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A superb and fluent account, Jacqueline Overton begins each of her chapters with a short yet poignant verse, setting the stage for her narrative. We learn of Stevenson's upbringing and young adulthood in Scotland, the hardships he endured while attending his schooling, and the setbacks with his health that would prove a challenge throughout his entire life. We learn how Stevenson spent much of his adulthood travelling, either to warmer places for recovery of health or with a view to settling longer term. His writing is shown to be intermittent; Stevenson would alternately not work at all for months at a time, then produce flurries of writing, much of which was quickly acclaimed upon publication. Robert Louis Stevenson is most famous for a series of novels, most famously the Strange Case of Dr Jekyll and Mr Hyde, which depicts a doctor with two vastly different personalities. Overton deftly quotes the author's letters, and we are given a sense of Stevenson as a person - a man whose sensitive soul determined to make life an adventure worthy of the telling in biographies such as this.
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La reconnaissance internationale de la littérature latino-américaine au xxe siècle a souvent été interprétée par la critique comme le résultat de l'influence du modernisme, notamment du fait de la lecture, par les auteurs latino-américains, de James Joyce et de William Faulkner. Certains auteurs du continent, pourtant, suivent des stratégies différentes : Jorge Luis Borges, Adolfo Bioy Casares et Julio Cortázar utilisent les fondements de la littérature de genre (fantastique, policier, horreur, roman d'aventure) pour opérer une reconfiguration des équilibres entre le champ littéraire et les injonctions politiques, nationales et culturelles. Dans cette optique, le travail de Robert Louis Stevenson sur les publics populaires et le croisement des genres peut être vu comme une référence idéale, du fait de sa complexité et de son souci constant d'expérimentation. Cette étude a donc pour objectif de proposer une comparaison de ces stratégies, en utilisant les outils conceptuels et théoriques de la littérature mondiale. Stevenson, de cette manière, pourra apparaître comme un modèle herméneutique pour penser et résoudre certains dilemmes géographiques et littéraires.
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Stevenson often collaborated with family and friends, sometimes acknowledged, and sometimes not. Early collaborations include three plays with his friend W. E. Henley. Later, he and his wife Fanny co-authored a volume of linked stories, More New Arabian Nights, also titled The Dynamiter (1885). Fanny also contributed to other work that did not bear her name. The core question this book addresses is this: why would this famous and successful author of Scottish literature practice a creative process that burdened him with inexpert collaborators? The answer to this question can be found in Stevenson's novels, essays and plays, which dramatize the process of collaboration. Stevenson creates an alternate narrative of what it means to write-one that challenges commonly held assumptions about the celebrity cult of the author in Victorian literature, and notions of authorship more generally.
Stevenson, Robert Louis, --- Criticism and interpretation. --- Authorship --- Collaboration.
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Explores the detailed evolution of the work through its composition and on to eventual posthumous publicationStevenson’s unfinished masterpiece, Weir of Hermiston, has been entirely re-edited from his final manuscript, revealing a rather different novel from the bowdlerised version produced posthumously by his friends. Stevenson revisits the conflicted Scotland of James Hogg and Sir Walter Scott as well as that of his own youth, but also responds to recently published novels. A substantial essay explores the complex early publication history of the novel on both sides of the Atlantic, and exceptionally full explanatory notes and other background information are provided.Key FeaturesComposition history drawing on draft manuscript material in various US archivesDetailed account of early publication history in the UK and USAFull Explanatory Notes including citations from draft manuscript material as well as historical and geographical notes
Stevenson, Robert Louis, --- Country life --- Fathers and sons --- Judges --- Young men --- LITERARY COLLECTIONS / General.
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Acknowledgments ix. Introduction: The Written Pacific 1 (14). ``Talk languished on the beach'': The Possibility of Reciprocity in Robert Louis Stevenson's In the South Seas. 15 (58). ``These words are so changed in a native's mouth'': Contested Frames in William Ellis's Polynesian Researches. 73 (44). ``Typee or Happar?'': The Unsettling Narrative of Typee. 117 (56). ``This is the Book I write'': Jack London's Strictly Limited Body. 173 (54). Conclusion: Ambivalence and Authorship 227 (6). Notes 233 (32). Works Cited 265 (8). Index.
Travelers' writings, English --- Travelers' writings, American --- Travel in literature. --- History and criticism. --- Stevenson, Robert Louis, --- Ellis, William, --- Melville, Herman, --- London, Jack, --- Oceania --- In literature.
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This wide-ranging collection is the first to set Robert Louis Stevenson in detailed social, political and literary contexts. The book takes account of both Stevenson's extraordinary thematic and generic diversity and his geographical range. The chapters explore his relation to late nineteenth-century publishing, psychology, travel, the colonial world, and the emergence of modernism. Through the pivotal figure of Stevenson, the collection explores how literary publishing and cultural life changed across the second half of the nineteenth century. Stevenson emerges as a complex writer, author bot
English literature --- History and criticism. --- Stevenson, Robert Louis, --- Stevenson, R. L. --- Shih-ti-wen-sheng, --- Stivenson, Robert Lui, --- Sŭtʻibŭnsŭn, R. L., --- Sitivensin, Robert Loui, --- Stivenson, Robert Lʹi︠u︡is, --- Stivensoni, Robert Luis, --- Sṭivanasana, Āra. Ela., --- Sṭivansana, Āra. Ela., --- Stivenson, R. L. --- Стивенсон, Роберт Луис, --- Стивенсон. Р. Л., --- סטיבנסון, רוברט לואיס --- סטיבנסון, רוברט לואיס, --- סטיבנסון, רוברט לואס --- סטיבנסון, ר״ל, --- סטיבנסון, ר. ל. --- סטיווענסאן, ראבערט ל. --- סטיװענסאן, ראבערט לואיס, --- 史蒂文森罗伯特·路易斯, --- R.L. スティーブンソン, --- R.L.スティーヴンソン, --- R. L. S. --- RLS --- S., R. L. --- Criticism and interpretation. --- Stevenson, Robert Louis
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"Edinburgh, late 1860s. Two young gentlemen, two cousins, their heads buzzing with ideas and artistic ambitions (one dreaming of becoming a painter, the other a writer), hang over North Bridge 'watching the trains start southward and longing to start too', the Walter Scott Monument a short way behind them, but their eyes fixed on the tracks leading South-not just to London, but also, and especially, to Paris." In their Introduction the editors of this volume see this scene with his painter co...
English literature --- Literature, Victorian --- Victorian literature --- Stevenson, Robert Louis, --- Stevenson, R. L. --- Shih-ti-wen-sheng, --- Stivenson, Robert Lui, --- Sŭtʻibŭnsŭn, R. L., --- Sitivensin, Robert Loui, --- Stivenson, Robert Lʹi︠u︡is, --- Stivensoni, Robert Luis, --- Sṭivanasana, Āra. Ela., --- Sṭivansana, Āra. Ela., --- Stivenson, R. L. --- Стивенсон, Роберт Луис, --- Стивенсон. Р. Л., --- סטיבנסון, רוברט לואיס --- סטיבנסון, רוברט לואיס, --- סטיבנסון, רוברט לואס --- סטיבנסון, ר״ל, --- סטיבנסון, ר. ל. --- סטיווענסאן, ראבערט ל. --- סטיװענסאן, ראבערט לואיס, --- 史蒂文森罗伯特·路易斯, --- R.L. スティーブンソン, --- R.L.スティーヴンソン, --- R. L. S. --- RLS --- S., R. L. --- Criticism and interpretation. --- Influence. --- Stevenson, Robert Louis --- Europa.
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