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"Image in Outline introduces the reader to Lou Andreas-Salom 's significant engagement with modern thought. Through detailed explorations of some of her major texts, Brinker-Gabler examines Andreas-Salom 's contributions to contemporary discourses on meaning, perception, memory, and the unconscious. Situating her analyses within Andreas-Salom 's historical, social, and intellectual contexts, this new reading utilizes a theoretical frame informed by thinkers such as Benjamin, Bergson, and Freud, and current theoretical perspectives by Irigaray, Grosz, and Kristeva. Brinker-Gabler argues that Andreas-Salom - committed as she was to the "double direction" of rigorous thought and individual nuancing - refocused dominant visions of gender, sexuality, culture, religion, and creativity through a female lens. In a "disenchanted world" (Weber), Andreas-Salom offered an image epistemology or "aesthetics of b(u)ilding," as Brinker-Gabler calls it, that seeks to retrieve the multilayered past embedded in individuals and cultural forms, thus providing positive accounts of sexual and cultural difference, experience, narcissism, and creativity in modern life."--Bloomsbury Publishing.

German literature --- History and criticism. --- Andreas-Salomé, Lou, --- Salomé, Lou, --- Salomé, Louise von, --- Salomé, Lou Andreas-, --- Salomé, Lou von, --- Von Salomé, Louise, --- Andréa Salomé, Lou, --- Саломе, Лу, --- Salome, Lu, --- Lou, Henri, --- Criticism and interpretation. --- Andreas-Salome, Lou,

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With its first public live performance in Paris on 11th Feb. 1896, Oscar Wilde's 'Salome' took on female embodied form which signalled the start of 'her' phenomenal journey through the history of the arts in the 20th century. This volume explores 'Salome's' appropriation and reincarnation across the arts.

Strauss, Richard, --- Wilde, Oscar, --- Salome --- Drama --- History and criticism.

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We are not even sure of her name: it might have been Salome; it might have been Herodias, like that of her mother. She appears very briefly in only two Gospels of the New Testament, to dance at the birthday party of her mother's husband, Herod, the ruler of Galilee. We do not even know what kind of dance it was, but we are told that it pleased him so much he promised to give her anything she asked for. What she asked for was the head of the prophet John the Baptist on a platter. Although she disappeared from the pages of the New Testament, Salome and her dance have puzzled, intrigued, and dominated the imaginations of artists and writers for two millennia. Was she just a little girl doing a dance performance to please her stepfather and his guests? Was she a nubile teenager bent on seduction? Was she a femme fatale who aimed at the death of a man she could not possess? The Salome Project is the result of a quest to answer these questions and find the real Salome.

Salome --- 225-05 --- 225-05 Personen in het Nieuwe Testament. Apostelen --- Personen in het Nieuwe Testament. Apostelen

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"Kenneth Atkinson tells the exciting story of the nine decades of the Hasmonean rule of Judea (152 - 63 BCE) by going beyond the accounts of the Hasmoneans in Josephus in order to bring together new evidence to reconstruct how the Hasmonean family transformed their kingdom into a state that lasted until the arrival of the Romans. Atkinson reconstructs the relationships between the Hasmonean state and the rulers of the Seleucid and the Ptolemaic Empires, the Itureans, the Nabateans, the Parthians, the Armenians, the Cappadocians, and the Roman Republic. He draws on a variety of previously unused sources, including papyrological documentation, inscriptions, archaeological evidence, numismatics, Dead Sea Scrolls, pseudepigrapha, and textual sources from the Hellenistic to the Byzantine periods. Atkinson also explores how Josephus's political and social situation in Flavian Rome affected his accounts of the Hasmoneans and why any study of the Hasmonean state must go beyond Josephus to gain a full appreciation of this unique historical period that shaped Second Temple Judaism, and created the conditions for the rise of the Herodian dynasty and the emergence of Christianity. No extract of this content is available for preview."--Bloomsbury Publishing Kenneth Atkinson tells the exciting story of the nine decades of the Hasmonean rule of Judea (152 - 63 BCE) by going beyond the accounts of the Hasmoneans in Josephus in order to bring together new evidence to reconstruct how the Hasmonean family transformed their kingdom into a state that lasted until the arrival of the Romans. Atkinson reconstructs the relationships between the Hasmonean state and the rulers of the Seleucid and the Ptolemaic Empires, the Itureans, the Nabateans, the Parthians, the Armenians, the Cappadocians, and the Roman Republic. He draws on a variety of previously unused sources, including papyrological documentation, inscriptions, archaeological evidence, numismatics, Dead Sea Scrolls, pseudepigrapha, and textual sources from the Hellenistic to the Byzantine periods. Atkinson also explores how Josephus's political and social situation in Flavian Rome affected his accounts of the Hasmoneans and why any study of the Hasmonean state must go beyond Josephus to gain a full appreciation of this unique historical period that shaped Second Temple Judaism, and created the conditions for the rise of the Herodian dynasty and the emergence of Christianity

Jews --- History --- Josephus, Flavius. --- Hyrcanus, John, --- Aristobulus --- Alexander Jannaeus, --- Salome Alexandra, --- 168 B.C.-135 A.D. --- Judaea (Region) --- Eretz Israel --- Middle East --- History. --- Kings and rulers.

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In this boldly innovative book, renowned musicologist Susan McClary presents an illuminating cultural interpretation of the Italian madrigal, one of the most influential repertories of the Renaissance. A genre that sought to produce simulations in sound of complex interiorities, the madrigal introduced into music a vast range of new signifying practices: musical representations of emotions, desire, gender stereotypes, reason, madness, tensions between mind and body, and much more. In doing so, it not only greatly expanded the expressive agendas of European music but also recorded certain assumptions of the time concerning selfhood, making it an invaluable resource for understanding the history of Western subjectivity. Modal Subjectivities covers the span of the sixteenth-century polyphonic madrigal, from its early manifestations in Philippe Verdelot's settings of Machiavelli in the 1520's through the tortured chromatic experiments of Carlo Gesualdo. Although McClary takes the lyrics into account in shaping her readings, she focuses particularly on the details of the music itself-the principal site of the genre's self-fashionings. In order to work effectively with musical meanings in this pretonal repertory, she also develops an analytical method that allows her to unravel the sophisticated allegorical structures characteristic of the madrigal. This pathbreaking book demonstrates how we might glean insights into a culture on the basis of its nonverbal artistic enterprises.

Madrigals, Italian --- Musical form --- Music theory --- Music and language. --- Language and music --- Language and languages --- Music --- Form, Musical --- Italian madrigals --- Madrigals (Music), Italian --- Analysis, appreciation. --- History --- Theory --- aesthetics. --- affect. --- amarilli. --- archadelt. --- choral music. --- church music. --- cipriano de rore. --- ensemble music. --- gender. --- gesualdo. --- guarini. --- history. --- human subjectivity. --- identity. --- interiority. --- italian culture. --- italy. --- machiavelli. --- madrigals. --- marenzio. --- michelangelo. --- mirtillo. --- monteverdi. --- music history. --- music theory. --- music. --- musica nova. --- musical form. --- musical grammar. --- musical modes. --- musicology. --- nonfiction. --- renaissance. --- salome. --- self fashioning. --- self. --- sexuality. --- social history. --- strauss. --- verdelot. --- wert. --- willaert. --- zarlino.