Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

With many excellent books on medieval stained glass available, the reader of this anthology may well ask: “what is the contribution of this collection?” In this book, we have chosen to step away from national, chronological, and regional models. Instead, we started with scholars doing interesting work in stained glass, and called upon colleagues to contribute studies that represent the diversity of approaches to the medium, as well as up-to-date bibliographies for work in the field. Contributors are: Wojciech Balus, Karine Boulanger, Sarah Brown, Elizabeth Carson Pastan, Madeline H. Caviness, Michael W. Cothren, Francesca Dell’Acqua, Uwe Gast, Françoise Gatouillat, Anne Granboulan, Anne F. Harris, Christine Hediger, Michel Hérold, Timothy B. Husband, Alyce A. Jordan, Herbert L. Kessler, David King, Brigitte Kurmann-Schwarz, Claudine Lautier, Ashley J. Laverock, Meredith P. Lillich, Isabelle Pallot-Frossard, Hartmut Scholz, Mary B. Shepard, Ellen M. Shortell, Nancy M. Thompson.

Glass painting and staining, Medieval --- 72.033 --- 726 --- 726 Religieuze bouwkunst. Kerkelijke bouwkunst. Sacrale architectuur --- Religieuze bouwkunst. Kerkelijke bouwkunst. Sacrale architectuur --- 72.033 Bouwstijlen van de Middeleeuwen (ca 476-1492) --- Bouwstijlen van de Middeleeuwen (ca 476-1492) --- Glass painting and staining, Medieval. --- Vitraux médiévaux --- Applied arts. Arts and crafts --- leadlights --- painted glass [visual works] --- anno 500-1499

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This book explores the display and reception of nineteenth-century stained glass in a secular exhibition context. International in scope, the book focuses on the global development of stained glass in this period as showcased at, and influenced by, these exhibitions. It recognises those who made and exhibited stained glass and demonstrates the long-lasting impact of the classification and modes of display at these events. A number of exhibits are illustrated in colour and are analysed in relation to stylistic developments, techniques and material innovations, as well as the broader iconographies of nationalism and imperialism in the nineteenth century.

Glass painting and staining. --- Glass painting and staining --- Glass, Stained --- Painted glass --- Stained glass --- Decoration and ornament --- Glass, Ornamental --- Glass art --- Glass craft --- Painting --- Glass, Colored --- Stained glass industry --- Exhibitions --- History --- Museology --- Glass --- Aesthetics of art --- Applied arts. Arts and crafts --- art history --- religious art --- stained glass [visual works] --- anno 1800-1899 --- Great Britain --- United States --- religieuze architectuur --- United States of America --- Stained glass, international exhibitions, art, industry, culture, imperialism, nationalism, international networks, consumption, global art history.