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World of Ovid's Metamorphoses
Mythology, Classical, in literature. --- Metamorphosis in literature. --- Ovid,
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This introduction to Ovid's 'Metamorphoses' considers how Ovid defined and shaped his narrative, its cultural context, and its vivid depictions of the cruelty of jealous gods, the pathos of human love, and the imaginative fantasy of flight, monsters, magic and illusion.
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From Zeus to Europa, to Pan and Prometheus, the myths of ancient Greece and Rome continue to pervade the numerous facets of our existence. The author explores the rich history and varying interpretations of classical myth in both high art and popular culture as well as its ongoing influence in modern society.
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Perhaps no other classical text has proved its versatility so much as Ovid's epic poem. A staple of undergraduate courses in Classical Studies, Latin, English and Comparative Literature, Metamorphoses is arguably one of the most important, canonical Latin texts and certainly among the most widely read and studied. Ovid's 'Metamorphoses': A Reader's Guide is the ideal companion to this epic classical text offering guidance on: • Literary, historical and cultural context • Key themes • Reading the text • Reception and influence • Further reading
Mythology, Classical, in literature. --- Fables, Latin --- Metamorphosis in literature. --- History and criticism. --- Ovid, --- Ovidius Naso, Publius.
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"Nymphs, maenads, goddesses, and heroines from classical myth populate nineteenth-century American women writers' fiction in exhilaratingly innovative, often multilayered and complex reconfigurations. Based on Hans Blumenberg's notion of artists' ongoing "work on myth" and Aby Warburg's concept of pathos formulae, this monograph explores the functions and meanings of these ancient figures in image and text. Examining novels by Catharine Maria Sedgwick, Lydia Maria Child, Elizabeth Stoddard, Elizabeth Stuart Phelps, and Louisa May Alcott, this study sheds light on the intellectual and aesthetic achievements of these American women writers across a range of genres. Furthermore, the book challenges the assumption that women's "work on myth" did not thrive until the second half of the nineteenth century and proposes an approach to overcome the persisting binary and gendered opposition between myth and logos as the 'feminine' body governed by irrationality and the 'male' rational mind."--
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Mythology, Classical, in literature. --- French drama (Tragedy) --- French drama --- Roman influences. --- Seneca, Lucius Annaeus, --- Racine, Jean, --- Influence. --- Knowledge --- Literature.
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"Laughing with Medusa" explores a series of interlinking questions, including: Does history's self-positioning as the successor of myth result in the exclusion of alternative narratives of the past? How does feminism exclude itself from certain historical discourses? Why has psychoanalysis placed myth at the centre of its explorations of the modern subject? Why are the Muses feminine? Do the categories of myth and politics intersect or are they mutually exclusive? Does feminism's recourse to myth offer a script of resistance or commit it to an ineffective utopianism? Covering a wide range of subject areas including poetry, philosophy, science, history, and psychoanalysis as well as classics, this book engages with these questions from a truly interdisciplinary perspective. It includes a specially commisssioned work of fiction, "'Iphigeneia's Wedding", by the poet Elizabeth Cook.
Mythology, Classical, in literature. --- Feminism and literature --- Mythology in literature --- Literature --- Women authors --- Feminism and literature. --- Mythology in literature. --- Literature and feminism
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This new monograph on Apuleius' Isis Book not only brings together the striking diversity of opinions that continues to enliven the discussion about Book Eleven, but also sets new trends in reading the narrative in its literary, religious, archaeological and cultural context. Through a variety of approaches, including religious studies (ancient mystery cult), textual criticism, literary analysis, Greek philosophy, and archaeology, the volume sheds new light on important aspects of Book XI, such as the relation with Plutarch’s De Iside et Osiride ; aspects of Lucius’ multifarious physical self-presentation as an Isiac convert; aspects of style and language (wordplay), textual problems in relation to problems of interpretation; the role of Providence and Platonic philosophy, and numerous metaliterary and intertextual aspects.
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ere for the first time, the various French treatments of Dido's tragic story in both drama and music, most of which are little known today are brought together, examined, compared, and evaluated. In Virgil's Aeneid, the evocation of Dido's great and fateful passion had an impact that has continued to reverberate over two millennia. Among the vast array of artistic creations that Dido has inspired are a number of French tragedies and musical works from the sixteenth to the twentieth centuries. This study embraces different genres and spans several centuries, demonstrates the commonalities betwe
Dido (Legendary character) -- Songs and music. --- Dido (Legendary character) in literature. --- French drama -- Roman influences. --- Mythology, Classical, in literature. --- French drama --- Mythology, Classical, in literature --- Romance Literatures --- Languages & Literatures --- French Literature --- French literature --- Roman influences --- Dido --- Alyssa --- Elissa --- Dido, --- In literature --- Dido (Legendary character)--in literature.
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Milton's 1645 Poems is a double volume, containing not only Milton's major English lyric poems - the Nativity ode, "L'Allegro" and "Il Penseroso," "Lycidas," and the mask Comusbut also his youthful elegiac poetry and his mature Latin poems, which were written in the late 1630s after his major English lyrics had already been composed. In Milton and the Tangles of Neaera's Hair, Stella P. Revard traces the development of the 1645 Poems as a double book and investigates the debt of both English and Latin poetry to the neo-Latin and vernacular traditions of the Continental Renaissance. Too often critics simply ignore the presence of the Latin poems in the 1645 volume. Revard claims that to do so is to miss Milton's implicit intention to balance English and Latin works. She shows that the Latin poems complement the English works and reveal even more than the English poems the personal, political, and cultural crises that Milton was undergoing in the late 1630s, supplementing what the earlier English poems and particularly "Lycidas" tell us about Milton's shift of direction as poet. The Latin poems also announce Milton's intention to write an epic in his native tongue rather than in Latin. Yet even as Milton renounced Latin as the language for poetical expression, he resolved to carry into his English poems the ideals of the Continental humanistic tradition. Milton and the Tangles of Neaera's Hair provides a balanced view of Milton's first book of poetry and also looks at poetry from the Continental Renaissance tradition hitherto neglected. The reader is better able to understand how this tradition shaped both the English and the Latin poetry of Milton's 1645 Poems, as well as how Milton became the poet who went on to write the greatest epic in the English language, Paradise Lost.
Classical poetry --- Mythology, Classical, in literature. --- English poetry --- Mythology, Classical, in literature --- English Literature --- English --- Languages & Literatures --- English literature --- Appreciation --- Classical influences. --- Classical influences --- Milton, John, --- Milṭan, Jān, --- Milʹton, Dzhon, --- Милтон, Джон, --- Miltūn, Zhūn, --- Miltonus, Joannes, --- J. M. --- M., J. --- Milʹton, Īoann, --- Milton, Gioanni, --- Milton, Giovanni, --- מילטאן, יאהאן --- מילטאן, יוחנן --- מילטון, ג׳והן --- מלטן, יוחנן --- Knowledge --- Mythology. --- Literature.
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