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This important text describes the impact of evangelical Christianity on slaves in Jamaica (the overwhelming majority of the island's population) in the eighty-four years between the arrival of the first European Protestant missionaries and the emancipation of British slaves in 1838. Shirley C. Gordon argues that the conversion process was achieved through the work of black and colored proselytizers - independent preachers and deacons, leaders, aids, slave and free - and European missionary stations. The acceptance of Christianity was progressively associated with slaves' growing aspirations for freedom, and the desire of freed persons for socio-political recognition in colonial society. Gordon draws on letters and diaries of European missionaries who reported their encounters with a largely illiterate population. These accounts reflect the varied responses to missionaries, and the consistent opposition from the slave-holding sugar interests in Jamaica. This volume also dramatizes the counterpoint between missionary preaching for conversion and the slave beliefs and practices originating in African traditions. God Almighty Make Me Free represents Caribbean-centered history using missionary sources to explore the responses of a slave and free population to the Christian teaching of white European and of black American and native preachers. This work provides a unique analysis of black American religion under slavery.

Blacks --- Religion --- Philosophy & Religion --- Christianity --- Negroes --- Ethnology --- Religion. --- Jamaica --- Jamaïque --- G'amaiḳah --- Xaymaca --- Jamaika (Country) --- Ямайкэ --- I︠A︡maĭkė --- جامايكا --- Jāmāyikā --- Chamaica --- J·amayica --- Xamaica --- Xamayka --- Yamayka --- Ямайка --- I︠A︡maĭka --- Yamaika --- Jamajka --- Джамайка --- Dzhamaĭka --- Tschameeki --- Jaméíkʼa --- Τζαμάικα --- Tzamaika --- ジャマイカ --- West Indies (Federation) --- Church history --- Black persons --- Black people

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Jamaica --- Foreign relations. --- Foreign economic relations. --- Politics and government --- Jamaïque --- G'amaiḳah --- Xaymaca --- Jamaika (Country) --- Ямайкэ --- I︠A︡maĭkė --- جامايكا --- Jāmāyikā --- Chamaica --- J·amayica --- Xamaica --- Xamayka --- Yamayka --- Ямайка --- I︠A︡maĭka --- Yamaika --- Jamajka --- Джамайка --- Dzhamaĭka --- Tschameeki --- Jaméíkʼa --- Τζαμάικα --- Tzamaika --- ジャマイカ --- West Indies (Federation)

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Colonial Capital Theory at Work is a contribution to the emerging Caribbean and an explanation of how "sociological imagination," or the links between history and biography, have been intentionally used by some to achieve prosperity.

Jamaica --- United States --- Great Britain --- Jamaïque --- G'amaiḳah --- Xaymaca --- Jamaika (Country) --- Ямайкэ --- I︠A︡maĭkė --- جامايكا --- Jāmāyikā --- Chamaica --- J·amayica --- Xamaica --- Xamayka --- Yamayka --- Ямайка --- I︠A︡maĭka --- Yamaika --- Jamajka --- Джамайка --- Dzhamaĭka --- Tschameeki --- Jaméíkʼa --- Τζαμάικα --- Tzamaika --- ジャマイカ --- West Indies (Federation) --- Emigration and immigration. --- Immigration

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One of the most important voices of the Harlem Renaissance, Claude McKay is largely recognized for his work during the 1920's, which includes a major collection of poems, Harlem Shadows, as well as a critically acclaimed novel, Home to Harlem. But McKay was never completely comfortable with his literary reputation during this period. Throughout his world travels, he saw himself as an English lyricist. In this compelling examination of the life and works of this complex poet, novelist, journalist, and short story writer, Josh Gosciak sheds light on McKay’s literary contributions beyond his interactions with Harlem Renaissance artists and writers. Working within English literary traditions, McKay crafted a verse out of hybridity and diaspora. Gosciak shows how he reinvigorated a modern pastoral through his encounters with some of the major aesthetic and political movements of the late Victorian and early modern periods. Exploring new archival material as well as many of McKay’s lesser known poetic works, The Shadowed Country provides a unique interpretation of the writings of this major author.

Romanticism --- Jamaican Americans --- American literature --- Ethnology --- Jamaicans --- Intellectual life. --- English influences. --- McKay, Claude, --- McKay, Claude --- McKay, Festus Claudius, --- Criticism and interpretation. --- Africa --- Jamaica --- Jamaïque --- G'amaiḳah --- Xaymaca --- Jamaika (Country) --- Ямайкэ --- I︠A︡maĭkė --- جامايكا --- Jāmāyikā --- Chamaica --- J·amayica --- Xamaica --- Xamayka --- Yamayka --- Ямайка --- I︠A︡maĭka --- Yamaika --- Jamajka --- Джамайка --- Dzhamaĭka --- Tschameeki --- Jaméíkʼa --- Τζαμάικα --- Tzamaika --- ジャマイカ --- West Indies (Federation) --- In literature. --- English influences --- Intellectual life

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"By tracing the largely forgotten eighteenth-century migration of elite mixed-race individuals from Jamaica to Great Britain, "Children of Uncertain Fortune" reinterprets the evolution of British racial ideologies as a matter of negotiating family membership. Using wills, legal petitions, family correspondences, and inheritance lawsuits, Daniel Livesay ... follow[s] the hundreds of children born to white planters and Caribbean women of color who crossed the ocean for educational opportunities, professional apprenticeships, marriage prospects, or refuge from colonial prejudices"--

Racially mixed people --- Bi-racial people --- Biracial people --- Interracial people --- Mixed race people --- Mixed-racial people --- Mulattoes --- Multiracial people --- Peoples of mixed descent --- Ethnic groups --- Miscegenation --- Civil rights --- History --- Social conditions --- Jamaica --- Great Britain --- Jamaïque --- G'amaiḳah --- Xaymaca --- Jamaika (Country) --- Ямайкэ --- I︠A︡maĭkė --- جامايكا --- Jāmāyikā --- Chamaica --- J·amayica --- Xamaica --- Xamayka --- Yamayka --- Ямайка --- I︠A︡maĭka --- Yamaika --- Jamajka --- Джамайка --- Dzhamaĭka --- Tschameeki --- Jaméíkʼa --- Τζαμάικα --- Tzamaika --- ジャマイカ --- West Indies (Federation) --- Race relations --- History.