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Entre fragmentation et déconstruction, le théâtre au tournant du millénaire a déserté les territoires de la narration. Il a fait voler en éclats les fondations traditionnelles de l'art dit dramatique - l'action, les personnages, la fable, le texte, la fiction, l'illusion - pour réinventer des formes pluridisciplinaires qui s'écrivent à même le plateau. Et pourtant, il semble qu'aujourd'hui des histoires se racontent à nouveau sur les scènes de création contemporaine. Mais comment ? Par quels biais ? Grandes épopées, théâtre documentaire ou mises en scène de l'intime, l'envie de raconter prend des allures multiples et des voies nouvelles. Approches théoriques, paroles de metteurs en scène et écritures contemporaines alternent dans ce recueil pour tenter de cerner cette question.

Drama --- Storytelling in literature. --- History and criticism.

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A collection of original essays establishing how wide the intellectual boundaries of narrative theory have become, the Edinburgh Companion to Narrative Theories showcases the latest approaches to diverse narratives across many media and in numerous disciplines. The book brings founders of the field of post-classical narrative theory together with established scholars who have made significant changes in the understanding of narrative and younger scholars who are putting narrative theories to use on new media forms and new literatures. This is the first anthology to consider what narrative is and what it can do in the wake of various turns in literary studies (the affective, the posthuman, the cognitive) which have been emerging in the context of digital media and algorithmic capital. Narrative genres persist, and they continue to do vital work in the world. Narrative theories provide the vocabulary for talking about how that work gets done.

Fiction --- Literary rhetorics --- Literary semiotics --- Narration --- Analyse du discours --- Storytelling in literature --- Narration (Rhetoric) --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Narration. --- Analyse du discours. --- Storytelling in literature.

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The book explores the written representation of African-American oral storytelling from Charles Chesnutt, Zora Neale Hurston and Ralph Ellison to James Alan McPherson, Toni Cade Bambara and John Edgar Wideman. At its core, the book compares the relationship of the ""frame tale""-an inside-the-text storyteller telling a tale to an inside-the-text listener-with the relationship between the outside-the-text writer and reader. The progression is from Chesnutt's 1899 frame texts, in which the black spoken voice is contained by a white narrator/listener, to Bambara's sixties-era example of a ""fra

American fiction --- African Americans --- Frame-stories --- African Americans in literature. --- Storytelling in literature. --- Afro-Americans in literature --- Negroes in literature --- African American authors --- History and criticism. --- Intellectual life

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English fiction --- Authors and readers --- Reader-response criticism --- Storytelling in literature. --- Point of view (Literature) --- Fiction --- Narration (Rhetoric) --- Reader-oriented criticism --- Reception aesthetics --- Criticism --- Reading --- Readers and authors --- Authorship --- History and criticism. --- History. --- Technique --- British literature. --- Novelists, English. --- Literature. --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- English novelists --- Storytelling in literature --- Canon (Literature)

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