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Portraits --- Self-portraits --- Autoportraits --- History --- Histoire --- History.

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Rembrandt --- self-portraits

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Les portraits de la fin du Moyen Âge diffèrent aussi bien des réalisations antérieures que de celles de la Renaissance. À la fois inscrits dans la tradition religieuse et reflétant une nouvelle vision du monde plus profane, ils se présentent comme des représentations novatrices de l'homme préfigurant les périodes ultérieures.

Sculpture --- Painting --- Iconography --- anno 1200-1499 --- Portraits, Medieval --- Portraits, Renaissance --- Portraits médiévaux --- Portraits de la Renaissance --- Portraits médiévaux --- portraits --- Renaissance portraits --- Medieval portraits --- Portraits --- Art --- Dans l'art --- Moyen âge --- Thèmes, motifs

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"Explores the public image of Churchill in visual art, from oil paintings to sculpture to political cartoons, including Churchill's complicity in the production of such images and his posthumous representations"--

Portraits, British. --- Churchill, Winston, --- Influence.

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Throughout history, presidents have actively participated in all aspects of photography, not only by sitting for photos but by taking and consuming them. Cara A. Finnegan ventures from a newly-discovered daguerreotype of John Quincy Adams to Barack Obama's selfies to tell the stories of how presidents have participated in the medium's transformative moments. As she shows, technological developments not only changed photography, but introduced new visual values that influence how we judge an image. At the same time, presidential photographs - as representations of leaders who symbolised the nation - sparked public debate on these values and their implications. An original journey through political history, 'Photographic Presidents' reveals the intertwined evolution of an American institution and a medium that continues to define it.

Presidents --- Portrait photography --- Portraits, American. --- History. --- American portraits --- Photography --- Portraiture --- Portraits --- Media studies