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Michael Peppard provides a historical and theological reassessment of the oldest Christian building ever discovered, the third-century house-church at Dura-Europos. Contrary to commonly held assumptions about Christian initiation, Peppard contends that rituals here did not primarily embody notions of death and resurrection. Rather, he portrays the motifs of the church's wall paintings as those of empowerment, healing, marriage, and incarnation, while boldly reidentifying the figure of a woman formerly believed to be a repentant sinner as the Virgin Mary. This richly illustrated volume is a breakthrough work that enhances our understanding of early Christianity at the nexus of Bible, art, and ritual.
Art, Early Christian --- Christian art and symbolism --- History, Ancient. --- Dura-Europos (Extinct city)
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Archaeology and art --- Art paléochrétien --- Archéologie et art --- Art paléochrétien --- Archéologie et art --- Christianity and art --- Art, Ancient --- Art, Early Christian --- Christian art and symbolism --- Mediterranean Region --- Art, Greek --- Christianisme et art --- Art grec --- Exhibitions --- Expositions --- Art and Christianity --- Art --- Art and archaeology --- Archaeology and art - Greece - Exhibitions --- Christianity and art - Greece - Exhibitions --- Art, Ancient - Greece --- Art, Early Christian - Exhibitions --- Art, Ancient - Mediterranean Region - Exhibitions. --- Christian art and symbolism - To 500 - Exhibitions --- Christian art and symbolism - Medieval, 500-1500 - Exhibitions --- Christian art and symbolism - Medieval
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