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Design is everywhere. It shapes not only our present but also our future. An essential introductory guide, Design: The Key Concepts covers fundamental design concepts: thinking, service, context, interaction, experience, and systems.Each concept is situated within a broad context, enabling the reader to understand design's contemporary practice and its relationship to issues such as new technology, social and economic development, globalization, and sustainability. Concepts are also explained by use of concise, illustrated case studies of contemporary objects, spaces, systems, and methods such as Uber, the iPhone, Kickstarter and IKEA. Chapter summaries and supporting discussion questions make this an engaging and accessible introduction for students and those new to the field. An annotated bibliography provides direction for further reading.
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Theories normally seek to explain something.'118 Theories of Design[ing]'asks us to question those explanations. By focusing on a broad range of somewhat overlooked and undervalued essays, papers, book articles, words, terms, authors and phenomena that swirl around design[ing], the reader is encouraged to read, reflect and question everything. This original book will appeal to a global market of university faculty heads and deans, museum directors, design educators, design researchers, key design practitioners, publishers, members of the design media, and undergraduate, postgraduate and post-doctoral students of design.
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Die Digitalisierung und die tiefe Integration von Computern in unseren Alltag verändern die Entwicklung von Produkten und damit auch das Produktdesign selbst: An der Entwicklung digitaler Produkte sind mittlerweile Disziplinen wie Design, Mensch-Maschine-Kommunikation, Informatik oder die Ingenieurswissenschaften beteiligt. Mit Beiträgen von Autoren aus diesen Bereichen greift das Buch aktuelle Positionen auf und stellt exemplrasich deren Vorgehensweisen und Methoden dar. Beispiele aus der Praxis ergänzen die Essays. So entsteht eine aktuelle Einführung in das Design digitaler Produkte und damit ein Bild, das das Design in seinen Intentionen neu verortet.
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Nearly every work of architecture can be characterized by specific approaches to forming and centering. An awareness of these "underpinnings" would facilitate a more informed approach to architectural design problems, as well as a deeper understanding of the central issues (and flaws) embodied by completed works of architecture. But the addressing of such topics has generally remained multifarious and diverse: more in the nature of a collection of independent issues than an overarching analytical argument. In this book, fresh looks at such issues are assembled and recast into a fully integrated narrative, based on two foundational and complementary aspects of architectural design: those that give shape and those that give focus-forming and centering.
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Architecture is an art form that provides both function and beauty. Each architect brings something uniquely distinct to his or her work.
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Residential Buildings are normally the first design projects encountered by the student in his or her training. The focus at this point is on the different conceptual possibilities that allow one to take the first step toward an actual idea. Themes: Concepts and kinds of cohabitation and dwelling Residential functions The creation of living space Design in housing construction Wohnungsbauten sind in aller Regel die ersten Entwurfsprojekte im Studium. Im Vordergrund stehen dabei die konzeptionellen Möglichkeiten, den ersten Schritt zu einer Idee zu finden. Themen: Konzepte und Arten des Zusammenlebens und Wohnens Wohnfunktionen Schaffen von Wohnraum Entwerfen im Wohnungsbau
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Sustainability has emerged as a central issue for contemporary societies and for the world community as a whole. Furthermore, many of the social and environmental concerns that are embodied in the term 'sustainability' are directly or indirectly related to design. Designers help to define our human made environment - how it is produced, how it is used, and how long it endures. Despite some forty years of development and increased awareness of the critical relationships that exist between design decisions and modes of production, energy use, environmental impacts, the nature of work and human e
Sustainable design. --- Green design --- Design
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Architectural Design and Construction Perfect scales for architectural design and construction Thinking and working in a variety of scales lies at the heart of architecture. What scale should be selected for which design decision? At what point is it sensible to change the scale? What can and ought to be depicted in a true-to-scale architectural drawing? And how can such a drawing remain clear and thus appealing? An architectural drawing is not least a means of communication. It contains pieces of information which are relevant for various recipients. The choice of the appropriate scale determines whether the client or the construction worker understand what is being conveyed. In view of the countless possibilities offered by CAD, the objective of clearly and unambiguously conveying one's own ideas is occasionally lost sight of. The authors, Ansgar Schulz and Benedikt Schulz, provide orientation with their book, exemplarily guiding the architectural drawing back to its original purpose: the creation of exceptional structures. Architektonisches Entwerfen und KonstruierenIdeale Maßstäbe für das architektonische Entwerfen und Konstruieren Das Denken und Arbeiten in unterschiedlichen Maßstäben gehört zum Kern der Architektur. Doch in welchem Maßstab muss welche Entwurfsentscheidung getroffen werden? Zu welchem Zeitpunkt ist es sinnvoll, den Maßstab zu wechseln? Was kann, was soll in einer maßstabsgerechten Architekturzeichnung dargestellt sein? Und wie gelingt es, dass diese Zeichnung übersichtlich, lesbar und dennoch einem ästhetischen Anspruch gerecht wird? Die Architekturzeichnung ist nicht zuletzt ein Mittel der Kommunikation. Sie enthält Informationen, die für unterschiedliche Adressaten relevant sind. Die Wahl des richtigen Maßstabs entscheidet darüber, ob der Bauherr oder der Handwerker versteht, was gemeint ist. Angesichts der zahllosen Möglichkeiten des CAD gerät das Ziel, eigene Ideen klar und eindeutig zu transportieren, bisweilen aus den Augen. Ansgar und Benedikt Schulz geben Orientierung und führen die Architekturzeichnung exemplarisch auf ihren ursprünglichen Zweck zurück: ausgezeichnete Bauwerke zu schaffen.
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