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Doris Salcedo, a Colombian-born artist, addresses the politics of memory and forgetting in work that embraces fraught situations in dangerous places. Noted critic and theorist Mieke Bal narrates between the disciplines of contemporary culture in order to boldly reimagine the role of the visual arts. Both women are pathbreaking figures, globally renowned and widely respected. Doris Salcedo, meet Mieke Bal. In Of What One Cannot Speak, Bal leads us into intimate encounters with Salcedo's art, encouraging us to consider each work as a "theoretical object" that invites-and demands-certain kinds of considerations about history, death, erasure, and grief. Bal ranges widely through Salcedo's work, from Salcedo's Atrabiliarios series-in which the artist uses worn shoes to retrace los desaparecidos ("the disappeared") from nations like Argentina, Chile, and Colombia-to Shibboleth, Salcedo's once-in-a-lifetime commission by the Tate Modern, for which she created a rupture, as if by earthquake, that stretched the length of the museum hall's concrete floor. In each instance, Salcedo's installations speak for themselves, utilizing household items, human bones, and common domestic architecture to explore the silent spaces between violence, trauma, and identity. Yet Bal draws out even deeper responses to the work, questioning the nature of political art altogether and introducing concepts of metaphor, time, and space in order to contend with Salcedo's powerful sculptures and installations. An unforgettable fusion of art and essay, Of What One Cannot Speak takes us to the very core of events we are capable of remembering-yet still uncomfortably cannot speak aloud.
Sculpture --- Sculpture, Modern --- Political art --- Political aspects --- Salcedo, Doris, --- Criticism and interpretation. --- Activist art --- Protest art --- Resistance art --- Social art --- Art --- Modern sculpture --- Sculpture, Primitive --- Stonework, Decorative --- Bas-relief --- Statues --- politics, political, art, artist, artistic, colombia, memory, forgetting, remember, forget, trauma, danger, critic, critical, theory, theorist, theoretical, contemporary, modern, culture, cultural, visual, women, global, international, object, history, death, erasure, argentina, chile, brazil, south america, museum, exhibit, installation, identity, violence, metaphor.
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Art --- art [fine art] --- anno 1900-1999 --- anno 2000-2099 --- Art, Modern --- Artists --- Mark C. Taylor, Amanda Sharp, Matthew Higgs [et al.] --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- Acconci Vito --- Aitken Doug --- Barth Uta --- Boltanski Christian --- Bourgeois Louise --- Cai Guo-Qiang --- Cattelan Maurizio --- Celmins Vija --- Deacon Richard --- Dion Mark --- Douglas Stan --- Dumas Marlene --- Durham Jimmie --- Eliassson Olafur --- Fischli Peter --- Weiss David --- Friedman Tom --- Genzken Isa --- Gormley Antony --- Graham Dan --- Graham Paul --- Haacke Hans --- Hatoum Mona --- Hirschhorn Thomas --- Holzer Jenny --- Horn Roni --- Kabakov Ilya --- Katz Alex --- Kelley Mike --- Kelly Mary --- Kentridge William --- Kusama Yayoi --- Mangold Robert --- Marclay Christian --- McCarthy Paul --- Meireles Cildo --- Orta Lucy --- Pettibon Raymond --- Prince Richard --- Rist Pippilotti --- Salcedo Doris --- Schütte Thomas --- Simpson Lorna --- Spero Nancy --- Stockholder Jessica --- Tillmans Wolfgang --- Tuymans Luc --- Wall Jeff --- Wearing Lawrence --- West Franz --- 7.071 AAAA --- hedendaagse kunst --- Contemporary [style of art] --- anno 1990-1999 --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Persons --- art [discipline]
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