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Wish-fulfilment as a singular means of satisfying ineluctable desire is a pivotal concept in classical psychoanalysis. Freud argued that it was the thread that united dreams, daydreams, phantasy, omnipotent thinking, neurotic and some psychotic symptoms such as hallucinations and delusions, art, myth, and religious illusions. The concept's theoretical exploration has been largely neglected within psychoanalysis since, but contemporary philosophers have recognised it as providing an explanatory model for much of the kind of irrational behaviour so problematic for psychiatry, social psycholog
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The Paradox of Female Sexual Desire in Crime and Punishment: On the Question of the Female Breast . This article examines references to the female breast found in Dostoevsky's novel Crime and Punishment to reveal the contradictory role of female sexuality in his literary world. Despite feminist inclinations and a personal familiarity with "emancipated love," he had particular difficulty with issues of women's sexual desire and female corporeality, associating them with danger. He actively suppressed the bodies and desire of physically attractive women in his work. In Crime and Punishment, for ex., both Sonia and Dunia attract male desire, but do not express their own. References to the female breast in his work reveal this deep ambivalence about the female body: now alluring, now menacing, now subject to torture, the breast can also be symbolically maternal or disease-ridden.
Desire. --- Desire --- Psychological aspects.
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David Lazar is a professor of creative writing and English at Columbia College Chicago and the editor of Hotel Amerika. His works include The Body of Brooklyn, Powder Town, and Essaying the Essay.
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The author believes the discovery of psychoanalysis cannot be separated from Freud's self-analysis and the foundational act of writing about his own dreams. Now that the hype, the 100 years of excitement and building up of the institution of psychoanalysis, is in decline, the time seems ripe for a return to the question of the truth of the discovery of the unconscious. This book seeks to take up this crisis and return psychoanalysis to a discourse relevant to contemporary thought as a more personal story of what it means to become a psychoanalyst. The work is divided into three sections, each organized around a major thinker whose work is defined by a definitive engagement with psychoanalysis: Adorno, Lacan and Badiou. Each section is marked by a careful reading of these thinkers, attempting to deconstruct their understanding of psychoanalysis, including how this work has shaped the author's identity as a psychoanalyst.
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A contemporary, interdisciplinary exploration of one of psychoanalysis's most foundational and fascinating areas of investigation. This anthology explores the vicissitudes and varieties of desire, its public and private, normative and transgressive, its light and dark expressions. It examines desire in its relational, cultural, clinical, physical, sexual and aesthetic forms. Collectively, these essays demonstrate an understanding of the difficulties of identifying and realizing desire, precisely because it is multiple, omnipresent, shape-shifting, ongoing and, perhaps, always ultimately unfulf
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Pamphleteers --- Biography. --- Desire, Artus --- Desire, Artus. --- Bibliography.
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This book challenges critical approaches that argue for Giacomo Leopardi's and Samuel Beckett's pessimism and nihilism. Such approaches stem from the quotation of Leopardi in Beckett's monograph Proust, as part of a discussion about the removal of desire. Nonetheless, in contrast to ataraxia as a form of ablation of desire, the desire of and for the Other is here presented as central in the two authors' oeuvres. Desire in Leopardi and Beckett is read as lying at the cusp between the theories of Jacques Lacan and Emmanuel Levinas, a desire that splits as much as it moulds the subject when called to address the Other (inspiring what Levinas terms 'infinity' as opposed to 'totality,' an infinity pitted against the nothingness crucial to pessimist and nihilist readings).
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"There is nothing more alienating than having your pleasures disputed by someone with a theory," writes Lauren Berlant. Yet the ways in which we live sexuality and intimacy have been profoundly shaped by theories -- especially psychoanalytic ones, which have helped to place sexuality and desire at the center of the modern story about what a person is and how her history should be read. At the same time, other modes of explanation have been offered by popular and mass culture. In these domains, sexual desire is not deemed the core story of life; it is mixed up with romance, a particular version of the story of love. In this small theoretical novella-cum-dictionary entry, Lauren Berlant engages love and desire in separate entries. In the first entry, Desire mainly describes the feeling one person has for something else: it is organized by psychoanalytic accounts of attachment, and tells briefly the history of their importance in critical theory and practice. The second entry, on Love, begins with an excursion into fantasy, moving away from the parent-child structure so central to psychoanalysis and looking instead at the centrality of context, environment, and history. The entry on Love describes some workings of romance across personal life and commodity culture, the place where subjects start to think about fantasy on behalf of their actual lives. Whether viewed psychoanalytically, institutionally, or ideologically, love is deemed always an outcome of fantasy. Without fantasy, there would be no love. Desire/Love takes us on a tour of all of the things that sentence might mean.
Psychoanalysis. --- Love. --- Desire (Philosophy) --- love --- sexuality --- psychoanalysis --- fantasy --- desire
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This book is a response to Friedrich Nietzsche’s provocative question: How much and how does ressentiment condition our daily life? During the twentieth century we witnessed veritable eruptions of this insidious emotion, and we are still witnesses of its proliferation at various levels of society. This book aims to explore, according to Rene Girard’s mimetic theory, the anthropological and social assumptions that make up ressentiment and to investigate its genesis. The analysis of ressentiment shows that this emotion evolves from mimetic desire: it is an affective experience that people have when a rival denies them opportunities or valuable resources (including status) that they consider to be socially accessible. It is a specific figure of mimetic desire that is typical of contemporary society, where the equality that is proclaimed at the level of values contrasts with striking inequalities of power and access to material resources. This dichotomy generates increasing tension between highly competitive and egalitarian mimetic desires and growing social inequalities. The ressentiment is ambiguous, and its ambiguity is that of mimetic desire itself, which we cannot dismiss from our lives. In that it provides occasions of conflict and baseness, ressentiment can fuel violence, discord, and injustice, but it also can open opportunities for growth and justice, and for inventing institutions that are better adapted to the transformations of our contemporary society.
Desire (Philosophy) --- Resentment. --- Emotions --- Philosophy
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