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The title of this book takes as its point of reference those early, primitive films in which mostly men, but occasionally women, peek through keyholes, offering bold demonstrations of the voyeuristic pleasure that has been central to virtually every contemporary theory of cinema. When we imagine a "woman" and a "keyhole," it is usually a woman on the other side of the keyhole, as the proverbial object of the look, that comes to mind. In this work the author is not necessarily reversing the conventional image, but rather asking what happens when women are situated on both sides of the keyhole. The question is not only who or what is on either side of the keyhole, but also what lies between them, what constitutes the threshold that makes representation possible. In all of the films discussed, the threshold between subject and object, between inside and outside, between virtually all opposing pairs, is a central figure for the reinvention of cinematic narrative. Films discussed include Helke Sander's Redupers, Julie Dash's Illusions, Patricia Rozema's I've Heard the Mermaids Singing, Yvonne Rainer's The Man Who Envied Women, Chantal Akerman's Je tu il elle, Ulrike Ottinger's Ticket of No Return, Anne Severson's Near the Big Chakra, Suzan Pitt's Asparagus, Germaine Dulac's The Smiling Madame Beudet, Agnes Varda's Cleo from 5 to 7, Chantal Akerman's Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles, Trin T. Minh-ha's Reassem-blage, Laleen Jayamanne's A Song of Ceylon, and the films of Dorothy Arzner.
Women in motion pictures. --- Feminism and motion pictures. --- Motion pictures and feminism --- Motion pictures --- Film history, theory & criticism --- Cinema --- Femmes au cinema. --- Cinema feministe. --- Feminisme et cinema. --- Feminist films. --- Philosophie. --- Philosophy. --- Feminisme et le cinema --- Femmes dans les films --- Femmes et le cinema
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Issues in Feminist Film Criticism brings together a wide variety of writings and methodologies by U.S. and British feminist film scholars. The twenty-seven essays represent some of the most influential work on Hollywood film, women's cinema, and documentary filmmaking to appear during the past decade and beyond. Among the subjects treated are images of women on the screen; questions of film realism; the notion of counter-cinema; the concept of "reading against the grain," the use of psychoanalytic theories; concerns over female spectatorship; women's place in specific genres, especially film melodrama; and issues related to the representation of lesbians and women of color. Authors represented are Lucie Arbuthnot, Linda Artel, Pam Cook, Teresa de Lauretis, Mary Ann Doane, Elizabeth Ellsworth, Lucy Fischer, Jane Gaines, Mary C. Gentile, Bette Gordon, Florence Jacobowitz, Claire Johnston, E. Ann Kaplan, Annette Kuhn, Julia Lesage, Judith Mayne, Sonya Michel, Tania Modleski, Laura Mulvey, B. Ruby Rich, Gail Seneca, Kaja Silverman, Lori Spring, Jackie Stacey, Maureen Turim, Diane Waldman, Susan Wengraf, Linda Williams, and Robin Wood.
Film. --- Frauenfilm --- Aufsatzsammlung --- Filmkritik --- Feminismus --- Beeldvorming. --- Sekserol. --- Feminisme. --- Filmrecensies. --- Filmkunst. --- Women in motion pictures. --- Feminist film criticism. --- Feminism and motion pictures. --- Critique cinematographique feministe. --- Feminisme et cinema. --- Femmes au cinema. --- Motion pictures --- Motion pictures and feminism --- Feminist criticism --- Film criticism --- Film history, theory & criticism --- Beiträge --- Einzelbeiträge --- Sammelwerk --- Feministischer Film --- Frau --- Film --- Feministische Theorie --- Frauenbewegung --- Frauenforschung --- Feministische Philosophie --- Rezension --- Kritik --- Motion pictures. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism
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Household employees. --- Housewives. --- Subsistence economy. --- Women --- Employment. --- Employment of women --- Domestic employees --- Domestics --- Household staff --- Household workers --- Servants --- Occupations --- Equal pay for equal work --- Sex discrimination in employment --- Working women in motion pictures --- Cost and standard of living --- Economic anthropology --- Poverty --- Homemakers --- Mothers --- Wives --- Domestic service employees --- Domestic service workers --- Service employees, Domestic --- Service workers, Domestic --- Employees --- Household employees --- Housewives --- Informal sector (Economics) --- Subsistence economy --- Hidden economy --- Parallel economy --- Second economy --- Shadow economy --- Subterranean economy --- Underground economy --- Artisans --- Economics --- Small business --- Employment --- E-books
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Feminist films. --- Feminism and motion pictures. --- Women in motion pictures. --- Motion pictures --- Feminist films --- Feminist cinema --- Feminist motion pictures --- Women's liberation films --- Motion pictures and feminism --- Philosophy. --- History and criticism. --- Frau. --- Film. --- Frauenfilm --- Feminismus --- PERFORMING ARTS --- Cinema --- Femmes au cinema. --- Cinema feministe. --- Feminisme et cinema. --- Film & Video --- Reference. --- Philosophie. --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Show business --- Arts --- Performance art --- History and criticism --- Feministische Theorie --- Frauenbewegung --- Frauenforschung --- Feministische Philosophie --- Kino --- Spielfilm --- Filmaufnahme --- Filme --- Spielfilme --- Audiovisuelles Material --- Videokassette --- Erwachsene Frau --- Weib --- Weibliche Erwachsene --- Frauen --- Erwachsener --- Weiblichkeit --- Frauenfilme --- Feministischer Film --- Frau --- Film
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