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Stendhal's great novel The Red and the Black, published in 1830, is seen as one of the most distinguished monuments of literary realism. In this introductory study, Stirling Haig shows how this realism derives from the incorporation of both history and legal reportage into the novel, and how it combines autobiography with mimesis. Professor Haig locates the novel in the context of Stendhal's own experiences as a Commissariat officer in the Napoleonic army, journalist, opera-lover, salon dandy and traveller in Italy and Restoration France, and highlights the constant inter-penetration of personal, documentary, and fictional elements in Stendhal's writings.
Stendhal --- Arts and Humanities --- Literature --- Stendhal,
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This book is a systematic and constructive treatment of a number of traditional issues at the foundation of ethics, the possibility and nature of moral knowledge, the relationship between the moral point of view and a scientific or naturalistic world view, the nature of moral value and obligation, and the role of morality in a person's rational life plan. In striking contrast to many traditional authors and to other recent writers in the field, David Brink offers an integrated defense of the objectivity of ethics.
Moral realism --- Ethics --- Realism --- Moral realism. --- Arts and Humanities --- Philosophy
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#FHIW:CAT --- Periodicals --- Arts and Humanities --- Philosophy --- philosophy --- humanities
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Arts and Humanities --- Architecture, Fine and Decorative Arts --- Finlande --- Periodicals
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