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Holocaust survivors. --- Holocaust survivors --- Survivors, Holocaust --- Victims
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The Handbook of Polish, Czech, and Slovak Holocaust Fiction aims to increase the visibility and show the versatility of works from East-Central European countries. It is the first encyclopedic work to bridge the gap between the literary production of countries that are considered to be main sites of the Holocaust and their recognition in international academic and public discourse. It contains over 100 entries offering not only facts about the content and motifs but also pointing out the characteristic fictional features of each work and its meaning for academic discourse and wider reception in the country of origin and abroad. The publication will appeal to the academic and broader public interested in the representation of the Holocaust, anti-Semitism, and World War II in literature and the arts. Besides prose, it also considers poetry and theatrical plays from 1943 through 2018. An introduction to the historical events and cultural developments in Poland, Czechoslovakia, Czech, and Slovak Republic, and their impact on the artistic output helps to contextualise the motif changes and fictional strategies that authors have been applying for decades. The publication is the result of long-term scholarly cooperation of specialists from four countries and several dozen academic centres.
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The persecution and mass-murder of the Jews during World War II would not have been possible without the modern organization of division of labor. Moreover, the perpetrators were dependent on human and organizational resources they could not always control by hierarchy and coercion. Instead, the persecution of the Jews was based, to a large extent, on a web of inter-organizational relations encompassing a broad variety of non-hierarchical cooperation as well as rivalry and competition. Based on newly accessible government and corporate archives, this volume combines fresh evidence with an i
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Drawing on testimonies, memoirs, and personal interviews of Holocaust survivors, Francoise S. Ouzan reveals how the experience of Nazi persecution impacted their personal reconstruction, rehabilitation, and reintegration into a free society. She sheds light on the life trajectories of various groups of Jews, including displaced persons, partisan fighters, hidden children, and refugees from Nazism. Ouzan shows that personal success is not only a unifying factor among these survivors but is part of an ethos that unified ideas of homeland, social justice, togetherness, and individual aspirations in the redemptive experience. Exploring how Holocaust survivors rebuilt their lives after World War II, Ouzan tells the story of how they coped with adversity and psychic trauma to contribute to the culture and society of their country of residence.
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In Fitting Memory, a critical survey of Holocaust memorials and monuments in Europe, Israel, and the United States, focuses on the archeological remains at the original sites of Nazi terror that constituted the first postwar memorials. The Holocaust is defined here as the collective designation for the Nazi mass murder of Jews, Gypsies, and the handicapped, and for the related persecution of Soviet prisoners of war and other ideological opponents. Featuring text and photographs, the book shows how, since 1945, memorials and monuments have served not only as secular shrines but also as temporal institutions reflecting changing public constituencies and distinctive political, social, and cultural contexts. Sybil Milton poses two vital and provocative questions about the memorials built since the end of World War II: to whose memory were they built and how fitting are they? The Holocaust is a sensitive subject whose representation demands accuracy and tact. This volume, the first study of the institutionalization of public memory, demonstrates how various nations, politicians, and designers have attempted to do justice to this subject in public art and sculpture, and shows how national origin, ethnic allegiance, political ideology, and prevailing artistic style determined how memorials were commissioned and installed. His book also provides an analysis of the complex interrelationship between authentic historic sites, disparate and ephemeral representations of history, and the changing political and aesthetic balance between commemoration and escapism. In Fitting Memory includes 127 specially commissioned photographs by Ira Nowinski from seven European countries, the United States, and Israel. Nine additional photographs are by photographers from Italy, the Netherlands, and the United States. The riveting images provide the reader with a visual tour of these memorials. Along with an annotated bibliography, the volume also contains a comprehensive list of memorials in Europe, the United States, and Israel. An essential tool for those interested in visiting the memorial sites, the book also provides a critical analysis for serious researchers.The Holocaust is a sensitive subject whose representation demands accuracy and tact. This volume, the first study of the institutionalization of public memory, demonstrates how various nations, politicians, and designers have attempted to do justice to this subject in public art and sculpture, and shows how national origin, ethnic allegiance, political ideology, and prevailing artistic style determined how memorials were commissioned and installed. This book also provides an analysis of the complex interrelationship between authentic historic sites, disparate and ephemeral representations of history, and the changing political and aesthetic balance between commemoration and escapism. In Fitting Memory includes 127 specially commissioned photographs by Ira Nowinski from seven European countries, the United States, and Israel. Nine additional photographs are by photographers from Italy, the Netherlands, and the United States. The riveting images provide the reader with a visual tour of these memorials. Along with an annotated bibliography, the volume also contains a comprehensive list of memorials in Europe, the United States, and Israel. An essential tool for those interested in visiting the memorial sites, the book also provides a critical analysis for serious researchers.
Holocaust memorials. --- Holocaust, Jewish (1939-1945) --- Influence. --- Memorials --- The Holocaust
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"Writing in Witness is a broad survey of the most important writing about the Holocaust produced by eyewitnesses at the time and soon after. Whether they intended to spark resistance and undermine Nazi authority, to comfort family and community, to beseech God, or to leave a memorial record for posterity, the writers reflect on the power and limitations of the written word in the face of events often thought to be beyond representation. The diaries, journals, letters, poems, and other works were created across a geography reaching from the Baltics to the Balkans, from the Atlantic coast to the heart of the Soviet Union, and in a wide array of original languages. Along with the readings, Eric J. Sundquist's introductions provide a comprehensive account of the Holocaust as a historical event. Including works by prominent authors such as Primo Levi and Elie Wiesel as well as those little known or anonymous, Writing in Witness provides, in vital and memorable examples, a wide-ranging account of the Holocaust by those who felt the imperative to give written testimony"--Publisher's website.
Holocaust survivors --- Holocaust, Jewish (1939-1945) --- Survivors, Holocaust --- Victims
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Despite some pioneering work by scholars, historians still find it hard to listen to the voices of women in the Holocaust. Learning more about both the women who survived and who did not survive the Nazi genocide - through the testimony of the women themselves - not only increases our understanding of this terrible period in history, but necessarily makes us rethink our relationship to the gendered nature of knowledge itself. This book is about the ways in which socially and culturally constructed gender roles were placed under extreme pressure; yet also about the fact that gender continued to operate as an important arbiter of experience. Indeed, paradoxically enough, the extreme conditions of the Holocaust - even of the death camps- may have reinforced the importance of gender. Whilst men and women for no greater reason than their being Jewish were sentenced to death, gender nevertheless operated as a crucial signifier for survival. Pregnant women as well as women accompanied by young children or those deemed incapable of hard labour were sent straight to the gas chambers. The very qualities which made them women were manipulated and exploited by the Nazis as a source of dehumanization. Moreover, women were less likely to survive the camps even if they were not selected for death. Gender therefore became a matter of life and death.
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After Representation? explores one of the major issues in Holocaust studiesùthe intersection of memory and ethics in artistic expression, particularly within literature. As experts in the study of literature and culture, the scholars in this collection examine the shifting cultural contexts for Holocaust representation and reveal how writersùwhether they write as witnesses to the Holocaust or at an imaginative distance from the Nazi genocideùarticulate the shadowy borderline between fact and fiction, between event and expression, and between the condition of life endured in atrocity and the hope of a meaningful existence. What imaginative literature brings to the study of the Holocaust is an ability to test the limits of language and its conventions. After Representation? moves beyond the suspicion of representation and explores the changing meaning of the Holocaust for different generations, audiences, and contexts.
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