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Drawing --- Art --- printing techniques --- hedendaagse kunst --- druktechnieken --- drawing techniques --- Contemporary [style of art] --- tekentechnieken --- materialen (kunst) --- materials [matter] --- Kunst --- Kunstbeschouwing ; technieken en materialen --- 7.02 --- Kunst ; technieken --- Engraving --- 20th century --- Belgium --- Sculpture --- Stained glass windows --- Pottery --- Painting --- materials [substances]
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Introduction to International Trade Finance covers the complete cycle of international trade and explains the roles of the specialist operators. Introduction to International Trade Finance aims to:*Guide the reader through every phase of typical trade transactions, examining in detail the relationships between the various parties involved and explaining the facilities employed. *Demonstrate the range of banking instruments and techniques available to exporters and importers which enable them to enter into contracts, confident that whichever method of settleme
Materials processing --- materials [substances] --- juweelkunst --- materialen (kunst) --- Gems --- Gems. --- Precious stones. --- Social Sciences and Humanities. Economics --- International Economy --- International Trade. --- International finance. --- International trade. --- International trade -- Finance. --- Small enterprises. --- AA / International- internationaal --- 333.712.3 --- invoerkrediet en uitvoerkrediet
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"Mimesis or imitation comes in many forms, from animal and plant mimicry to artistic copies 'from life'. This book offers eighteen essays addressing mimesis from diverse perspectives. From the recreation of galaxies to Iron Age torcs, from counterfeit dragons to modern waxworks, each chapter explores facets of material mimesis from prehistory to the present day. The Matter of Mimesis invites readers to compare practices of imitating, faking, and synthesising materials and objects in nature, art and science, raising questions about skills, techniques and politics of making that transcend historical and disciplinary boundaries and inform both our past and future worlds"--
Mimesis in art. --- Imitation in art. --- Imitation. --- Aesthetics of art --- mimesis --- Mimicry --- Influence (Psychology) --- Social influence --- Art --- Pictures --- Appropriation (Art) --- Mimesis in art --- Imitation in art --- Reproduction --- Copying --- materials [substances]
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Agency is a key theme that cross-cuts a wide raft of disciplines in the humanities, social sciences and beyond; yet it is invariably discussed separately behind closed disciplinary doors. Within archaeology, agency has been characterized as a uniquely human attribute, and a means of incorporating individual intentionality into theoretical discourse. In other domains, however, notions of non-human and ‘material’ agency have been finding currency, and it is our aim to introduce some of these themes into archaeology and develop a non-anthropocentric approach to agency. It is anticipated that such a perspective will not only help us achieve more convincing interpretations of the past, giving a more active role to material culture, but also throw new light on the changing role of artifacts in the present and the future. This book is a groundbreaking attempt to address questions of non-human and material agency from a wide range of perspectives and disciplines: archaeology, anthropology, sociology, cognitive science, philosophy, and economics. The editors and authors demonstrate that a distributed, relational approach to agency, incorporating both humans and artifacts, has important ramifications for how we understand material culture.
archaeology --- technology --- archeologie --- Materials sciences --- materials [matter] --- materialen (technologie) --- Archeology --- Social Sciences. --- Archaeology. --- Anthropology. --- Cultural Heritage. --- Social sciences. --- Humanities. --- Sciences sociales --- Sciences humaines --- Anthropologie --- Archéologie --- Material culture --- Agent (Philosophy) --- Agent (Philosophy). --- Material culture. --- Social archaeology. --- Anthropology --- Social Sciences --- Social & Cultural Anthropology --- History & Archaeology --- Archaeology --- Agency (Philosophy) --- Agents --- Person (Philosophy) --- History. --- SOCIAL SCIENCE --- Sciences humaines. --- Sciences sociales. --- Philosophy. --- Cultural heritage. --- Philosophy and science. --- Philosophy of Science. --- Culture --- Folklore --- Technology --- Act (Philosophy) --- Philosophy --- Methodology --- Science --- Cultural heritage --- Cultural patrimony --- Cultural resources --- Heritage property --- National heritage --- National patrimony --- National treasure --- Patrimony, Cultural --- Treasure, National --- Property --- World Heritage areas --- Human beings --- Auxiliary sciences of history --- History --- Antiquities --- Normal science --- Philosophy of science --- technology [general associated concept] --- materials [substances] --- Science and philosophy --- Primitive societies --- Social sciences
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Die Anwendung von Smart Materials in der Architektur ist ein innovatives, dynamisches Gebiet, in dem Forschung, Entwicklung und Anwendung im Bau fließend ineinander übergehen. Smart Materials mit ihren reversiblen Wechseleigenschaften reagieren auf Stimuli wie Licht, Temperatur und elektrisches Feld. Sie verändern sich dabei in Form, Farbe, Viskosität etc. Zu den faszinierendsten Entwicklungen gehören Formgedächtnis-Legierungen oder Phase Change Materials. Es lassen sich beispielsweise selbsttätig agierende kinetische Fassaden entwickeln oder auch Tapeten, die temperatur- und lichtabhängig Farbe und Muster verändern. Das Buch stellt einleitend die Entwicklung dieser Materialien sowie ihren Kontext in Architektur, Design und Kunst dar. Ein systematisch aufgebauter Überblick mit zahlreichen Details über Eigenschaften, Technologien, Produkte und Projekte wird anhand von rund zwanzig Materialgruppen gegeben. The use of smart materials in architecture is a dynamic and innovative area merging research, development, and use. Smart materials, with their reversible characteristics, respond to stimuli such as light, temperature, and electrical field by changing their form, color, viscosity, etc. One of the most fascinating developments is the advent of Phase Change Materials. These materials make it possible, for example, to develop self-acting, kinetic facades and wallpaper that changes its color and pattern based on temperature and light. The book presents the development of these materials and also describes their use in the contexts of architecture, design, and art. It offers a systematic overview with a detailed discussion of properties, technologies, products, and projects based on twenty groups of smart materials.
691 --- 691.8 --- 691.9 --- 691(035) --- 749.02 --- Architectuur industrieel design 21ste eeuw nieuwe materialen --- Smart materials --- 745.02 --- Axel Ritter --- architectuur --- bouwmaterialen --- design --- interieurvormgeving --- kunststoffen --- materiaalkunde --- materialen --- meubelkunst --- polymeren --- slimme materialen --- 688 --- 772.9 --- composieten --- glas --- metaal --- plastiek --- productdesign --- thermoharders --- thermoplasten --- titanium --- zonne --- zonneënergie --- Bouwmaterialen (architectuur) --- Kunststof --- Synthetische materialen --- Smart materials (design) --- Bouwmaterialen handboeken --- Meubelkunst en design technieken, materialen --- productdesign, afzonderlijke voorwerpen --- materials [matter] --- Innovation technologique --- Materiau intelligent --- Building materials. Building technology --- Architectuur ; industrieel design ; 21ste eeuw ; nieuwe materialen --- Bouwmaterialen ; handboeken --- Meubelkunst en design ; technieken, materialen --- Smart materials. --- Building materials. --- Architectural materials --- Architecture --- Building --- Building supplies --- Buildings --- Construction materials --- Structural materials --- Materials --- Adaptive materials --- Intelligent materials --- Sense-able materials --- Building materials --- Architecture intérieure --- Design --- Bouwmaterialen ; smart materials --- materials [substances]
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Dit boek biedt een heldere methode aan om de uiterlijke verschijningsvormen van kunstwerken systematisch te onderzoeken. In tien hoofdstukken leidt de auteur ons langs beeldaspecten als : materiaal en techniek, afmetingen en kader, ruimte, licht, kleur, beweging, standpunt en plaatsing, waarnemening en abstractie.
7.04 --- 7.01:003 --- Visual perception --- 7.01 --- abstractie --- bewegen --- compositieleer --- kleurenleer --- kunst --- kunstbeschouwing --- kunsttheorie --- kunstzinnige vorming --- licht --- materialen --- ruimtelijkheid --- vormleer --- 700.6 --- De Visser, Ad --- kunstfilosofie --- kunstgeschiedenis --- semiotiek --- Optics, Psychological --- Vision --- 7.01:003 Semiotiek van kunst en esthetiek --- Semiotiek van kunst en esthetiek --- 7.04 Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- kunst algemeen, filosofie van de kunst en vormgeving --- beeldende kunst, filosofie, esthetiek en kritiek der beeldende kunst --- Psychological aspects --- Kunsten --- Filosofie --- Kunstbeschouwing --- Art appreciation --- Abstractie --- Beweging --- Brons --- Compositie --- Computerkunst --- Contouren --- Driedimensionaal --- Factuur --- Fotografie --- Glas --- Grafiek --- Kader --- Kleurenspectrum --- Kleur --- Kunst --- Land art --- Licht --- Lichtkunst --- Materiaal --- Mozaïek --- Ordonnantie --- Perspectief --- Plasticiteit --- Plastiek --- Portret --- Realisme --- Ruimte --- Ruimtelijkheid --- Schaduw --- Schilderen --- Schriftuur --- Sculptuur --- Techniek --- Tekenen --- Textiel --- Textuur --- Tweedimensionaal --- Video --- Waarneming --- Perception --- Visual discrimination --- Appreciation of art --- Art --- Art criticism --- Analysis, interpretation, appreciation --- #KVHA:Kunst --- #KVHA:Kunstbeschouwing --- Kunsttheorie ; kunstbeschouwing --- Kunst ; theorie, filosofie, esthetica --- #gsdbA --- History --- art history --- art theory --- color [perceived attribute] --- space [composition concept] --- light [energy] --- motion --- Iconography --- techniques [processes] --- perception --- materials [matter] --- art criticism --- Aesthetics of art --- Aesthetics --- kunsteducatie --- Art appreciation. --- Visual perception. --- Lerarenopleiding --- (vak)didactiek menswetenschappen. --- Kunstesthetica --- kunstkritiek --- materials [substances] --- 696 --- Kunstgeschiedenis --- Oudheid --- China --- Romeinse Rijk --- Hellenisme --- Griekenland --- Hellas --- Film --- Literatuur --- Muziek --- Schilderkunst --- Tekenkunst --- Vlaanderen --- Vlaams --- Emigratie --- Vrouw --- Reception of art --- Reception --- CDL --- kunstbeschouwing.
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