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Acting in Real Time by renowned Dutch director and acting teacher Paul Binnerts describes his method for Real-Time Theater, which authorizes actors to actively determine how a story is told--they are no longer mere vehicles for delivering the playwright's message or the director's interpretations of the text. This level of involvement allows actors to deepen their grasp of the material and amplify their stage presence, resulting in more engaged and nuanced performances. The method offers a postmodern challenge to Stanislavski and Brecht, whose theories of stage realism dominated the twentieth century. In providing a new way to consider the actor's presence on stage, Binnerts advocates breaking down the "fourth wall" that separates audiences and actors and has been a central tenet of acting theories associated with realism. In real-time theater, actors forgo attempts to become characters and instead understand their function to be storytellers who are fully present on stage and may engage the audience and their fellow actors directly. Paul Binnerts analyzes the ascendance of realism as the dominant theater and acting convention and how its methods can hinder the creation of a more original, imaginative theater. His description of the techniques of real-time theater is illuminated by practical examples from his long experience in the stage. The book then offers innovative exercises that provide training in the real-time technique, including physical exercises that help the actor become truly present in performance. Acting in Real Time also includes a broad overview of the history of acting and realism's relationship to the history of theater architecture, offering real-time theater as an alternative. The book will appeal to actors and acting students, directors, stage designers, costume designers, lighting designers, theater historians, and dramaturgs.
Acting. --- Method (Acting) --- Art dramatique --- Méthode (Art dramatique) --- Method acting. --- Stanislavsky method --- Acting --- Histrionics --- Stage --- Elocution --- Theater --- Method acting --- History. --- History
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American drama --- Method acting --- Political aspects. --- Psychological aspects.
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Film --- Acting --- Stanislavsky, Constantin --- United States --- Motion picture acting. --- Method acting. --- Motion pictures --- #SBIB:309H1322 --- Film acting --- Moving-picture acting --- History. --- Films met een amusementsfunctie en/of esthetische functie: acteurs --- American cinema films --- Influence of theories of training actors of Stanislavskiı̆, K --- S. --- Richard A. Blum --- film --- acteerkunst --- acteurs --- actrices --- Stanislavski Constantin --- Hollywood --- Boleslavsky Richard --- Ouspenskaya Maria --- Strasberg Lee --- Group Theatre --- American Lab Theatre --- Kazan Elia --- Actor's Studio --- Actor's Studio West --- Brando Marlon --- Dean James --- Moscow Art Theatre --- Nazimowa Alla --- Belasco David --- Griffith David Wark --- 791.472 --- Method acting --- Motion picture acting --- Method (Acting) --- Stanislavsky method --- History --- United States of America
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Biography in Social and Artistic Context -- Summary and Analysis of An Actor Prepares -- Description and Analysis of The Seagull -- Practical Exercises.
Stanislavsky, Constantin --- Method acting --- Method acting. --- Method (Acting). --- Stanislavsky, Konstantin. --- Fine Arts. --- Drama --- Music, Dance, Drama & Film --- Stanislavsky, Konstantin, --- Criticism and interpretation. --- Method (Acting) --- Stanislavsky method --- Алексеев, Константин Сергеевич, --- Alekseev, Konstantin Sergeevich, --- Alexeiev, Constantin Sergeievich, --- Stanislavsky, Constantin, --- Stanislawskij, Konstantin Sergejewitsch, --- Алексѣев, Константин Сергѣевич, --- Aleksi︠e︡ev, Konstantin Sergi︠e︡evich, --- Stanislawski, K. S., --- Stanislavski, K. S., --- Stanislavskij, K. S., --- Станиславский, Константин Сергеевич, --- Stanislavskiĭ, Konstantin Sergeevich, --- Stanislavsky, --- Alexeyev, Konstantin Sergeyevich, --- Alekseyev, Konstantin Sergeyevich, --- Stānīslāfskī, Kūnstāntīn, --- Станиславский, К. С. --- Stanislavskiĭ, K. S. --- Stanislawski, --- Stanislavski, Constantin, --- Sutanisurafusukii, Konsutanchin Serugeievitchi, --- Sŭtʻanisŭllabŭsŭkʻi, --- Stan̦islavskis, K. S., --- Stanislavskij, Konstantin, --- Sitanni, --- Sitannisilafusiji, --- סטניסלבסקי, ק. ס. --- Acting --- Станиславский, К. С. --- Станиславский, Константин Сергеевич, --- סטניסלבסקי, ק. ס., --- Станиславский, Константин, --- Stanislavsky, Konstantin --- Criticism and interpretation --- Stanislavsky, Konstantin, - 1863-1938 - Criticism and interpretation --- Stanislavsky, Konstantin, - 1863-1938
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Providing new insight into the well-known tradition of acting, Science and the Stanislavsky Tradition of Acting is the first book to contextualise the Stanislavsky tradition with reference to parallel developments in science. Rooted in practice, it presents an alternative perspective based on philosophy, physics, romantic science and theories of industrial management.Working from historical and archive material, as well as practical sources, Jonathan Pitches traces an evolutionary journey of actor training from the roots of the Russian tradition, Konstantin Stanislavsky, to
Artes escénicas --- Actuación teatral --- Libros electrónicos --- Stanislavsky, Konstantin, --- Станиславский, Константин, --- Alekseev, Konstantin Sergeevich, --- Alekseyev, Konstantin Sergeyevich, --- Aleksi︠e︡ev, Konstantin Sergi︠e︡evich, --- Alexeiev, Constantin Sergeievich, --- Alexeyev, Konstantin Sergeyevich, --- Sitanni, --- Sitannisilafusiji, --- Stānīslāfskī, Kūnstāntīn, --- Stanislavski, Constantin, --- Stanislavski, K. S., --- Stanislavskiĭ, K. S. --- Stanislavskiĭ, Konstantin Sergeevich, --- Stanislavskij, K. S., --- Stanislavskij, Konstantin, --- Stan̦islavskis, K. S., --- Stanislavsky, --- Stanislavsky, Constantin, --- Stanislawski, --- Stanislawski, K. S., --- Stanislawskij, Konstantin Sergejewitsch, --- Sŭtʻanisŭllabŭsŭkʻi, --- Sutanisurafusukii, Konsutanchin Serugeievitchi, --- Алексеев, Константин Сергеевич, --- Алексѣев, Константин Сергѣевич, --- Станиславский, К. С. --- סטניסלבסקי, ק. ס., --- Method acting. --- Method (Acting) --- Stanislavsky method --- Acting
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""A manual full of enabling, easing exercises - it will enable you to analyse any scene. The cry of the actor at sea `I don''t know what I''m doing'' should, with this book, become a thing of the past'' Sam West ""I''d recommend this book to anyone wanting an introduction to Stanislavksi or Michael Chekhov or acting in general."" Matt Peover, LAMDA trainer and theatre director. ""Contains all the important things that need to be said about learning to act...in an extremely logical and sensible manner."" Simon Dunmore, Editor Actor''s Yearbook An inspiring and technically thorough practica
Method acting --- Method (Acting) --- Stanislavsky method --- Acting --- Stanislavsky, Konstantin, --- Станиславский, Константин, --- Alekseev, Konstantin Sergeevich, --- Alekseyev, Konstantin Sergeyevich, --- Aleksi︠e︡ev, Konstantin Sergi︠e︡evich, --- Alexeiev, Constantin Sergeievich, --- Alexeyev, Konstantin Sergeyevich, --- Sitanni, --- Sitannisilafusiji, --- Stānīslāfskī, Kūnstāntīn, --- Stanislavski, Constantin, --- Stanislavski, K. S., --- Stanislavskiĭ, K. S. --- Stanislavskiĭ, Konstantin Sergeevich, --- Stanislavskij, K. S., --- Stanislavskij, Konstantin, --- Stan̦islavskis, K. S., --- Stanislavsky, --- Stanislavsky, Constantin, --- Stanislawski, --- Stanislawski, K. S., --- Stanislawskij, Konstantin Sergejewitsch, --- Sŭtʻanisŭllabŭsŭkʻi, --- Sutanisurafusukii, Konsutanchin Serugeievitchi, --- Алексеев, Константин Сергеевич, --- Алексѣев, Константин Сергѣевич, --- Станиславский, К. С. --- סטניסלבסקי, ק. ס.,
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The Anatomy of Harpo Marx is a luxuriant, detailed play-by-play account of Harpo Marx's physical movements as captured on screen. Wayne Koestenbaum guides us through the thirteen Marx Brothers films, from The Cocoanuts in 1929 to Love Happy in 1950, to focus on Harpo's chief and yet heretofore unexplored attribute-his profound and contradictory corporeality. Koestenbaum celebrates the astonishing range of Harpo's body-its kinks, sexual multiplicities, somnolence, Jewishness, "cute" pathos, and more. In a virtuosic performance, Koestenbaum's text moves gracefully from insightful analysis to cultural critique to autobiographical musing, and provides Harpo with a host of odd bedfellows, including Walter Benjamin and Barbra Streisand.
Comedians - United States. --- Comedians -- United States -- Biography. --- Marx, Harpo. --- Marx, Harpo, 1888-1964. --- Motion picture actors and actresses - United States. --- Motion picture actors and actresses -- United States -- Biography. --- Motion picture actors and actresses --- Comedians --- Music, Dance, Drama & Film --- Drama --- Marx, Harpo, --- Marx, Adolph, --- Marx, Arthur, --- barbra streisand. --- beauty. --- book club reads. --- books for movie lovers. --- bookstore finds. --- discussion books. --- drama. --- easy to read. --- entertainment industry. --- film and television. --- heart racing. --- how to be funny. --- how to make a comedy film. --- human struggles. --- insightful analysis. --- learning while reading. --- leisure reads. --- life struggle. --- lively. --- love. --- marx brothers. --- nonfiction stories. --- page turner. --- pleasure reading. --- relatable characters. --- romance. --- satisfying endings. --- the art of acting. --- vacation reads. --- walter benjamin. --- what is method acting.
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