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Mamet, David, --- Critique et interprétation --- Mamet, David --- Critique et interprétation.
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Mamet, David --- Criticism and interpretation --- Mamet, David, 1947 --- -Criticism and interpretation
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Mamet, David --- Création dramatique --- Play-writing --- Playwriting --- Toneelschrijfkunst --- Toneelschrijven --- Interviews --- Dramatists [American ] --- 20th century --- Mamet, David, 1947 --- -Interviews
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Directing --- Mamet, David --- Flanders --- Weisz, Richard --- מאמט, דיוויד. ששקו, לאה. מק׳קרדי, מייקל --- Criticism and interpretation. --- Appreciation --- Mamet, David,
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Mamet, David --- Criticism and interpretation --- Dramatic production --- Stage history --- Mamet, David, 1947 --- -Criticism and interpretation --- -Dramatic production --- -Stage history
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This collection of specially written essays offers both student and theatregoer a guide to one of the most celebrated American dramatists working today. Readers will find the general and accessible descriptions and analyses provide the perfect introduction to Mamet's work. The volume covers the full range of Mamet's writing, including now classic plays such as American Buffalo and Glengarry Glen Ross, and his more recent work, Boston Marriage, among others, as well as his films, such as The Verdict and Wag the Dog. Additional chapters also explore Mamet and acting, Mamet as director, his fiction, and a survey of Mamet criticism. The Companion to David Mamet is an introduction which will prepare the reader for future work by this important and influential writer.
Mamet, David --- Weisz, Richard --- מאמט, דיוויד. ששקו, לאה. מק׳קרדי, מייקל --- Criticism and interpretation. --- Criticism and interpretation --- Mamet, David, 1947 --- -Criticism and interpretation --- English --- American Literature --- Languages & Literatures --- MAMET (DAVID) --- CRITIQUE ET INTERPRETATION
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The move from playwright to cinema screen-writer and director is a rare accomplishment. No American writer has achieved this transition with the level of success enjoyed over the past two decades by David Mamet. Over this same period Mamet has also authored a body of aggressive critical writing that demonstrates enduring aesthetic and ideological preoccupations, regularly expressed as a set of confident « best practices. However, the relationship between theory and practice becomes particularly (and productively) rowdy at the sites of Mamet's transitional « media crossing. Imagination in Transition establishes a flexible set of core characteristics of Mamet's dramatic and theatrical dramaturgy, and then compares these with the textual and cinematographic strategies employed by Mamet in his initial, « transitional feature films. This study, then, offers both an innovative approach to Mamet's work and an illuminating framework for cross-media analysis
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Throughout her study Murphy incorporates references to Mamet's popular films as useful waypoints for contextualizing his literary works and understanding his continuing evolution as a writer for multiple mediums.
Mamet, David --- Weisz, Richard --- מאמט, דיוויד. ששקו, לאה. מק׳קרדי, מייקל --- Criticism and interpretation. --- Authors, American --- American authors --- History and criticism. --- Mamet, David, 1947 --- -Criticism and interpretation
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American literature --- Theatrical science --- Drama --- Mamet, David --- anno 1970-1979 --- United States --- United States of America
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In a career spanning forty years the Chicago-born David Mamet (°1947) not only left his imprint on American drama Other stage classics like American Buffalo, Glengarry Glen Ross and Oleanna, he systematically ventured into different genres and media as a way of experimenting, honing his craft, and broadening his audiences. The international scholars assembled in the present volume assess Mamet's career to date, focussing particularly on his forays into film, television, the novel and adaptatio...
Mamet, David --- Weisz, Richard --- מאמט, דיוויד. ששקו, לאה. מק׳קרדי, מייקל --- Criticism and interpretation.
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