Neorealism (Literature) --- Magic realism (Literature) --- Mimesis in literature --- History --- Wharton, Edith, --- Jones, Edith Newbold --- Olivieri, David, --- Wharton, Edith Newbold Jones, --- Уортон, Эдит, --- Gouorton, Intith, --- Criticism and interpretation.
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Intertextuality. --- Influence (Literary, artistic, etc.) --- Women and literature --- Criticism --- Semiotics --- Artistic impact --- Artistic influence --- Impact (Literary, artistic, etc.) --- Literary impact --- Literary influence --- Literary tradition --- Tradition (Literature) --- Art --- Influence (Psychology) --- Literature --- Intermediality --- Intertextuality --- Originality in literature --- History --- Wharton, Edith, --- Jones, Edith Newbold --- Olivieri, David, --- Wharton, Edith Newbold Jones, --- Уортон, Эдит, --- Gouorton, Intith, --- Criticism and interpretation.
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Edith Wharton feared that the 'ill-bred', foreign and poor would overwhelm what was known as the American native elite. Drawing on a range of turn-of-the-century social documents, unpublished archival material and Wharton's major novels, Jennie Kassanoff argues that a fuller appreciation of American culture and democracy becomes available through a sustained engagement with these controversial views. She pursues her theme through Wharton's spirited participation in a variety of turn-of-the-century discourses - from euthanasia and tourism to pragmatism and Native Americans - to produce a truly interdisciplinary study of this major American writer. Kassanoff locates Wharton squarely in the middle of the debates on race, class and democratic pluralism at the turn of the twentieth century. Drawing on diverse cultural materials, she offers close interdisciplinary readings that will be of interest to scholars of American literature and culture.
Politics and literature --- Race relations in literature. --- Immigrants in literature. --- Race in literature. --- History --- Wharton, Edith, --- Jones, Edith Newbold --- Olivieri, David, --- Wharton, Edith Newbold Jones, --- Уортон, Эдит, --- Gouorton, Intith, --- Political and social views. --- Social stratification --- Sociology of culture --- Political sociology --- Thematology --- Sociology of literature --- Wharton, Edith --- United States --- Arts and Humanities --- Literature --- United States of America --- Race --- Writers --- Social class --- Book --- Conservatism
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