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Literary semiotics --- Film --- Colloques --- Colloquia --- Films --- Films cinématographiques --- Letterkunde --- Littérature --- 791.43:82 --- 791.43 --- #SBIB:309H1324 --- Film en literatuur --- Filmkunst. Films. Cinema --- Films met een amusementsfunctie en/of esthetische functie: film en literatuur --- 791.43 Filmkunst. Films. Cinema --- 791.43:82 Film en literatuur --- Motion pictures and literature --- Congresses

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Academy Awards (Motion pictures) --- Academy Awards (Cinéma) --- Academy awards (Moving-pictures) --- Oscars (Motion pictures) --- #SBIB:309H1313 --- 791.43 --- Motion pictures --- 791.43 Filmkunst. Films. Cinema --- Filmkunst. Films. Cinema --- Geschiedenis en/of organisatie van het filmwezen: algemeen en per land (met inbegrip van de rol van het filmwezen in de ontwikkelingsproblematiek) --- Awards

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Representing Reality is the first book to offer a conceptual overview of documentary filmmaking practice. It addresses numerous social issues and how they are presented to the viewer by means of style, rhetoric, and narrative technique. The volume poses questions about the relationship of the documentary tradition to power, the body, authority, knowledge, and our experience of history. This study advances the pioneering work of Nichols's earlier book, Ideology and the Image.

Film --- 791.43 --- #SBIB:309H523 --- #SBIB:309H527 --- 791.43.01 --- Film ; documentaires --- Filmkunst ; theorie ; over de representatie van de realiteit --- 791.41 --- Bill Nichols --- documentaire --- etnografie --- film en etnografie --- film --- filmtheorie --- lichamelijkheid --- pornografie --- televisie --- 799.5 --- documentaires --- non-fictie --- Filmkunst. Films. Cinema --- Audiovisuele communicatie: verhaalanalyse --- Audiovisuele communicatie: retoriek --- Filmkunst ; theorie, filosofie, esthetica --- filmgenres en -motieven, documentaire films --- Documentary films --- History and criticism. --- 791.43 Filmkunst. Films. Cinema --- History and criticism

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David Bordwell’s new book is at once a history of film criticism, an analysis of how critics interpret film, and a proposal for an alternative program for film studies. It is an anatomy of film criticism meant to reset the agenda for film scholarship. As such Making Meaning should be a landmark book, a focus for debate from which future film study will evolve. Bordwell systematically maps different strategies for interpreting films and making meaning, illustrating his points with a vast array of examples from Western film criticism. Following an introductory chapter that sets out the terms and scope of the argument, Bordwell goes on to show how critical institutions constrain and contain the very practices they promote, and how the interpretation of texts has become a central preoccupation of the humanities. He gives lucid accounts of the development of film criticism in France, Britain, and the United States since World War II; analyzes this development through two important types of criticism, thematic-explicatory and symptomatic; and shows that both types, usually seen as antithetical, in fact have much in common. These diverse and even warring schools of criticism share conventional, rhetorical, and problem-solving techniques—a point that has broad-ranging implications for the way critics practice their art. The book concludes with a survey of the alternatives to criticism based on interpretation and, finally, with the proposal that a historical poetics of cinema offers the most fruitful framework for film analysis.

791.45.072 --- #SBIB:309H522 --- #SBIB:309H523 --- Motion picture criticism --- Moving-picture criticism --- Filmrecensenten, filmcritici, filmcensuur --- Audiovisuele communicatie: kritiek --- Audiovisuele communicatie: verhaalanalyse --- 791.45.072 Filmrecensenten, filmcritici, filmcensuur --- 791.43 --- #SBIB:309H527 --- Film criticism --- Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- 791.43 Filmkunst. Films. Cinema --- Filmkunst. Films. Cinema --- Audiovisuele communicatie: retoriek --- History and criticism --- Criticism --- Audio-visual materials --- Mass media --- Performing arts --- Evaluation --- Film --- Film criticism. --- Motion pictures. --- Critique cinématographique --- Cinéma --- CDL --- 791.41

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791.43 --- geschiedkundige beschrijvingen --- 791.43 Filmkunst. Films. Cinema --- Filmkunst. Films. Cinema --- film [performing arts] --- filmkunde --- red. Peter Bosma --- filmcultuur --- Arnheim Rudolf --- Kracauer Siegfried --- Bazin André --- film en psychologie --- pragmatisme --- film en pragmatisme --- semiotisch pragmatisme --- 791 --- filmkunst --- Filmgeschiedenis --- Filmkritiek --- Filmtheorie --- #SBIB:309H1300 --- #BAVD --- film --- filmtheorie --- narratologie --- filmmuziek --- geluid --- filmgeschiedenis --- filmkritiek --- Hollywood --- retoriek --- structuralisme --- semiotiek --- film en semiotiek --- psychologie --- 791.41 --- Filmwezen: algemene werken --- Film --- Motion pictures --- 780 --- dans, toneel, film --- danse, théâtre, cinéma --- film [discipline]