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Feminist and psychoanalytic analysis of spectatorship.

Photography --- Feminist art criticism. --- Art criticism --- Feminist criticism --- Philosophy.

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This collection brings together representative work from Sina Queyras's poetic oeuvre. Queyras is at the forefront of contemporary discussions of genre, gender, and criticism of poetry. Her influential blog-turned-literary-magazine, Lemon Hound, published up-and-coming writers as well as work by established literary figures in Canada and abroad. The title, Barking & Biting, makes reference to the tagline of Lemon Hound: "more bark than bite." Erin Wunker's introduction situates Queyras's poetry within ongoing debates around genre and gender. It suggests that Queyras's writing, be it literary critical, poetic, or prose, is precise and probing but avoids toothless critical positioning. It pays particular attention to Queyras's poetic innovations and intertextual references to other women writers, and suggests that read together Queyras's oeuvre embodies an engaged feminist attention-what Joan Retallack has called a "poethics," where poetry and ethics are bound together as a mode of inquiry and aesthetics. Queyras's poems trace a consistent concern with both poetic genealogies and the status of women. Thus far, twenty-first century poetics have been preoccupied with two ongoing conversations: the perceived divide between lyric and conceptual writing, and the underrepresentation of women and other non-dominant subjects. While these two topics may seem epistemologically and ethically separate, they are in fact irrevocably intertwined. Questions of form are, at their root, questions of visibility and recognizability. Will the reader know a poem when she sees it? And will that seeing alter her perception of the world? And how is the form of the poem altered, productively or un-, by the identity politics of its author? These are the questions that undergird Queyras's poetry and guide the editorial selections. Queyras's poetics pay dogged attention to questions of both representation and genre. In each of her poetry collections she inhabits tenets of the traditional lyric but leverages the genre open to let conceptualism in. This is demonstrated in her afterword, "Lyric Conceptualism, a Manifesto in Progress," which was first published on the Poetry Foundation's Harriet the Blog. In it Queyras puts forward a set of maxims about the possibilities of a new hybrid, the conceptual lyric poem.

Canadian poetry --- Canadian poetry. --- Canadian poetry. --- Canadian women. --- avant-garde. --- feminism. --- feminist art. --- feminist poetics. --- lyric conceptualism. --- poetics. --- poetry. --- women.

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Pinar Tuzcu explores rapper Lady Bitch Ray's performance and particularly her use of the term Kanackin. She combines issues of popfeminism and postmigration through speculative methodology and invites us to forget prescriptive definitions by proposing paradoxicality as a source to diversify our concepts of feminism. By means of Situational Analysis, her study works through the contradictory forms of positioning that occurred in group discussions with Turkish-German university students about Lady Bitch Ray's music videos. In this book, Tuzcu argues that these contradictory forms of positioning bear traces of emergent discourses that reach beyond Western-centric descriptions of feminism in Germany. »Der Diskurs um postmigrantische Popkultur in Deutschland wird durch Pinars Buch um einen vielversprechenden Beitrag erweitert. Lady Bitch Ray als hybride Kunstfigur passt in diesen Diskurs gut rein.« Patricia Bonaudo, Missy Magazine, 06.09.2016 Besprochen in: IDA-NRW, 1 (2017)

Hip-hop feminism. --- Women rap musicians --- Rap musicians --- Women musicians --- Feminism --- Postmigration; Popfeminism; Decolonial Approaches; Feminist Art & Performance; Rap; Gender; Popular Culture; Postcolonialism; Gender Studies; Cultural Studies; Sociology --- Cultural Studies. --- Decolonial Approaches. --- Feminist Art & Performance. --- Gender Studies. --- Gender. --- Popfeminism. --- Popular Culture. --- Postcolonialism. --- Rap. --- Sociology.

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art criticism --- sculpting --- Sculpture --- feminism --- Brancusi, Constantin --- Feminist art criticism --- #BIBC:ruil --- Constantin Brancusi 1876-1957 °Hobitza, Roemenië. Leefde sedert 1904 te Parijs. --- Beeldhouwkunst ; 20ste eeuw ; Constantin Brancusi --- 73.07 --- Art criticism --- Feminist criticism --- Beeldhouwkunst ; beeldhouwers A - Z --- -Criticism and interpretation --- Feminist art criticism. --- Constantin Brancusi 1876-1957 °Hobitza, Roemenië. Leefde sedert 1904 te Parijs --- Brancusi, Constantin, --- Brîncuși, Constantin, --- Criticism and interpretation. --- Brynkush, Konstantin,

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This text analyses how three artists - Adrian Piper, Nancy Spero & Mary Kelly - worked with the visual dimensions of language in the 1960s & 1970s. These artists used text and images of writing to challenge female stereotypes, addressing viewers & asking them to participate in the project of imagining women beyond familiar words & images of subordination. The work explores this dimension of their work through the concept of 'the other woman', a utopian wish to reach women & correspond with them across similarities & differences. To make the artwork's aspirations more concrete, it places the artists in correspondence with three writers - Angela Davis, Valerie Solanas, & Laura Mulvey - who also addressed the limited range of images through which women are allowed to become visible.

Women in art. --- Women in literature. --- Other (Philosophy) in art. --- Other (Philosophy) in literature. --- Feminist art criticism. --- Art and literature. --- Literature and art --- Literature and painting --- Literature and sculpture --- Painting and literature --- Sculpture and literature --- Aesthetics --- Literature --- Art criticism --- Feminist criticism --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Piper, Adrian, --- Spero, Nancy, --- Kelly, Mary, --- Spero, Nenci, --- Piper, Adrian M. S., --- Criticism and interpretation. --- LETTERATURA FEMMINISTA. --- ARTE FEMMINISTA. --- Address. --- Adrian Piper. --- Aggression. --- Black Feminism. --- Codex Artaud. --- Feminist Art. --- Feminist Imaginary. --- Feminist Publics. --- Feminist Visual Studies. --- Feminist Writing. --- Mary Kelly. --- Maternal Femininity. --- Nancy Spero. --- Post-Partum Document. --- Racism. --- Textual Correspondences. --- The Sign Woman. --- black female body. --- fantasies. --- fears. --- images of writing. --- visual compositions. --- women artists.