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Did East Asian literatures, ranging from bronze inscriptions to zazen treatises, lack a concept of authorship before their integration into classical modernity? The answer depends on how one defines the term author. Starting out with a critical review of recent theories of authorship, this edited volume distinguishes various author functions, which can be distributed among several individuals and need not be integrated into a single source of textual meaning. Chinese, Japanese, and Korean literary traditions cover the whole spectrum from 'weak' composite to 'strong' individual forms and concepts of authorship. Divisions on this scale can be equated with gradual differences in the range of self-articulation. Contributors are Roland Altenburger, Alexander Beecroft, Marion Eggert, Simone Müller, Christian Schwermann, and Raji Steineck.

East Asian literature --- Authorship --- Authoring (Authorship) --- Writing (Authorship) --- Literature --- History and criticism. --- Social aspects

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« L'Auteur » demeure une notion problématique qui émerge lentement dans l'histoire, qui reste indécise, recule, disparaît. Auctor, il est d'abord celui qui augmente, accroît, puis le garant de l'œuvre que le génie humain ajoute à la création. Il est aussi celui qui, par son œuvre, détient l'autorité. Aujourd'hui, la notion d'auteur reste mouvante et polysémique, incontournable et protéiforme, et c'est bien imprudemment qu'on avait annoncé naguère « la mort de l'auteur ». Reste toujours l'œuvre qui, en tant que création de forme originale, définit son auteur. C'est cette problématique de « l'auteur » de textes littéraires qui est soumise ici aux points de vue d'historiens de la littérature, de critiques littéraires, de juristes, d'une bibliothécaire, d'un éditeur et d'un psychanaliste.

Literature --- Authorship --- Congresses --- 82.081 --- -Authoring (Authorship) --- Writing (Authorship) --- Creatief schrijven --- -Creatief schrijven --- 82.081 Creatief schrijven --- -82.081 Creatief schrijven --- Authoring (Authorship) --- Congresses. --- Authorship - Congresses --- écrivain --- psychologie --- auteur --- Écrivains --- Création (esthétique) --- Auteur (esthétique) --- Psychologie --- Congrès --- Aspect psychologique

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Authorship --- Dutch language --- Collaboration. --- Style. --- -Dutch language --- -#A0005A --- 695 Communicatie --- Flemish language --- Netherlandic language --- Germanic languages --- Authoring (Authorship) --- Writing (Authorship) --- Literature --- Collaboration --- Style --- #A0005A --- Collaboration in literature --- Collaborative authorship --- Joint authors --- Literary collaboration --- Artistic collaboration --- Copyright --- Collective writing

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This book throws new light on the question of authorship in the Latin literature of the later medieval and in the early modern periods. It shows that authorship was not something to be automatically assumed in an empathic sense, but was chiefly to be found in the paratextual features of works and was imparted by them. This study examines the strategies and tools used by authors circa 1350-1650, to assert their authorial aspirations. Enenkel demonstrates how they incorporated themselves into secular, ecclesiastical, spiritual and intellectual power structures. He shows that in doing so rituals linked to the ceremonial of ruling, played a fundamental role, for example, the ritual presentation of a book or the crowning of a poet. Furthermore Enenkel establishes a series of qualifications for entry to the Respublica litteraria, with which the authors of books announced their claims to authorship.

Latin literature, Medieval and modern --- Authorship --- Authors, Medieval. --- Literature, Medieval --- Transmission of texts --- Literary transmission --- Manuscript transmission --- Textual transmission --- Criticism, Textual --- Editions --- Manuscripts --- Medieval authors --- Authoring (Authorship) --- Writing (Authorship) --- Literature --- History and criticism. --- History --- Criticism, Textual. --- Humanities

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The volume assesses performative structures within a variety of medieval forms of textuality, from vernacular literature to records of parliamentary proceedings, from prayer books to musical composition. Three issues are central to the volume: the role of ritual speech acts; the way in which authorship can be seen as created within medieval texts rather than as a given category; finally, phenomena of voice, created and situated between citation and repetition, especially in forms which appropriate and transform literary tradition. The volume encompasses articles by historians and musicologists as well as literary scholars. It spans European literature from the West (French, German, Italian) to the East (Church Slavonic), vernacular and Latin; it contrasts modes of liturgical meditation in the Western and Eastern Church with secular plays and songs, and it brings together studies on the character of 'voice' in major medieval authors such as Dante with examples of Dante-reception in the early twentieth century.

Authorship -- History -- To 1500. --- Civilization, Medieval. --- Literature, Medieval -- History and criticism -- Theory, etc. --- Philosophy, Medieval. --- Literature, Medieval --- Authorship --- Civilization, Medieval --- Philosophy, Medieval --- Literature - General --- Languages & Literatures --- Theory, etc --- History and criticism --- History --- Theory, etc. --- Medieval philosophy --- Medieval civilization --- Middle Ages --- Authoring (Authorship) --- Writing (Authorship) --- Civilization --- Scholasticism --- Chivalry --- Renaissance --- Literature --- Medieval Culture. --- Medieval Literature. --- Performative.