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Ayala Levin charts the settler colonial imagination and practices that undergirded Israeli architectural development aid in Africa.
Architecture --- Architecture, Italian --- Architecture, Modern --- Gruppo 7 (Group of architects)
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La réalité juridique de l’esclave à Rome et l’approche économique de l’esclavage ont longtemps figé nos représentations de la place de l’esclave dans la société romaine. C’est l’objet de cet ouvrage, à partir de la confrontation des sources littéraires et de la riche documentation épigraphique, iconographique et archéologique de Rome, du Latium et de la Campanie, du Ier siècle avant notre ère au IIIe siècle ap. J.-C., que de proposer une réévaluation de la situation de l’esclave sous l’angle de sa participation à la vie religieuse, en réfutant l’idée d’une exclusion induite par le modèle de la religion civique. En interrogeant les modalités d’accès des esclaves aux pratiques religieuses, leur participation aux sacrifices publics, aux cultes des uici, des collegia, de la familia, l’ouvrage pose la question de la nature de leur engagement, de leur initiative, voire de leur autorité dans le cadre d’une religion ritualiste, où les obligations sont conditionnées par le statut, mais où, pour les esclaves, la sociabilité joue un rôle fondamental. S’il n’y a pas de religion propre aux esclaves, c’est bien parce que chacun est à même de participer à la vie religieuse des structures romaines en vertu de l’enchevêtrement des réseaux auxquels il appartient.
Architecture, Renaissance --- Art, Renaissance --- Art, Italian --- Architecture --- Art --- Artists --- History --- Archivio di Stato di Venezia --- Architecture, Italian --- Documentation and information --- art [fine art] --- reference sources --- Renaissance --- anno 1400-1499 --- anno 1500-1599 --- Venice --- E-books --- Architecture, Italian - Italy - Venice - 15th century - Sources --- Architecture, Italian - Italy - Venice - 16th century - Sources --- Architecture, Renaissance - Italy - Venice - Sources --- Art, Italian - Italy - Venice - 15th century - Sources --- Art, Italian - Italy - Venice - 16th century - Sources --- Art, Renaissance - Italy - Venice - Sources --- Religion --- esclavage --- religion --- Haut-Empire --- art [discipline] --- Rome --- Religious life and customs. --- Politics and government --- History.
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Architecture --- Architecture, Italian --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Italian architecture --- History --- Italian influences --- Design and construction --- History of Southern Europe --- influence --- Ottoman [style] --- architects --- builders --- anno 1800-1999 --- anno 1700-1799 --- Italy --- Turkey --- Architecture, Primitive
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Annotation
Architecture --- Sustainable Architecture. --- Architecture And State. --- Architectural Design. --- Regional. --- Sustainability & Green Design. --- General. --- Design, Drafting, Drawing & Presentation. --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Design --- Structural design --- State and architecture --- Eco-architecture --- Environmentally conscious architecture --- Environmentally friendly architecture --- Green architecture --- Green building design --- Green design (Buildings) --- Sustainable design (Buildings) --- Sustainable design --- Architecture, Italian --- Architecture, Modern --- Gruppo 7 (Group of architects) --- Design and construction --- Architecture, Primitive --- History of architecture
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Die Reise nach Italien gehörte seit dem 17. Jahrhundert mit zum akademischen Ausbildungsprogramm von nordeuropäischen Architekten und Künstlern. Dieses sich mit der Grand Tour institutionalisierende Bildungsideal geriet seit der zweiten Hälfte des 19. Jahrhunderts in die Kritik und machte anderen Formen der Italienerfahrung Platz. Was sich im späten 19. und radikaler dann noch im 20. Jahrhundert wandelte, war die Einstellung der Italienreisenden zum Kanon klassischer Kunst. Die künstlerischen Anknüpfungen an die Antike und Renaissance nahmen nun freiere Formen an, wurden un- und außerakademisch bis hin zur zitathaft spielerischen Aneignung und Formcollage der Postmoderne. Die Frage, die das Buch zu stellen versucht, ist jene nach der Funktion der "Italienerfahrung" in der Ausbildung von Architekten, Künstlern und Kunstwissenschaftlern heute. Historische Beispiele der Befürwortung und Ablehnung der Grand Tour, Meinungen auch zum Für und Wider "klassischer" Bildungsinhalte in Zeiten der kulturellen Entgrenzung, umkreisen das Problem einer sich als gegenwärtig verstehenden "Erziehung zur Kunst".
Art, Italian --- Architecture, Italian --- Grand tours (Education) --- Visitors, Foreign --- Foreign visitors --- Foreigners --- Foreigners, Visiting --- International visitors --- Visiting foreigners --- Travelers --- Exchange of persons programs --- Education --- Voyages and travels --- Italian architecture --- Italian art --- Bamboccianti (Group of artists) --- Corrente (Group of artists) --- Cracking Art (Group of artists) --- Fronte nuovo delle arti (Group of artists) --- Geometria e ricerca (Group of artists) --- Girasole (Group of artists) --- Gruppo 1 (Group of artists) --- Gruppo Aniconismo dialettico (Group of artists) --- Gruppo di Como (Group of artists) --- Gruppo di Scicli (Group of artists) --- Gruppo Enne (Group of artists) --- Gruppo Forma uno (Group of artists) --- Italiens de Paris (Group of artists) --- Mutus Liber (Group of artists) --- Novecento italiano (Group of artists) --- Nuovi-nuovi (Group of artists) --- Origine (Group of artists) --- Sei pittori di Torino (Group of artists) --- Transvisionismo (Group of artists) --- Influence --- Italy (Visual Arts, Architecture). --- Modernism. --- Postmodernism. --- Reception of Antiquity.
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