Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Examines the religious dimensions of Ralph Ellison’s concept of race Ralph Ellison’s 1952 novel Invisible Man provides an unforgettable metaphor for what it means to be disregarded in society. While the term “invisibility” has become shorthand for all forms of marginalization, Ellison was primarily concerned with racial identity. M. Cooper Harriss argues that religion, too, remains relatively invisible within discussions of race and seeks to correct this through a close study of Ralph Ellison’s work.Harriss examines the religious and theological dimensions of Ralph Ellison’s concept of race through his evocative metaphor for the experience of blackness in America, and with an eye to uncovering previously unrecognized religious dynamics in Ellison’s life and work. Blending religious studies and theology, race theory, and fresh readings of African-American culture, Harriss draws on Ellison to create the concept of an “invisible theology,” and uses this concept as a basis for discussing religion and racial identity in contemporary American life.Ralph Ellison’s Invisible Theology is the first book to focus on Ellison as a religious figure, and on the religious dynamics of his work. Harriss brings to light Ellison’s close friendship with theologian and literary critic Nathan A. Scott, Jr., and places Ellison in context with such legendary religious figures as Reinhold and Richard Niebuhr, Paul Tillich and Martin Luther King, Jr. He argues that historical legacies of invisible theology help us make sense of more recent issues like drone warfare and Clint Eastwood’s empty chair.Rich and innovative, Ralph Ellison’s Invisible Theology will revolutionize the way we understand Ellison, the intellectual legacies of race, and the study of religion.

Theology in literature. --- Ellison, Ralph.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Beginning with a wide-ranging introduction that explains why a theological reading of Victorian fiction is both rewarding and timely, Perkin also addresses religion's return to prominence in the twenty-first century, confounding earlier predictions of its imminent demise. Chapters on William Thackeray, Charlotte Brontë, Charlotte Yonge, Anthony Trollope, George Eliot, and Thomas Hardy are followed by a concluding discussion of Mary Ward and Walter Pater that relates Pater's Marius the Epicurean to postmodern theology and shows how it remains a religious classic for our own time.

English fiction --- Christianity and literature --- Christianity in literature. --- Theology in literature. --- History and criticism. --- History --- Christianity in literature --- Theology in literature --- 82:2 --- 82:2 Literatuur en godsdienst --- Literatuur en godsdienst --- History and criticism

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

English poetry --- Christian poetry, English (Old) --- Civilization, Anglo-Saxon, in literature. --- Theology --- Theology in literature. --- History and criticism. --- History

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

English poetry --- Religion and literature --- Religion in literature --- Theology in literature --- Religious poetry, English --- History and criticism --- History and criticism

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Analyzing four best-selling novels - by both women and men - written in the feminine voice, this book traces how the creation of women-centered salons and the emergence of a feminine poetic style engendered a new type of literature in eighteenth-century France. The author argues that writing in a female voice allowed writers of both sexes to break with classical notions of literature and style, so that they could create a modern sensibility that appealed to a larger reading public, and gave them scope to innovate with style and form. Wolfgang brings to light how the 'female voice' in literature came to embody the language of sociability, but also allowed writers to explore the domain of inter-subjectivity, while creating new bonds between writers and the reading public. Through examination of Marivaux's La Vie de Marianne, Graffigny's Lettres d'une Péruvienne, Riccoboni's Lettres de Mistriss Fanni Butlerd, and Laclos's Les Liaisons dangereuses, she shows that in France, this modern 'feminine' sensibility turned the least prestigious of literary genres - the novel - into the most compelling and innovative literary form of the eighteenth century. Emphasizing how the narratives analyzed here refashioned the French literary world through their linguistic innovation and expression of new forms of subjectivity, this study claims an important role for feminine-voice narratives in shaping the field of eighteenth-century literature.

French fiction --- Gender identity in literature. --- Women in literature. --- History and criticism. --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry