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This book investigates architecture as a form of diplomacy in the context of the Second World War at six major European international and national expositions that took place between 1937 and '59.
Exhibition buildings --- Symbolism in architecture. --- Architecture --- History --- Political aspects
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Multidisciplinary organizations
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Belgium
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History
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world's fairs
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exhibition buildings
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Architecture
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Public buildings
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Conix architects (Firm)
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Conix architects (Firma)
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Conix architects (Firme)
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Exhibition buildings
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Exhibitions buildings
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Expositions
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Constructions
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Belgium-EU Pavilion (Shanghai World Expo, 2010)
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Exposition universelle
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--Architecture
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--Exhibition buildings
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World's fairs
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72.07
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72.039
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725.91
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Architectuur ; Shanghai ; Expo 2010 ; Belgisch paviljoen
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Wereldtentoonstellingen ; Shanghai ; 2010
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Architectuur ; 2010 ; Conix Architects
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Conix, Christine °1955 (°Lier, België)
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Bruyninckx, Sylvie °1972 (°Leuven, België)
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Belgische architecten
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Paviljoenen
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061.41 <51 SHANGHAI>
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wereldtentoonstellingen
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Shanghai
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Belgisch paviljoen
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Architecten. Stedenbouwkundigen A - Z
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Architectuurgeschiedenis ; 2000 - 2050
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Openbare gebouwen ; tentoonstellingsgebouwen
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Wereldtentoonstellingen --
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This book explores ephemeral exhibition spaces between 1750 and 1918. The chapters focus on two related spaces: the domestic interior and its imagery, and exhibitions and museums that display both national/imperial identity and the otherness that lurks beyond a country's borders. What is revealed is that the same tension operates in these private and public realms; namely, that between identification and self-projection, on the one hand, and alienation, otherness and objectification on the other. In uncovering this, the authors show that the self, the citizen/society and the other are realities that are constantly being asserted, defined and objectified. This takes place, they demonstrate, in a ceaseless dynamic of projection versus alienation, and intimacy versus distancing.
Art --- Display of collectibles --- Exhibitions --- Museum exhibits --- Exhibition techniques --- History. --- Ephemeral art --- Art, Ephemeral --- Temporary art --- ephemeral exhibition spaces, domestic spaces, empire, nation state, otherness. --- Museology --- History of civilization --- exhibition buildings --- exhibiting --- temporary buildings --- anno 1800-1999 --- anno 1700-1799
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This book examines ephemeral exhibitions from 1750 to 1918. In an era of acceleration and elusiveness, these transient spaces functioned as microcosms in which reality was shown, simulated, staged, imagined, experienced and known. They therefore had a dimension of spectacle to them, as the volume demonstrates. Against this backdrop, the different chapters deal with a plethora of spaces and spatial installations: the wunderkammer, the spectacle garden, cosmoramas and panoramas, the literary space, the temporary museum, and the alternative exhibition space.
Ephemeral art --- Museum exhibits. --- Museums. --- Exhibitions --- History. --- Art, Ephemeral --- Temporary art --- Art --- ephemeral exhibition spaces, microcosm, spectacle, wunderkammer, herbarium, peep show. --- Museology --- History of civilization --- exhibition buildings --- temporary buildings --- spectacles [performances] --- anno 1800-1999 --- anno 1700-1799
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Nicht Sujet, sondern Vehikel: Anhand der Humboldt-Box in Berlin erproben die Autorinnen und Autoren dieses Bandes, was eine interdisziplinär betriebene Architekturwissenschaft leisten kann. Neugierig nähern sie sich dem umstrittenen temporären Bauwerk auf dem Schlossplatz und reagieren mit überraschenden Antworten auf Fragen, die sich an diesem zentralen Ort der Hauptstadt als einem Exempel für die Theorie des städtischen Palimpsests entzünden. Mit essayistischer Leichtigkeit und wohltuender Distanz zur ideologisch aufgeladenen »Schlossdebatte« entfaltet sich ein Kaleidoskop der Lesarten zeitgenössischer Architektur in ihrem städtisch-diskursiven Umfeld. »Es lohnt sich aufgrund des breiten Spektrums an (methodologischen) Zugängen und unterschiedlichen Lesarten und der damit einhergehenden Vielfalt der Beiträge [...], sich auf ›diese etwas andere Berliner Schloss-Debatte‹ [...] einzulassen.« Elisabeth Haid, dérive, 59 (2015) Besprochen in: Fraunhofer IRB, 7 (2014) Der Architekt, 5 (2014), Tom Steinert
Exhibition buildings --- Event centers --- Events centers --- Exhibit buildings --- Exhibit halls --- Exhibition centers --- Exhibition halls --- Exposition buildings --- Exposition centers --- Fair buildings --- Buildings --- Humboldt-Box (Berlin, Germany) --- Berlin (Germany) --- Buildings, structures, etc. --- Architekturwissenschaft; Architektur; Stadt; Urban Studies; Berlin; Humboldt-Box; Humboldt-Forum; Stadtplanung; Architecture; Urbanity; Urban Planning; Sociology --- Berlin. --- Sociology. --- Urban Planning. --- Urban Studies. --- Urbanity.
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Suitable for designers, architects, and museum professionals who conceive, design, plan, and produce thematic exhibitions, this book offers an introduction to the subject for students of architecture, interior design, exhibition design, scenography, and visual communication.
museumbeleid --- tentoonstellingen --- publiekswerking --- architectuur --- musea --- Exhibitions --- Museum exhibits --- Art objects --- Design --- Art objects. --- Design. --- Exhibition buildings. --- 069.53 --- Bric-a-brac --- Objects, Art --- Objets d'art --- Art --- Decoration and ornament --- Decorative arts --- Object (Aesthetics) --- Antiques --- Display techniques --- Displays, Museum --- Museum displays --- Museums --- Museum techniques --- Exhibits --- Expositions --- Industrial arts --- Industrial exhibitions --- International exhibitions --- Technology --- World's fairs --- Sales promotion --- Fairs --- Event centers --- Events centers --- Exhibit buildings --- Exhibit halls --- Exhibition centers --- Exhibition halls --- Exposition buildings --- Exposition centers --- Fair buildings --- Buildings --- Museologie ; collecties ; techniek van het tentoonstellen --- Expos (Exhibitions) --- Exhibition buildings --- Tentoonstellingen ; vormgeven ; ontwerpen --- Exhibition design --- Tentoonstellen ; typologieën --- Museologie ; museumpresentatie ; voorstelling van tentoonstellingen --- Exhibit stands --- Installations (Art) --- Installation art --- Exhibition stands --- Art, Modern --- Environment (Art) --- Stands (Furniture) --- Equipment and supplies --- Musea (Parijs) --- museumbeleid. --- tentoonstellingen. --- publiekswerking. --- architectuur. --- Musea (algemeen). --- museumcollecties. --- Musea (algemeen) --- museumcollecties
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A successful exhibition is a well-balanced mix of communication, knowledge transfer, interaction, adventure, and contemplation. This widely popular handbook, which has already gone through multiple printings, offers a concise presentation of the principal phases of an exhibition's genesis with striking examples from the design practice of the authors. Topics covered are conception and design, presentation and staging, representation and education, text and graphics, typography and layout, as well as light and lighting. The central design steps are illustrated with sketches, diagrams, plans, elevations, simulations, technical drawings, working models, and photographs. Bertron Schwarz Frey (Berlin and Ulm) is one of Germany's leading exhibition design firms. Eine gelungene Ausstellung ist das ausgewogene Resultat von Kommunikation, Wissensvermittlung, Interaktion, Erlebnis und Kontemplation. Dieses erfolgreiche, schon mehrmals nachgedruckte, nunmehr aktualisierte Handbuch erläutert in knapper Form die entscheidenden Entstehungsphasen von Ausstellungen anhand markanter Beispiele aus der Gestaltungspraxis der Autoren. Themen sind Konzeption und Entwurf, Präsentation und Inszenierung, Darstellung und Vermittlung, Text und Grafik, Typografie und Layout, Licht und Beleuchtung. Die grundlegenden Schritte im Gestaltungsprozess werden mit Skizzen, Diagrammen, Plänen, Wandabwicklungen, Simulationen, Darstellungen, Arbeitsmodellen und Fotos veranschaulicht. Bertron Schwarz Frey (Berlin und Ulm) zählt zu den führenden Büros für Ausstellungsgestaltung in Deutschland.
Museum techniques. --- Museum exhibits. --- Art --- Exhibition techniques. --- Art exhibition techniques --- Display techniques in art --- Exhibition techniques in art --- Display techniques --- Displays, Museum --- Museum displays --- Museums --- Museology --- Exhibitions --- Technique --- exhibitions [events] --- 369.6 --- standenbouw --- tentoonstellingsopbouw --- bedrijfseconomie, etaleren - organisatie en inrichting van tentoonstellingen --- designs [artistic concepts] --- Public buildings --- Architecture --- exhibition buildings --- Museum techniques --- Museum exhibits --- Exhibition techniques --- Ausstellungsgestaltung. --- Design. --- Museumsgestaltung. --- exhibition design. --- museum design. --- Ausstellung --- Gestaltung --- Museum --- ARCHITECTURE / Interior Design / General. --- Applied museology --- Museography --- Museum practices --- Museum studies --- Öffentliche Sammlung --- Museen --- Kulturelle Einrichtung --- Museumskunde --- Musealisierung --- Sammlung --- Gestalten --- Industriedesign --- Sonderausstellung --- Ausstellungen --- Kulturveranstaltung --- Markenwelt --- Öffentliche Sammlung
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"The 1931 International Colonial Exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The Exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--The site of rampant sensuality, decadence, and irrationality - and as the laboratory of Western rationality. In Hybrid Modernities, Patricia Morton shows how the Exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture." "Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the Colonial Exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced."--Jacket.
Exhibition buildings --- Architecture --- Art, Architecture & Applied Arts --- Event centers --- Events centers --- Exhibit buildings --- Exhibit halls --- Exhibition centers --- Exhibition halls --- Exposition buildings --- Exposition centers --- Fair buildings --- Buildings --- History --- Exposition coloniale internationale de Paris --- Colonial exhibition --- Exposition coloniale de Paris --- Exposition coloniale internationale --- Exposition internationale des colonies --- Paris. --- Buildings. --- France --- Bro-C'hall --- Fa-kuo --- Fa-lan-hsi --- Faguo --- Falanxi --- Falanxi Gongheguo --- Faransā --- Farānsah --- França --- Francia (Republic) --- Francija --- Francja --- Francland --- Francuska --- Franis --- Franḳraykh --- Frankreich --- Frankrig --- Frankrijk --- Frankrike --- Frankryk --- Fransa --- Fransa Respublikası --- Franse --- Franse Republiek --- Frant︠s︡ --- Frant︠s︡ Uls --- Frant︠s︡ii︠a︡ --- Frantsuzskai︠a︡ Rėspublika --- Frantsyi︠a︡ --- Franza --- French Republic --- Frencisc Cynewīse --- Frenska republika --- Furansu --- Furansu Kyōwakoku --- Gallia --- Gallia (Republic) --- Gallikē Dēmokratia --- Hyãsia --- Parancis --- Peurancih --- Phransiya --- Pransiya --- Pransya --- Prantsusmaa --- Pʻŭrangsŭ --- Ranska --- República Francesa --- Republica Franzesa --- Republika Francuska --- Republiḳah ha-Tsarfatit --- Republikang Pranses --- République française --- Tsarfat --- Tsorfat --- Γαλλική Δημοκρατία --- Γαλλία --- Франц --- Франц Улс --- Французская Рэспубліка --- Францыя --- Франция --- Френска република --- פראנקרייך --- צרפת --- רפובליקה הצרפתית --- فرانسه --- فرنسا --- フランス --- フランス共和国 --- 法国 --- 法蘭西 --- 法蘭西共和國 --- 프랑스 --- France (Provisional government, 1944-1946) --- Colonies
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