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Professor Shipp's purpose in the first edition of this book (published in 1953) was 'to examine in as much detail as possible the development of the language of the Iliad in some of its typical features, with careful attention to the spoken dialects involved and to the influence of metre'. In the second edition he widens the scope of his work to examine the Odyssey as well as the Iliad, and he extends its detail to include syntax as well as grammatical forms and to cover questions of vocabulary more comprehensively. The author's earlier conclusions are shown to be confirmed, and an important further result for the Odyssey has been to show the typical lateness of the language of moralizing passages.

Greek language --- Style. --- Homer --- Hóiméar --- Hūmīrūs --- Homeros --- Gomer --- Omir --- Omer --- Omero --- Ho-ma --- Homa --- Homérosz --- האמער --- הומירוס --- הומר --- הומרוס --- هومر --- هوميروس --- 荷马 --- Ὅμηρος --- Гамэр --- Hamėr --- Омир --- Homère --- Homero --- 호메로스 --- Homerosŭ --- Homērs --- Homeras --- Хомер --- ホメーロス --- ホメロス --- Гомер --- Homeri --- Hema --- Pseudo-Homer --- Pseudo Omero --- Language. --- Style --- Homerus --- Homer. --- Language --- Greek language - Style --- Homer - Language

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Moving away from the verbal and thematic repetitions that have dominated Homeric studies and exploiting the insights of cognitive psychology, this highly innovative and accessible study focuses on the visual poetics of the Iliad as the narrative is envisioned by the poet and rendered visible. It does so through a close analysis of the often-neglected 'Battle Books'. They here emerge as a coherently visualized narrative sequence rather than as a random series of combats, and this approach reveals, for instance, the significance of Sarpedon's attack on the Achaean Wall and Patroclus' path to destruction. In addition, Professor Strauss Clay suggests new ways of approaching ancient narratives: not only with one's ear, but also with one's eyes. She further argues that the loci system of mnemonics, usually attributed to Simonides, is already fully exploited by the Iliad poet to keep track of his cast of characters and to organize his narrative.

Poetics --- Epic poetry, Greek --- History --- History and criticism --- Theory, etc. --- Homer --- Hóiméar --- Hūmīrūs --- Homeros --- Gomer --- Omir --- Omer --- Omero --- Ho-ma --- Homa --- Homérosz --- האמער --- הומירוס --- הומר --- הומרוס --- هومر --- هوميروس --- 荷马 --- Ὅμηρος --- Гамэр --- Hamėr --- Омир --- Homère --- Homero --- 호메로스 --- Homerosŭ --- Homērs --- Homeras --- Хомер --- ホメーロス --- ホメロス --- Гомер --- Homeri --- Hema --- Pseudo-Homer --- Pseudo Omero --- Technique. --- Arts and Humanities --- Homerus

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"What reader could fail to be enthralled by the Iliad and the Odyssey, those greatest heroic epics of antiquity? Yet the author of those immortal text remains, in the end, an enigma. The central paradox of 'Homer' is that- while recognized as producing poetry of incomparable genius- even in the ancien world nobody knew who he was. As a result, the myth-maker became the subject of myth. For the satirist Lucian (c.125-180 CE) he ws a captive Babylonian. Other traditions have Homer born in Smyrna, or on the island of Chios, or portray him as a blind and wandering minstrel. In his new and authoritative introduction, Jonathan S. Burgess addresses fundamental questions of provenance and authorship. Besides conveying why these epics have been cherished down the ages, he discusses their historical sources and the possible impact on the Iliad and Odyssey of Indo-European, Near Eastern and folktale influences. Tracing their transmission through the ancient, medieval and modern periods, the author further examines questions of theory and reception."--Bloomsbury Publishing.

Homer. --- Homer --- Hóiméar --- Hūmīrūs --- Homeros --- Gomer --- Omir --- Omer --- Omero --- Ho-ma --- Homa --- Homérosz --- האמער --- הומירוס --- הומר --- הומרוס --- هومر --- هوميروس --- 荷马 --- Ὅμηρος --- Гамэр --- Hamėr --- Омир --- Homère --- Homero --- 호메로스 --- Homerosŭ --- Homērs --- Homeras --- Хомер --- ホメーロス --- ホメロス --- Гомер --- Homeri --- Hema --- Pseudo-Homer --- Pseudo Omero --- Literary studies: classical, early & medieval. --- Influence. --- Homerus. --- Homerus

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Quintus Smyrnaeus' Posthomerica (3rd century C.E.), the 14 book Greek epic on the Trojan War, is a text which has traditionally been overlooked in the main canon of Classical authors, and in fact until only recently has been largely ignored as a literary work. This book, the first monograph in English on the poem since 1904, examines the Posthomerica’s close relationship with the Homeric epics, with a focus on the originality and Late Antique interpretative bias of Quintus in his readings and emulation of Homer. The study deals specifically with three separate aspects of poetics, and their Homeric intertextuality: ecphrasis, gnomai, and similes, and their role within the poem’s narrative strategies, themes, and aims.

Quintus, --- Homer --- Appreciation. --- Appreciation --- Quintus. --- Epic poetry, Greek -- History and criticism. --- Literature. --- Quintus, Smyrnaeus, 4th cent. --- Languages & Literatures --- Greek & Latin Languages & Literatures --- Homeros --- Homère --- Quintus Smyrnaeus. --- Homerus --- Hóiméar --- Hūmīrūs --- Gomer --- Omir --- Omer --- Omero --- Ho-ma --- Homa --- Homérosz --- האמער --- הומירוס --- הומר --- הומרוס --- هومر --- هوميروس --- 荷马 --- Ὅμηρος --- Гамэр --- Hamėr --- Омир --- Homero --- 호메로스 --- Homerosŭ --- Homērs --- Homeras --- Хомер --- ホメーロス --- ホメロス --- Гомер --- Homeri --- Hema --- Pseudo-Homer --- Pseudo Omero --- LITERARY CRITICISM / General --- Quintus, - Smyrnaeus, - 4th cent. - Posthomerica --- Homer - Appreciation

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The subjects Wolf addressed have dominated Homeric scholarship for almost two centuries. Especially important were his analyses of the history of writing and of the nature of Alexandrian scholarship and his consideration of the composition of the Homeric poems--which set the terms for the analyst/unitarian controversy. His exploration of the history of the transmission of the text in antiquity opened a new field of research and transformed conceptions of the relations of ancient and modern culture.Originally published in 1986.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Epic poetry, Greek --- Mythology, Greek, in literature --- Oral tradition --- Languages & Literatures --- Greek & Latin Languages & Literatures --- History and criticism --- History and criticism. --- Homer --- Criticism and interpretation. --- Tradition, Oral --- Homeros --- Homère --- Oral communication --- Folklore --- Oral history --- Hóiméar --- Hūmīrūs --- Gomer --- Omir --- Omer --- Omero --- Ho-ma --- Homa --- Homérosz --- האמער --- הומירוס --- הומר --- הומרוס --- هومر --- هوميروس --- 荷马 --- Ὅμηρος --- Гамэр --- Hamėr --- Омир --- Homero --- 호메로스 --- Homerosŭ --- Homērs --- Homeras --- Хомер --- ホメーロス --- ホメロス --- Гомер --- Homeri --- Hema --- Pseudo-Homer --- Pseudo Omero