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Book
Acting in real time
Author:
ISBN: 9780472035038 9780472117949 9780472028566 0472028561 0472117947 0472035037 1280880481 9781280880483 9786613721792 Year: 2012 Publisher: Ann Arbor : University of Michigan Press,

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Abstract

Acting in Real Time by renowned Dutch director and acting teacher Paul Binnerts describes his method for Real-Time Theater, which authorizes actors to actively determine how a story is told--they are no longer mere vehicles for delivering the playwright's message or the director's interpretations of the text. This level of involvement allows actors to deepen their grasp of the material and amplify their stage presence, resulting in more engaged and nuanced performances. The method offers a postmodern challenge to Stanislavski and Brecht, whose theories of stage realism dominated the twentieth century. In providing a new way to consider the actor's presence on stage, Binnerts advocates breaking down the "fourth wall" that separates audiences and actors and has been a central tenet of acting theories associated with realism. In real-time theater, actors forgo attempts to become characters and instead understand their function to be storytellers who are fully present on stage and may engage the audience and their fellow actors directly. Paul Binnerts analyzes the ascendance of realism as the dominant theater and acting convention and how its methods can hinder the creation of a more original, imaginative theater. His description of the techniques of real-time theater is illuminated by practical examples from his long experience in the stage. The book then offers innovative exercises that provide training in the real-time technique, including physical exercises that help the actor become truly present in performance. Acting in Real Time also includes a broad overview of the history of acting and realism's relationship to the history of theater architecture, offering real-time theater as an alternative. The book will appeal to actors and acting students, directors, stage designers, costume designers, lighting designers, theater historians, and dramaturgs.


Book
Method Acting and Its Discontents : On American Psycho-Drama
Author:
ISBN: 0810131412 9780810131415 9780810131408 9780810131835 0810131404 Year: 2015 Publisher: Evanston, Illinois : Northwestern University Press,

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Konstantin Stanislavsky
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ISBN: 0415258863 0415258855 0203388992 1134513496 1280047909 0203380495 9780203380499 0203386671 9780203386675 9781280047909 9780415258869 9780415258852 9781134513499 Year: 2003 Volume: *1 Publisher: London New York Routledge

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Abstract

Biography in Social and Artistic Context -- Summary and Analysis of An Actor Prepares -- Description and Analysis of The Seagull -- Practical Exercises.

Keywords

Stanislavsky, Constantin --- Method acting --- Method acting. --- Method (Acting). --- Stanislavsky, Konstantin. --- Fine Arts. --- Drama --- Music, Dance, Drama & Film --- Stanislavsky, Konstantin, --- Criticism and interpretation. --- Method (Acting) --- Stanislavsky method --- Алексеев, Константин Сергеевич, --- Alekseev, Konstantin Sergeevich, --- Alexeiev, Constantin Sergeievich, --- Stanislavsky, Constantin, --- Stanislawskij, Konstantin Sergejewitsch, --- Алексѣев, Константин Сергѣевич, --- Aleksi︠e︡ev, Konstantin Sergi︠e︡evich, --- Stanislawski, K. S., --- Stanislavski, K. S., --- Stanislavskij, K. S., --- Станиславский, Константин Сергеевич, --- Stanislavskiĭ, Konstantin Sergeevich, --- Stanislavsky, --- Alexeyev, Konstantin Sergeyevich, --- Alekseyev, Konstantin Sergeyevich, --- Stānīslāfskī, Kūnstāntīn, --- Станиславский, К. С. --- Stanislavskiĭ, K. S. --- Stanislawski, --- Stanislavski, Constantin, --- Sutanisurafusukii, Konsutanchin Serugeievitchi, --- Sŭtʻanisŭllabŭsŭkʻi, --- Stan̦islavskis, K. S., --- Stanislavskij, Konstantin, --- Sitanni, --- Sitannisilafusiji, --- סטניסלבסקי, ק. ס. --- Acting --- Станиславский, К. С. --- Станиславский, Константин Сергеевич, --- סטניסלבסקי, ק. ס., --- Станиславский, Константин, --- Stanislavsky, Konstantin --- Criticism and interpretation --- Stanislavsky, Konstantin, - 1863-1938 - Criticism and interpretation --- Stanislavsky, Konstantin, - 1863-1938

Science and the Stanislavsky tradition of acting
Author:
ISBN: 1134332335 1280282010 9786610282012 0203391209 9780203391204 6610282013 0415329078 9780415329071 9781134332335 9781134332281 1134332289 9781134332328 1134332327 9780415544030 0415544033 9781280282010 Year: 2006 Publisher: London ; New York : Routledge,

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Providing new insight into the well-known tradition of acting, Science and the Stanislavsky Tradition of Acting is the first book to contextualise the Stanislavsky tradition with reference to parallel developments in science. Rooted in practice, it presents an alternative perspective based on philosophy, physics, romantic science and theories of industrial management.Working from historical and archive material, as well as practical sources, Jonathan Pitches traces an evolutionary journey of actor training from the roots of the Russian tradition, Konstantin Stanislavsky, to

Acting on Impulse
Author:
ISBN: 1408147742 9781408147740 9780713677584 0713677589 Year: 2007 Publisher: London Bloomsbury Publishing

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""A manual full of enabling, easing exercises - it will enable you to analyse any scene. The cry of the actor at sea `I don''t know what I''m doing'' should, with this book, become a thing of the past'' Sam West ""I''d recommend this book to anyone wanting an introduction to Stanislavksi or Michael Chekhov or acting in general."" Matt Peover, LAMDA trainer and theatre director. ""Contains all the important things that need to be said about learning to act...in an extremely logical and sensible manner."" Simon Dunmore, Editor Actor''s Yearbook An inspiring and technically thorough practica


Book
The Anatomy of Harpo Marx
Author:
ISBN: 1280116544 9786613520838 0520951980 9780520951983 9781280116544 9780520269002 0520269004 9780520269019 0520269012 Year: 2012 Publisher: Berkeley, CA : University of California Press,

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The Anatomy of Harpo Marx is a luxuriant, detailed play-by-play account of Harpo Marx's physical movements as captured on screen. Wayne Koestenbaum guides us through the thirteen Marx Brothers films, from The Cocoanuts in 1929 to Love Happy in 1950, to focus on Harpo's chief and yet heretofore unexplored attribute-his profound and contradictory corporeality. Koestenbaum celebrates the astonishing range of Harpo's body-its kinks, sexual multiplicities, somnolence, Jewishness, "cute" pathos, and more. In a virtuosic performance, Koestenbaum's text moves gracefully from insightful analysis to cultural critique to autobiographical musing, and provides Harpo with a host of odd bedfellows, including Walter Benjamin and Barbra Streisand.

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