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Horace --- Translations into German --- Epistolary poetry, Latin --- Laudatory poetry, Latin --- Verse satire, Latin --- History and criticism. --- -Laudatory poetry, Latin --- -Verse satire, Latin --- -Latin verse satire --- Latin poetry --- Latin laudatory poetry --- Latin epistolary poetry --- History and criticism --- -Horace --- -Gorat︠s︡īĭ --- Gorat︠s︡iĭ Flakk, Kvint --- Horacij --- Horacio, --- Horacio Flaco, Q. --- Horacjusz --- Horacjusz Flakkus, Kwintus --- Horacy --- Horatius Flaccus, Quintus --- Horaṭiyos --- Horaṭiyus --- Horats --- Horaz --- Khorat︠s︡iĭ --- Khorat︠s︡iĭ Flak, Kvint --- Orazio --- Orazio Flacco, Quinto --- הוראציוס --- הורטיוס --- Criticism, Textual --- Criticism and interpretation --- Rome --- In literature. --- Criticism and interpretation. --- Horacij Flakk, Kvint --- -History and criticism --- -Criticism, Textual --- Horatius Flaccus, Q. --- Gorat︠s︡īĭ --- Translations into German. --- Epistolary poetry, Latin - History and criticism. --- Laudatory poetry, Latin - History and criticism. --- Verse satire, Latin - History and criticism.
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Horace's Odes have a surface translucency that belies their rhetorical sophistication. Gregson Davis brings together recent trends in the study of Augustan poetry and critical theory and deftly applies them to individual poems. Exploring four rhetorical strategies--what he calls modes of assimilation, authentication, consolation, and praise and dispraise--Davis produces enlightening, new interpretations of this classic work. Polyhymnia, named after one of the Muses invoked in Horace's opening poem, revises the common image of Horace as a complacent, uncomplicated, and basically superficial singer. Focusing on the artistic persona--the lyric "self" that is constituted in the text--Davis explores how the lyric speaker constructs subtle "arguments" whose building-blocks are topoi, recurrent motifs, and generic conventions. By examining the substructure of lyric argument in groupings of poems sharing similar strategies, the author discloses the major principles that inform Horatian lyric composition.
871 HORATIUS FLACCUS, QUINTUS --- Laudatory poetry, Latin --- -Odes --- -Rhetoric, Ancient --- Classical languages --- Greek language --- Greek rhetoric --- Latin language --- Latin rhetoric --- Lyric poetry --- Poetry --- Latin laudatory poetry --- Latin poetry --- 871 HORATIUS FLACCUS, QUINTUS Latijnse literatuur--HORATIUS FLACCUS, QUINTUS --- Latijnse literatuur--HORATIUS FLACCUS, QUINTUS --- History and criticism --- Rhetoric --- Horace --- Orazio --- Horacij Flakk, Kvint --- Rome --- In literature. --- Odes, Latin --- Rhetoric, Ancient. --- History and criticism. --- Odes --- Rhetoric, Ancient --- Greek & Latin Languages & Literatures --- Languages & Literatures --- Horace. --- Technique. --- Ancient rhetoric --- Horatius Flaccus, Q. --- Horatius Flaccus, Quintus --- Gorat︠s︡īĭ --- Gorat︠s︡iĭ Flakk, Kvint --- Horacij --- Horacio, --- Horacio Flaco, Q. --- Horacjusz --- Horacjusz Flakkus, Kwintus --- Horacy --- Horaṭiyos --- Horaṭiyus --- Horats --- Horaz --- Khorat︠s︡iĭ --- Khorat︠s︡iĭ Flak, Kvint --- Orazio Flacco, Quinto --- הוראציוס --- הורטיוס --- Laudatory poetry, Latin - History and criticism. --- Odes, Latin - History and criticism.
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