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The visual world is full of detail. This Element focuses on this variability in perception, asking how it affects performance in visual tasks and how the variability is represented by human observers. The authors highlight different methods for assessing representations of variability and suggest that understanding visual variability can be elusive when straightforward explicit methods are used, while more implicit methods may be better suited to uncovering such processing. The authors conclude that variability is represented in far more detail than previously thought and that this aspect of perception is vital for understanding the complexity of visual consciousness.
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"Going beyond photography as an isolated medium to engage larger questions and interlocking forms of expression and historical analysis, Ambivalent gathers a new generation of scholars based on the continent to offer an expansive frame for thinking about questions of photography and visibility in Africa. The volume presents African relationships with photography-and with visibility more generally-in ways that engage and disrupt the easy categories and genres that have characterized the field to date. Authors pose new questions concerning the instability of the identity photograph in South Africa; ethnographic photographs as potential history; humanitarian discourse from the perspective of photographic survivors of atrocity photojournalism; the nuanced passage from studio to screen in postcolonial digital portraiture; and the burgeoning visual activism in West Africa. As the contributors show, photography is itself a historical subject: it involves arrangement, financing, posture, positioning, and other kinds of work that are otherwise invisible. By moving us outside the frame of the photograph itself, by refusing to accept the photograph as the last word, this book makes photography into an engaging and important subject of historical investigation. Ambivalent's contributors bring photography into conversation with orality, travel writing, ritual, psychoanalysis, and politics, with new approaches to questions of race, time, and postcolonial and decolonial histories"--
Visual sociology --- Photography --- Social aspects --- History. --- Africa --- Social conditions
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"In How to See the World, visual culture expert Nicholas Mirzoeff offers a sweeping look at history's most famous images--from Velázquez's Las Meninas to the iconic "Blue Marble"--to contextualize and make sense of today's visual world. Drawing on art history, sociology, semiotics, and everyday experience, he teaches us how to close read everything from astronaut selfies to Impressionist self-portraits, from Hitchcock films to videos taken by drones. Mirzoeff takes us on a journey through visual revolutions in the arts and sciences, from new mapping techniques in the seventeenth century to new painting styles in the eighteenth and the creation of film, photography, and x-rays in the nineteenth century. In today's networked world, mobile technology and social media enable us to exercise "visual activism"--the practice of producing and circulating images to drive political and social change. Whether we are looking at pictures showing the effects of climate change on natural and urban landscapes or an fMRI scan demonstrating neurological addiction, Mirzoeff helps us to find meaning in what we see,"--Amazon.com.
Visual communication. --- Visual communication --- Mass media --- Visual sociology --- Communication and culture. --- History. --- Social aspects.
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Erotica. --- Mass media and sex. --- Sex in popular culture. --- Visual sociology.
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Power (Social sciences) --- Visual sociology. --- Politics and culture. --- Pouvoir (sciences sociales) --- Sociologie visuelle. --- Politique et culture.
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Visual sociology has been part of the sociological vocabulary since the 1970s, but until now there has not been a comprehensive text that introduces this area. Written by one of the founding fathers in the field, Visual Sociology explores how the world that is seen, photographed, drawn, or otherwise represented visually is different from the world that is represented through words and numbers. Doug Harper's exceptional photography and engaging, lively writing style will introduce: visual sociology as embodied observation visual sociology as semiotics visual sociology as an approach to data: empirical, narrative, phenomenological and reflexive visual sociology as an aspect of photo documentary visual sociology and multimedia. This definitive textbook is made up of eleven chapters on the key topics in visual sociology. With teaching and learning guidance, as well as clear, accessible explanations of current thinking in the field, this book will be an invaluable resource to all those with an interest in visual sociology, research methods, cultural geography, cultural theory or visual anthropology
Qualitative methods in social research --- #SBIB:316.7C200 --- #SBIB:309H525 --- #SBIB:39A8 --- Visual sociology. --- Sociology --- Visual communication --- Sociologie van de cultuuruitingen: algemeen --- Sociologie van de audiovisuele boodschap --- Antropologie: linguïstiek, audiovisuele cultuur, antropologie van media en representatie --- Visual sociology
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Mass communications --- Visual sociology --- Visual perception --- Visual anthropology --- Sociologie visuelle --- Perception visuelle --- Anthropologie visuelle --- Periodicals. --- Périodiques --- Visual anthropology. --- Visual perception. --- Visual sociology. --- Beeldcultuur. --- Beeldcommunicatie. --- Arts and Humanities --- Social Sciences --- Architecture, Fine and Decorative Arts --- General and Others --- Society and Culture --- Museums & Heritage Organizations --- Sociology --- 77 <05> --- Fotografie--Tijdschriften --- Periodicals --- 77 <05> Fotografie--Tijdschriften --- Visual Sociology. --- Visual Anthropology. --- Optics, Psychological --- Vision --- Psychological aspects --- Visual communication --- Perception --- Visual discrimination --- Ethnology
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An investigation of race and the ontology of the visual
Blacks in mass media. --- Image (Philosophy) --- Visual sociology. --- Philosophy --- Mass media --- Sociology --- Visual communication --- Blacks in mass media --- Black people in mass media.
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This volume offers systematic and interdisciplinary reflections on the new imagery world opened by the Internet and the digital world. It offers analytical approaches to the visual.
New media art. --- Visual sociology. --- DIGITAL HUMANITIES & NEW MEDIA/New Media Art --- ARTS/General --- CULTURAL STUDIES/Popular Culture --- Sociology --- Visual communication --- Arts, Modern
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Recent years have seen an increase in the use of visual methods of research across the social sciences. As researchers realize the potential of the visual, not only as a source but also as a means of generating data, a range of techniques has been developed which seek data that are different from those offered by more conventional qualitative research methods. The contributions to this collection start from the premise either that visual research allows a view of the social world which is not available by other means, or that its use offers a means of augmenting other methods, such as discussion and interview. Rather than providing a step-by-step guide to the use of visual methods, the various authors draw on their experience of visual research to provide critical and reflexive accounts of its use in the field, its potential for unlocking otherwise unseen places, spaces and social action and as a basis for the generation of conceptual and theoretical insight.
Visual sociology. --- Social sciences --- Qualitative research. --- Qualitative analysis (Research) --- Qualitative methods (Research) --- Research --- Behavioral sciences --- Human sciences --- Sciences, Social --- Social science --- Social studies --- Civilization --- Sociology --- Visual communication --- Methodology. --- Audio-visual aids. --- Social research & statistics. --- Social Science --- Research.
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