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Gauguin, Paul, --- Paul Gauguin --- painters --- France --- Peintre --- Gauguin, Paul --- Gauguin, Paul 1848-1903

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"Several decades have now passed since postcolonial and feminist critiques presented the art-historical world with a demythologized Paul Gauguin (1848-1903), a much-diminished image of the artist/hero who had once been universally admired as 'the father of modernist primitivism.' In this volume, both long-established and more recent Gauguin scholars offer a provocative picture of the evolution of Gauguin scholarship in the recent postmodern era, as they confront and consider how the dismantling of the longstanding Gauguin myth positions us now in the 21st century to deal with and assess the life, work, and legacy of this still perennially popular artist. To reassess the challenges that Gauguin faced in his own day as well as those that he continues to present to current and future scholarship, they explore the multiple contexts that influenced Gauguin's thought and behavior as well as his art and incorporate a variety of interdisciplinary approaches, from anthropology, philosophy, and the history of science to gender studies and the study of Pacific cultural history. Dealing with a wide range of Gauguin's production, they challenge conventional art-historical thinking, highlight transnational perspectives, and offer clues to the direction of future scholarship, as audiences worldwide seek to make multicultural peace with Gauguin and his art. Broude has raised the bar of Gauguin scholarship ever higher in this groundbreaking volume, which will be necessary reading for students and scholars of art history, late 19th-century French and Pacific culture, gender studies, and beyond."--Bloomsbury Publishing Several decades have now passed since postcolonial and feminist critiques presented the art-historical world with a demythologized Paul Gauguin (1848-1903), a much-diminished image of the artist/hero who had once been universally admired as "the father of modernist primitivism." In this volume, both long-established and more recent Gauguin scholars offer a provocative picture of the evolution of Gauguin scholarship in the recent postmodern era, as they confront and consider how the dismantling of the longstanding Gauguin myth positions us now in the 21st century to deal with and assess the life, work, and legacy of this still perennially popular artist. To reassess the challenges that Gauguin faced in his own day as well as those that he continues to present to current and future scholarship, they explore the multiple contexts that influenced Gauguin's thought and behavior as well as his art and incorporate a variety of interdisciplinary approaches, from anthropology, philosophy, and the history of science to gender studies and the study of Pacific cultural history. Dealing with a wide range of Gauguin's production, they challenge conventional art-historical thinking, highlight transnational perspectives, and offer clues to the direction of future scholarship, as audiences worldwide seek to make multicultural peace with Gauguin and his art. Broude has raised the bar of Gauguin scholarship ever higher in this groundbreaking volume, which will be necessary reading for students and scholars of art history, late 19th-century French and Pacific culture, gender studies, and beyond

Painters --- Painting, French --- Gauguin, Paul, --- Criticism and interpretation.

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Although Vincent van Gogh's and Paul Gauguin's artistic collaboration in the South of France lasted no more than two months, their stormy relationship has continued to fascinate art historians, biographers and psychoanalysts as well as film makers and the general public. Two great 19th century figures with powerful and often clashing sensibilities, they shared a house, worked side by side, drank, caroused and argued passionately about art. Their brief venture together, richly documented in the artists' letters and paintings, would be compelling enough even if it had not culminated in the catas

Psychoanalysis and art. --- Gogh, Vincent van, --- Gauguin, Paul, --- Psychology. --- Friends and associates.

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Aesthetics of art --- Gauguin, Paul --- Aesthetics, Modern --- -Art --- -Arts, Modern --- -Modern arts --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Modern aesthetics --- Philosophy --- -Philosophy --- Arts, Modern --- Art --- Beautiful, The --- Beauty --- Art and philosophy --- Analysis, interpretation, appreciation --- History --- Gauguin, Paul, --- Gaogeng, Baoluo, --- Gauguin, Eugène Henri Paul, --- Gauguin, Pablo, --- Гоген, Поль, --- Gogen, Polʹ, --- גוגן, פול,

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Contains seven essays. Three of them use only pictures. Examines the relationship between what we see and what we know.

Visual perception --- Art --- Perception visuelle --- Technique --- Perception, Visual --- Perceptions, Visual --- Visual Perceptions --- van Gogh, Vincent --- 7.01 --- CDL --- Visual Perception --- Vision, Ocular --- Optics, Psychological --- Vision --- Perception --- Visual discrimination --- Psychological aspects --- Aesthetics of art --- Gauguin, Paul --- Giacometti, Alberto --- Magritte, René --- Modigliani, Amedeo --- Picasso, Pablo --- Visual perception. --- Technique. --- Kunst bekijken --- Esthetica --- Visual Processing --- Processing, Visual --- Kunstbeleving