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Der 13. Band des Internationalen Jahrbuchs für Futurismus-Studien untersucht einige der zahlreichen Facetten des Neo-Futurismus von der zweiten Hälfte des 20. Jahrhunderts bis in die Gegenwart. Dabei geht es sowohl um die Wiederbelebung als auch um die Fortsetzung der futuristischen Ästhetik, sei es in expliziter Form oder als Palimpsest, in einer Vielzahl von Medien: Literatur, bildende Kunst, Design, Musik, Architektur, Theater und Fotografie. Die Aufsätze decken ein breites Spektrum der Forschung ab und dokumentieren in Fallstudien mit transnationaler und interdisziplinärer Ausrichtung die vielfältigen Formen des Neo-Futurismus in verschiedenen Teilen der Welt. Sie gehen der Frage nach, wie die intellektuelle und künstlerische Perspektive des historischen Futurismus mehr oder weniger bewusst, originalgetreu und originell aufgegriffen und weiterentwickelt wurde, und setzen sich dabei mit den kulturellen, sozialen und politischen Missverständnissen des ursprünglichen Futurismus auseinander. Interdisziplinäre Beiträge zum Neo-Futurismus als globales Phänomen This thirteenth volume of the International Yearbook of Futurism Studies explores some of the many facets of Neo-Futurism from the second half of the twentieth century to the present day. It looks both at the revival and the continuation of Futurist aesthetics, whether in explicit or palimpsest form, in a variety of media: literature, visual art, design, music, architecture, theatre and photography. The essays delve into the broad spectrum of artistic research and offer a good dozen case studies that document, with a transnational and interdisciplinary orientation, the manifold forms of Neo-Futurism in various parts of the world. They investigate how historical Futurism's intellectual and artistic perspective was appropriated and developed further in a more or less conscious, faithful and original way, all the while confronting its progenitor's cultural, social and political misconceptions. Interdisciplinary contributions to neo-futurism as a global phenomenon
Futurism (Art) --- Futurism (Literary movement) --- History. --- 20th century. --- Avant-garde. --- art. --- futurism. --- literature. --- music. --- neo-futurism.
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The Futurist art movement, founded by F.T. Marinetti in 1909, had a worldwide impact and made important contributions to avant-garde movements in many countries and artistic genres. This yearbook is designed to act as a medium of communication amongst a global community of Futurism scholars. It has an interdisciplinary orientation and presents new research on Futurism across national borders in fields such as literature, fine arts, music, theatre, design, etc. Apart from essays and country surveys it contains reports, reviews and an annual bibliography of recent Futurism studies.
Futurism (Art) --- Futurism (Literary movement) --- Cubo-futurism --- Futurism --- Literary movements --- Action in art --- Aesthetics --- Art --- Art, Modern --- Modernism (Art) --- Painting --- Cubo-futurism (Art) --- Post-impressionism (Art)
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The special issue of International Yearbook of Futurism Studies for 2015 will investigate the role of Futurism in the œuvre of a number of Women artists and writers. These include a number of women actively supporting Futurism (e.g. Růžena Zátková, Edyth von Haynau, Olga Rozanova, Eva Kühn), others periodically involved with the movement (e.g. Valentine de Saint Point, Aleksandra Ekster, Mary Swanzy), others again inspired only by certain aspects of the movement (e.g. Natalia Goncharova, Alice Bailly, Giovanna Klien). Several artists operated on the margins of a Futurist inspired aesthetics, but they felt attracted to Futurism because of its support for women artists or because of its innovatory roles in the social and intellectual spheres. Most of the artists covered in Volume 5 (2015) are far from straightforward cases, but exactly because of this they can offer genuinely new insights into a still largely under-researched domain of twentieth-century art and literature. Guiding questions for these investigations are: How did these women come into contact with Futurist ideas? Was it first-hand knowledge (poems, paintings, manifestos etc) or second-hand knowledge (usually newspaper reports or personal conversions with artists who had been in contact with Futurism)? How did the women respond to the (positive or negative) reports? How did this show up in their œuvre? How did it influence their subsequent, often non-Futurist, career?
Futurism (Art) --- Futurism (Literary movement) --- Cubo-futurism --- Futurism --- Literary movements --- Action in art --- Aesthetics --- Art --- Art, Modern --- Modernism (Art) --- Painting --- Cubo-futurism (Art) --- Post-impressionism (Art)
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The Handbook of International Futurism is the first reference work ever to presents in a comparative fashion all media and countries in which the movement, initiated by F.T. Marinetti in 1909, exercised a particularly noteworthy influence. The handbook offers a synthesis of the state of scholarship regarding the international radiation of Futurism and its influence in some fifteen artistic disciplines and thirty-eight countries. While acknowledging the great achievements of the movement in the visual and literary arts of Italy and Russia, it treats Futurism as an international, multidisciplinary phenomenon that left a lasting mark on the manifold artistic manifestations of the early twentieth-century avant-garde. Hundreds of artists, who in some phase in their career absorbed Futurist ideas and stylistic devices, are presented in the context of their national traditions, their international connections and the media in which they were predominantly active. The handbook acts as a kind of multi-disciplinary, geographical encyclopaedia of Futurism and gives scholars with varying levels of experience a detailed overview of all countries and disciplines in which the movement had a major impact.
Futurism (Art) --- Futurism (Literary movement) --- Cubo-futurism --- Futurism --- Literary movements --- Action in art --- Aesthetics --- Art --- Art, Modern --- Modernism (Art) --- Painting --- Cubo-futurism (Art) --- Post-impressionism (Art)
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In diesem Band wird erstmals aus interdisziplinärer und vergleichender Perspektive untersucht, wie sich der Futurismus in verschiedenen Ländern und künstlerischen Medien niedergeschlagen hat. Zwanzig Beiträger beschäftigen sich mit der Frage, wie diese Bewegung auf das Konzept einer kulturellen Avantgarde einwirkte, und wie sie darüberhinaus die Entwicklung der modernen Kunst und Literatur weltweit beeinflußte. This publication offers for the first time an inter-disciplinary and comparative perspective on Futurism in a variety of countries and artistic media. 20 scholars discuss how the movement shaped the concept of a cultural avant-garde and how it influenced the development of modernist art and literature around the world.
Literary semiotics --- Art --- anno 1900-1999 --- Arts, Modern --- Futurism (Art) --- Futurism (Literary movement) --- Futurism (Art). --- Futurism (Literary movement). --- Cubo-futurism --- Futurism --- Literary movements --- Action in art --- Aesthetics --- Art, Modern --- Modernism (Art) --- Painting --- Cubo-futurism (Art) --- Post-impressionism (Art)
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The International Yearbook of Futurism Studies was founded in 2009, the centenary year of Italian Futurism, in order to foster intellectual cooperation between Futurism scholars across countries and academic disciplines. The Yearbook does not focus exclusively on Italian Futurism, but on the relations between Italian Futurism and other Futurisms worldwide, on artistic movements inspired by Futurism, and on artists operating in the international sphere with close contacts to Italian or Russian Futurism. Volume 4 (2014) is an open issue that addresses reactions to Italian Futurism in 16 countries (Argentina, Armenia, Brazil, Egypt, France, Germany, Great Britain, Greece, Holland, Hungary, Japan, Portugal, Russia, Slovenia, Spain, USA), and in the artistic media of photography, theatre and visual poetry.
Futurism (Art) --- Futurism (Literary movement) --- Cubo-futurism --- Futurism --- Literary movements --- Action in art --- Aesthetics --- Art --- Art, Modern --- Modernism (Art) --- Painting --- Cubo-futurism (Art) --- Post-impressionism (Art) --- Avant-garde. --- Futurism. --- Modernism.
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Arts, Modern --- Futurism (Art) --- Futurism (Art). --- Futurisme --- Futurisme. --- Action in art --- Aesthetics --- Art --- Art, Modern --- Modernism (Art) --- Painting --- Cubo-futurism (Art) --- Post-impressionism (Art)
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Russian Futurist Theatre explores is the first book to comprehensively uncover the Russian futurist theatre in all its virtuosity and diversity.
Theater --- Futurism (Literary movement) --- Futurism (Music) --- Music --- History. --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- History
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Futurism (Art) --- Action in art --- Aesthetics --- Art --- Art, Modern --- Modernism (Art) --- Painting --- Cubo-futurism (Art) --- Post-impressionism (Art)
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Futurism began as an artistic and social movement in early twentieth-century Italy. Until now, much of the scholarship available in English has focused only on a single individual or art form. This volume seeks to present a more complete picture of the movement by exploring the history of the movement, the events leading up to the movement, and the lasting impact it has had as well as the individuals involved in it. The History of Futurism: The Precursors, Protagonists, and Legacies addresses the history and legacy of what is generally seen as the founding avante-garde movement of the twentieth century. Geert Buelens, Harald Hendrix, and Monica Jansen have brought together scholarship from an international team of specialists to explore the Futurism movement as a multidisciplinary movement mixing aesthetics, politics, and science with a particular focus on the literature of the movement.
Futurism (Literary movement) --- Futurism (Art) --- Art and literature. --- Literature and art --- Literature and painting --- Literature and sculpture --- Painting and literature --- Sculpture and literature --- Aesthetics --- Literature --- Action in art --- Art --- Art, Modern --- Modernism (Art) --- Painting --- Cubo-futurism (Art) --- Post-impressionism (Art) --- Cubo-futurism --- Futurism --- Literary movements --- Art and literature
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