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This book provides demographic data on polyandry and nonmarriage, exploring the social and economic context of nonmarriage and its implications vis-a-vis the position of women in the Nepal. It fills gaps in the literature on Tibetan societies with respect to stratification and the position of women.

Single women --- Marriage --- Polyandry --- Social conditions.

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This book presents the stories of 10 single women who are in their old age and have never been married, and explores the psychological conditions of these women. Specifically, it discusses issues pertaining to their self-concepts, mental states, and coping strategies. It also examines the women's recollections of childhood memories, family history, experiences with death, and their thoughts on the meaning of life. Pandora's Box: Looking into the Conditions of Ageing Single Women in Mindanao sheds light on the physiological and psychological changes that the women experienced in their late adul

Single women --- Spinsters --- Unmarried women --- Single people --- Women --- Social conditions.

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The spinster, once a ubiquitous figure in American popular culture, has all but vanished from the scene. Intrigued by the fact that her disappearance seems to have gone unnoticed, Naomi Braun Rosenthal traces the spinster's life and demise by using stories from the Ladies' Home Journal (from 1890, 1913, and 1933), along with Hollywood films from the 1940s and 1950s, such as It's a Wonderful Life; Now, Voyager; and Summertime, among others. Originally invoked as a symbol of female independence a hundred years ago, when marriage and career were considered to be incompatible choices for women, spinsterhood was advocated as an alternate path by some and viewed as a threat to family life by others. Today, there are few traces of the spinster's existence—the options open to women have dramatically changed—but we continue to grapple with concerns about women's desires and "the future of the family."

American fiction --- Women and literature --- Feminist fiction, American --- Single women in literature. --- Women in motion pictures. --- Single women --- Motion pictures --- Literature --- History and criticism. --- History.

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Despite what would seem some apparent likenesses, single men and single women are perceived in very different ways. Bachelors are rarely considered "lonely" or aberrant. They are not pitied. Rather, they are seen as having chosen to be "footloose and fancy free" to have sports cars, boats, and enjoy a series of unrestrictive relationships. Single women, however, do not enjoy such an esteemed reputation. Instead they have been viewed as abnormal, neurotic, or simply undesirable-attitudes that result in part from the long-standing belief that single women would not have chosen her life. Even the single career-woman is seldom viewed as enjoying the success she has achieved. No one believes she is truly fulfilled. Modern American culture has raised generations of women who believed that their true and most important role in society was to get married and have children. Anything short of this role was considered abnormal, unfulfilling, and suspect. This female stereotype has been exploited and perpetuated by some key films in the late 40's and early 50's. But more recently we have seen a shift in the cultural view of the spinster. The erosion of the traditional nuclear family, as well as a larger range of acceptable life choices, has caused our perceptions of unmarried women to change. The film industry has reflected this shift with updated stereotypes that depict this cultural trend. The shift in the way we perceive spinsters is the subject of current academic research which shows that a person's perception of particular societal roles influences the amount of stress or depression they experience when in that specific role. Further, although the way our culture perceives spinsters and the way the film industry portrays them may be evolving, we still are still left with a negative stereotype. Themes of choice and power have informed the lives of single women in all times and places. When considered at all in a scholarly context, single women have often been portrayed as victims, unhappily subjected to forces beyond their control. This collection of essays about "women on their own" attempts to correct that bias, by presenting a more complex view of single women in nineteenth- and twentieth-century United States and Europe. Topics covered in this book include the complex and ambiguous roles that society assigns to widows, and the greater social and financial independence that widows have often enjoyed; widow culture after major wars; the plight of homeless, middle-class single women during the Great Depression; and comparative sociological studies of contemporary single women in the United States, Britain, Ireland, and Cuba. Composed of papers presented to the Rutgers Center for Historical Analysis project on single women, this collection incorporates the work of specialists in anthropology, art history, history, and sociology. It is deeply connected with the emerging field of singleness studies (to which the RCHA has contributed an Internet-based bibliography of more than 800 items). All of the essays are new and have not been previously published.

Single women --- Conduct of life. --- Psychology. --- Social conditions. --- Spinsters --- Unmarried women --- Single people --- Women

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Long perceived as the ultimate symbol of social breakdown and sexual irresponsibility, the single mother is now, in the context of welfare-to-work policies, often hailed as the new spokesperson for hard work and self-sufficiency. A dozen years after Dan Quayle denounced the television character Murphy Brown for making the decision to become a single mother "just another lifestyle choice," President George W. Bush applauded single mothers for "heroic work," and positive on-screen representations of single mothers abound, from The Gilmore Girls to Sex and the City to American Idol .

Single mothers --- Mothers --- Single parents --- Single women --- Public opinion. --- Government policy