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"This book addresses the problem of how the human visual system organizes inputs that are fragmented in space and time into coherent, stable perceptual units - objects. In doing so it addresses the following questions: what kinds of segmentation and grouping abilities exist in human perceivers? What information and computational processes achieve segmentation and grouping? What are the psychological consequences of perceiving whole objects?" "From Fragments to Objects: Segmentation and Grouping in Vision takes a comprehensive cognitive science approach to object perception, brings together separate lines of research in object perception in one volume, gives an integrated and up-to-date review of theory and empirical research and offers directions for future study."--Jacket.
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Ce livre est destine principalement aux etudiants du premier cycle universitaire inscrits dans un programme en psychologie. Il permet à l'etudiant de se familiariser avec la terminologie du domaine de la sensation et de la perception et de se sensibiliser au caractere relatif de la perception. L'ouvrage fournit egalement à l'etudiant l'occasion de comprendre de nombreux concepts et mecanismes fondamentaux susceptibles de le rendre apte à interpreter differents phenomenes perceptifs. En plus de l'ajout d'un resume, de mots cles et de questions de revision à la fin de chaque chapitre, cette deuxieme edition contient un chapitre sur la sensibilite somatosensorielle.
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The distinguished contributors to this volume have been set the problem of describing how we know where to move our eyes. There is a great deal of current interest in the use of eye movement recordings to investigate various mental processes. The common theme is that variations in eye movements indicate variations in the processing of what is being perceived, whether in reading, driving or scene perception. However, a number of problems of interpretation are now emerging, and this edited volume sets out to address these problems. The book investigates controversies concerning the variations in
Eye --- Visual perception --- Movements --- Visual perception. --- Movements.
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Art --- Visual perception. --- Philosophy.
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The present collection of papers focuses on the subject of vision. The papers bring together new insights and facts from various branches of experimental and theoretical neuroscience. The experimental facts presented in the volume stem from disparate fields, such as neuroanatomy, electrophysiology, optical imaging and psychophysics. The theoretical models in part are unsophisticated, yet still inspiring, while others skilfully apply advanced mathematical reasoning to results of experimental measurements. The book is the fifth in a series of volumes intending to define a theory of the brain by
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The visual world is full of detail. This Element focuses on this variability in perception, asking how it affects performance in visual tasks and how the variability is represented by human observers. The authors highlight different methods for assessing representations of variability and suggest that understanding visual variability can be elusive when straightforward explicit methods are used, while more implicit methods may be better suited to uncovering such processing. The authors conclude that variability is represented in far more detail than previously thought and that this aspect of perception is vital for understanding the complexity of visual consciousness.
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Visual Perception. --- Visuele waarneming. --- Bewustzijn. --- Visual perception. --- Perception visuelle
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