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Art --- Art, Classical --- Universität Frankfurt am Main. --- Exhibitions

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History of civilization --- Archeology --- Antiquity --- Art, Classical --- Art, Early Christian --- Classical antiquities --- Art antique --- Art paléochrétien --- Antiquités gréco-romaines --- Classical antiquities. --- Art, Classical. --- Art, Early Christian. --- 7.033.1 --- Early Christian art --- Christian art and symbolism --- Classical art --- Antiquities, Classical --- Antiquities, Grecian --- Antiquities, Roman --- Archaeology, Classical --- Classical archaeology --- Roman antiquities --- Antiquities --- Archaeological museums and collections --- Art, Ancient --- Classical philology --- Vroegchristelijke kunst --- 7.033.1 Vroegchristelijke kunst --- Art paléochrétien --- Antiquités gréco-romaines --- Archeologie --- Cultuurgeschiedenis --- Oudheid

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History --- Antique, the --- Art --- Junius, Franciscus [jr.] --- Art [Classical ] --- Art classique --- Classical art --- Klassieke kunst --- Kunst [Klassieke ] --- Art, Classical --- Art antique --- Early works to 1800 --- Ouvrages avant 1800 --- 7 <03> --- -Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Naslagwerken. Referentiewerken --- Classical antiquities --- -Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Naslagwerken. Referentiewerken --- -Early works to 1800 --- 7 <03> Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Naslagwerken. Referentiewerken --- -Classical art --- Art, Occidental --- antieke schilderkunst --- kunstliteratuur

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Das Buch vereint zwei Gegenstandsbereiche der Literatur und Ästhetik um 1800: die anthropologische Frage nach dem neuen, ganzen Menschen und dem Zusammenhalt von Leib und Seele, nach den Sinnen und ihrer ästhetischen Produktivität; es ist dies auch die Frage nach den literarischen Formen, in welchen dieser ganze Mensch sich exemplarisch zu konstituieren vermag.(u.a. im Drama, Aphorismus). Zum anderen geht es um die Vorbilder der Kunst, insbesondere der antiken Plastik, welche seit Winckelmann entfaltet wurden. Sie fungieren als Evidenzverheißungen für die Vergöttlichung der Menschennatur. Kuns

Classicism in literature --- Classicisme dans la littérature --- -Aesthetics, German --- -Art and literature --- Literature and art --- German aesthetics --- Classicisme dans la littérature --- Aesthetics, German --- Literature and painting --- Literature and sculpture --- Painting and literature --- Sculpture and literature --- Art and literature --- German literature --- Aesthetics --- Literature --- Young Germany --- History and criticism --- Art and literature. --- History and criticism. --- Littérature allemande --- Esthétique --- Literature and anthropology --- Germany --- History --- Addresses, essays, lectures --- Neoclassicism (Literature) --- Neoclassicism (Art) --- Art [Classical ] --- Appreciation --- Classical literature --- Aesthetics [German ] --- 18th century --- 19th century --- German literature - 18th century - History and criticism. --- German literature - 19th century - History and criticism. --- Aesthetics, German - 18th century. --- Aesthetics, German - 19th century.