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Art, innovation, education, science, medicine, communication, literature, are some of the ingredients that will compose this event, making it a great opportunity for exchange between different areas. Not to mention the place of the occasion, the Museum of Art of Bahia, an important cultural heritage of our country.
Visual Arts - General --- Visual Arts --- Art, Architecture & Applied Arts --- ART
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Another launch of the Propg Digital Collection, through the Academic Culture seal, Recipient Women is configured as a work of great sensitivity when performing the intersection between art and feminine feelings. to emphasize that this book is not restricted to the generalities of “gender studies”. The proposal here extrapolates this concept. The author makes a multiple analysis: how does the woman see life and how does she express herself? How does the feminine appear in art? From these fundamental questions, it goes to the ancestral peoples, unveiling the first votive sculptures evoking fertility. Then, she makes a study of contemporary women artists, showing how each one expresses her anxieties and experiences through her works, highlighting Frida Khalo, Louise Bourgeois, Celeida Tostes, among others. Finally, Flavia Leme makes a self-assessment of her own work as an artist, expressing her creative process. Recipient women carry out a courageous study, which does not hesitate to reveal to the reader the afflictions, thoughts and projections of the feminine. In analysing art, this book touches the hearts of many women and discovers experiences that could not be known otherwise.
Visual Arts - General --- Visual Arts --- Art, Architecture & Applied Arts --- ART
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Auparavant bien symbolique, le paysage devient, à l'ère postindustrielle, une marchandise que l'on peut fabriquer ou consommer, une forme du spectacle. Or, l'observation des interactions entre "land art", art public, mobilité, tourisme et photographie - considérée dans sa forme artistique ou comme pratique commune - montre que l'apport de l'art, en dépit de la tendance actuelle qui tend à l'occulter à mesure que les enjeux paysagers suscitent une attention grandissante, reste fondamental. Cet ouvrage propose ainsi un regard critique sur les modalités contemporaines d'élaboration, de perception et d'appréciation des paysages.
Visual Arts --- Art, Architecture & Applied Arts --- Visual Arts - General
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Visual Arts --- Art, Architecture & Applied Arts --- Visual Arts - General
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Visual Arts - General --- Visual Arts --- Art, Architecture & Applied Arts
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Art --- Education --- Visual Arts - General
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Art --- Historiography --- History --- Visual Arts - General
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LE VISAGE ET LE PORTRAIT sont les deux points d’ancrage de la problématique abordée dans cet ouvrage. Ces termes révèlent une certaine classification dans la pensée occidentale, et ils traduisent en même temps leur relative fragilité. Que recouvrent aujourd’hui ces mots et quels contenus cachent-ils ? On découvrira que le portrait ou le visage restent deux régimes de valeurs, et bien qu’ils entretiennent des liens de fraternité, ils ont eu chacun leur propre fortune, parallèle et lointaine, antagoniste parfois, se rejoignant souvent. L’histoire de l’art doit revenir sur ces vocables incertains pour montrer qu’ils touchent de très près la question humaine et par conséquent la tête, la face, la figure, l’apparence, l’intériorité et pourquoi pas, l’identité. Les auteurs ont largement adopté une vision pluridisciplinaire, convoquant l’archéologie antique et médiévale, l’histoire de l’art de l’Antiquité à nos jours, l’anthropologie et une approche des médias variée qui associe sculpture, peinture, numismatique, livre illustré, affiche, architecture, textes, photographie et graphisme.
Visual Arts --- Art, Architecture & Applied Arts --- Visual Arts - General --- performance (art) --- portrait (art) --- autoportrait --- sculpture
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Numerous studies on Syria and Jordan are carried out by doctoral students from French (Paris 1 Panthéon-Sorbonne, Lyon, Aix-Marseille, Strasbourg), Syrian (Universities of Damascus, Aleppo, Latakia) and foreign (Barcelona, Rome) universities, (London, Girona) within the framework of international collaborations. The dynamism of research on Southern Syria organized by the French Archaeological Mission in Southern Syria (MAFSS) and the General Directorate of Antiquities and Museums of Syria (DGAMS) is reflected among other things by the number of doctoral students involved. Fieldwork, archaeological operations, architectural surveys and studies, thematic surveys, epigraphic inventories occupy a central place in these studies, allowing the production of original data which renews the issues and interpretations. These studies are carried out in close collaboration with the DGAMS and the support of the Ministry of Foreign and European Affairs (MAEE). The round table organized by the French Archaeological Mission in Southern Syria (MAFSS) in December 2011 was an opportunity to bring together these young researchers working on Southern Syria, to which several others working in other regions of Syria and Jordan. They were able to present their subjects, show the progress of their research and their results, and discuss with all the researchers working in the region. The articles report on this innovative work.
Visual Arts --- Art, Architecture & Applied Arts --- Visual Arts - General --- archéologie --- territoire --- architecture
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