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Although courtly literature is often associated with a chivalrous and idyllic life, the fifteen original essays in this collection demonstrate that the quest for love in the world of medieval courtly literature was underpinned by violence. Lovers were rejected, mistrust ruled, rape was a rampant problem, and marriage was often characterized by brutality. Albrecht Classen brings together an outstanding group of historical, cultural, and literary scholars in this volume to investigate the complicated, nuanced, and often surprising unions of love and violence in courtly medieval literature.
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In this book, Jeanette Malkin considers a broad spectrum of post-war plays in which characters are created, coerced and destroyed by language. The playwrights examined include Handke, Pinter, Bond, Albee, Mamet and Shepard, as well as Vaclav Havel and two of his plays: The Garden Party and The Memorandum. These playwrights portray language's power within our political, social and interpersonal worlds. The violence that language does, the 'tyranny of words', grabs centre stage in their plays. Characters are manipulated and defined through language, their actions and identity limited by verbal options, in order to reveal the links between language and power. The book will be of interest to students and scholars of drama, theatre history, American and European literature, and comparative literature.
Dialogue --- Dialoog --- Geweld in de literatuur --- Violence dans la littérature --- Violence in literature --- Drama --- Théâtre (Genre littéraire) --- History and criticism --- Histoire et critique --- Théâtre (Genre littéraire) --- Violence dans la littérature --- 20th century --- Dialogue. --- Violence in literature. --- History and criticism. --- 82-2 "19" --- 82-2 "19" Toneel. Drama--20e eeuw. Periode 1900-1999 --- Toneel. Drama--20e eeuw. Periode 1900-1999 --- Dialog
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Countering previous studies of violent images based on representational and, consequently, moralistic assumptions, which, the author argues, inevitably reinforce the very violence they critique. He explains how violent images work upon the world.
American fiction --- Violence in literature. --- Violence in motion pictures. --- Roman américain --- Violence dans la littérature --- Violence au cinéma --- History and criticism. --- Histoire et critique --- Roman américain --- Violence dans la littérature --- Violence au cinéma --- Violence in literature --- Violence in motion pictures --- Violence in moving-pictures --- History and criticism --- Motion pictures
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Era by era, from the writings of the classical Christian epoch up to East of Eden and Amadeus, from Philo to Finnegans Wake, Ricardo Quinones examines the contexts of a master metaphor of our culture. This brilliant work is the first comprehensive book on the Cain and Abel story."Ricardo Quinones takes us on a grand tour of Western civilization in his admirable book, which reveals the riches of the Cain-Abel story as it develops from its Biblical origin to Citizen Kane and Michel Tournier. This is cultural history and literary criticism of the first order, finely written, formidably but gracefully erudite, and illustrating the capacity of Judeo-Christian culture and the modernity emerging from it constantly to criticize the darker side of its own foundations and realizations."--Joseph Frank"Ricardo J. Quinones skips Biblical and Talmudic exegesis to follow Cain and Abel through later centuries, from classical times to the present. What he uncovers sheds light on important shifts of consciousness and behavior in European and American culture. . . . Quinones writes with true eloquence and conviction. . . ."--James Finn Cotter, The Hudson Review"Quinones's study of how [the] three Cains were transformed by Romanticism and Modernism into a sometimes positive, sometimes negative, but always necessary archetype of the modern world is literary and cultural analytic history at its very best."--ChoiceRicardo J. Quinones is Josephine Olp Weeks Professor of English and Comparative Literatures, and Director of the Gould Center for Humanistic Studies, at Claremont McKenna College in Claremont, California. He is the author of The Renaissance Discovery of Time (Harvard), Dante Alighieri (Twayne), and Mapping Literary Modernism: Time and Development (Princeton).Originally published in 1991.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Abel -- (Biblical figure) -- In literature. --- Bible. -- Genesis IV, 1-15 -- Criticism, interpretation, etc. --- Brothers in literature. --- Cain -- (Biblical figure) -- In literature. --- Human sacrifice in literature. --- Violence in literature. --- Frères dans la littérature --- Violence dans la littérature --- Sacrifice humain dans la littérature --- Cain --- Abel --- Violence dans la littérature --- Sacrifice humain dans la littérature --- Frères dans la littérature --- In literature. --- Bible. --- Criticism, interpretation, etc.
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Medievalists from several countries offer accounts of Medieval violence at is related to identity formation and the testament of the body, examining such topics as the murder of Pau de Sant Marti in 15th-century Valencia; London, Gower, and the 1381 rising; an intercultural perspective; and violence in the early Robin Hood poems. Most of the 13 essays are from a 1998 conference in Toronto. They are not indexed. Annotation : 2004 Book News, Inc., Portland, OR (booknews.com).
Beschaving [Middeleeuwse ] --- Civilisation médiévale --- Civilization [Medieval ] --- Civilization [Medieval ]--History --- Europa--Beschaving--476-1492 --- Europe--Civilisation--476-1492 --- Europe--Civilization--476-1492 --- Geweld in de literatuur --- Medieval civilization --- Middeleeuwen--Beschaving --- Middeleeuwen--Cultuur --- Middeleeuwse beschaving --- Middeleeuwse cultuur --- Middle Ages--Civilization --- Moyen-Age--Civilisation --- Violence dans la littérature --- Violence in literature --- Violence --- Civilization, Medieval. --- Violence in literature. --- History --- Histoire --- Jusqu'à 1500 --- Violence dans la litterature. --- Violence dans la littérature. --- Civilization, Medieval --- Middle Ages --- Civilization --- Chivalry --- Renaissance --- History. --- Violent behavior --- Social psychology --- Civilisation médiévale --- Violence dans la littérature --- Jusqu'à 1500 --- Europe --- To 1500 --- Europe. --- Council of Europe countries --- Eastern Hemisphere --- Eurasia
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Medieval historians and literary scholars have not ignored the topic of sexual violence and rape, but the primary focus has regularly rested on English, French, or Italian documents. Here we have the first book-length study that investigates the treatment of sexual crimes in medieval and early modern German and Latin literature, making great efforts to shed light on often ignored scenes and episodes even in some of the ,classical' works such as Wolfram von Eschenbach's Parzival or the anonymous Nibelungenlied. As this monograph reveals, many times we face situations where we cannot easily determine whether rape has occurred or not. Consequently, we recognize an important discourse in these literary examples concerning the question of how to view and deal with sexual violence, which could also involve men as victims. This critical examination extends toward sixteenth-century jest narratives (Schwänke) where the issue of rape continued to occupy the authors' minds. Moreover, as numerous side glances to contemporary European literature indicate, the theme of sexual violence was of universal concern and critical importance during the entire premodern era.
German literature --- Rape in literature. --- Women in literature. --- Violence in literature. --- Latin literature, Medieval and modern --- Literature, Medieval --- Littérature allemande --- Viol dans la littérature --- Femmes dans la littérature --- Violence dans la littérature --- Littérature latine médiévale et moderne --- Littérature médiévale --- History and criticism. --- Histoire et critique --- Comparative literature --- Thematology --- anno 500-1499 --- anno 1500-1799 --- Littérature allemande --- Viol dans la littérature --- Femmes dans la littérature --- Violence dans la littérature --- Littérature latine médiévale et moderne --- Littérature médiévale --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Medieval Gender Issues. --- Medieval German Literature. --- Rape. --- Sexual Violence. --- Women's Rights.
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In ancient China a monster called Taowu was known for both its vicious nature and its power to see the past and the future. Over the centuries Taowu underwent many incarnations until it became identifiable with history itself. Since the seventeenth century, fictive accounts of history have accommodated themselves to the monstrous nature of Taowu. Moving effortlessly across the entire twentieth-century literary landscape, David Der-wei Wang delineates the many meanings of Chinese violence and its literary manifestations. Taking into account the campaigns of violence and brutality that have rocked generations of Chinese-often in the name of enlightenment, rationality, and utopian plenitude-this book places its arguments along two related axes: history and representation, modernity and monstrosity. Wang considers modern Chinese history as a complex of geopolitical, ethnic, gendered, and personal articulations of bygone and ongoing events. His discussion ranges from the politics of decapitation to the poetics of suicide, and from the typology of hunger and starvation to the technology of crime and punishment.
S16/0170 --- S16/0195 --- China: Literature and theatrical art--General works on modern literature --- China: Literature and theatrical art--Thematic studies --- Chinese fiction --- Violence in literature. --- Roman chinois --- Violence dans la littérature --- History and criticism. --- Histoire et critique --- Violence in literature --- History and criticism --- 20th century. --- ancient china. --- asia scholars. --- brutal history. --- china. --- chinese history. --- chinese violence. --- crime and punishment. --- cultural violence. --- decapitation. --- discussion books. --- enlightenment. --- ethnic issues. --- gender issues. --- geopolitical change. --- historians. --- historical. --- history of violence. --- literary criticism. --- literary critics. --- literary landscape. --- modernity. --- monstrous history. --- nonfiction. --- politics. --- rationality. --- representation. --- students and teachers. --- suicide. --- taowu. --- textbooks.
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English literature --- Thematology --- Ireland --- History in literature --- Violence in literature --- Littérature anglaise --- Histoire dans la littérature --- Violence dans la littérature --- Irish authors --- History and criticism --- Congresses --- Auteurs irlandais --- Histoire et critique --- Congrès --- History in literature. --- Literature and history --- Violence in literature. --- Lerarenopleiding --- History and criticism. --- (vak)didactiek talen --- -History in literature --- -#KVHA:Literatuurgeschiedenis; Ierland --- #KVHA:Literatuurgeschiedenis; Engeland --- History and literature --- History and poetry --- Poetry and history --- History --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- -History and criticism --- -Irish Free State --- In literature --- -In literature --- (vak)didactiek talen. --- Littérature anglaise --- Histoire dans la littérature --- Violence dans la littérature --- Congrès --- #KVHA:Literatuurgeschiedenis; Ierland --- Irish authors&delete& --- In literature. --- Authors [Irish ] --- Ireland in literature --- Congresses.
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