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The women's sensation novel of the 1860's and the New Woman fiction of the 1890's were two major examples of a perceived feminine invasion of fiction which caused a critical furor in their day. Both genres, with their shocking, `fast' heroines, fired the popular imagination by putting female sexuality on the literary agenda and undermining the `proper feminine' ideal to which nineteenth-century women and fictional heroines were supposed to aspire. By exploring in impressive depth and breadth the material and discursive conditions in which these novels were produced, The `Improper'
English fiction --- Feminism and literature --- Women and literature --- Femininity in literature. --- Fiction --- Sensationalism in literature. --- Sex role in literature. --- Sex in literature. --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- Femininity (Psychology) in literature --- Women authors --- History and criticism. --- History --- Authorship --- Sex differences. --- Philosophy --- English literature --- anno 1800-1899
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Sensationalism in literature --- Sex in literature --- English fiction - Women authors - History and criticism. --- Feminism and literature - Great Britain - History - 19th century. --- Women and literature - Great Britain - History - 19th century. --- English fiction - 19th century - History and criticism. --- Femininity (Psychology) in literature. --- Fiction - Authorship - Sex differences. --- Sensationalism in literature. --- Sex role in literature. --- Sex in literature.
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Starting with the tensions in the early family constellation, Gloria C. Erlich traces Edith Wharton's erotic evolution--from her early repression of sexuality and her celibate marriage to her discovery of passion in a rapturous midlife love affair with the bisexual Morton Fullerton. Analyzing the novelist's life, letters, and fiction, Erlich reveals several interrelated identity systems--the filial, the sexual, and the creative--that evolved together over the course of Wharton's lifetime.
Women authors, American --- Femininity in literature. --- Psychoanalysis and literature. --- Women in literature. --- Sex in literature. --- Women and literature --- Psychological fiction, American --- Authors, American --- Femininity in literature --- Psychoanalysis and literature --- Women in literature --- Sex in literature --- English --- Languages & Literatures --- American Literature --- Sexual behavior. --- Psychology. --- History --- History and criticism --- Psychology --- Wharton, Edith, --- Knowledge --- Relations with men. --- English fiction --- United States --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Literature and psychoanalysis --- Psychoanalytic literary criticism --- Femininity (Psychology) in literature --- American authors --- American psychological fiction --- American women authors --- Olivieri, David, --- Wharton, Edith Newbold Jones, --- Уортон, Эдит, --- Gouorton, Intith, --- Literature --- American fiction --- Jones, Edith Newbold
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The argument that this book presents is that narrative and visual representations of death can be read as symptoms of our culture and because the feminine body is culturally constructed as the superlative site of "other" and "not me", culture uses art to dream the deaths of beautiful women.
82:3 --- 82:396 --- 82:396 Literatuur en feminisme --- Literatuur en feminisme --- 82:3 Literatuur en maatschappijwetenschappen --- Literatuur en maatschappijwetenschappen --- Femininity (Psychology) in literature. --- Féminité (Psychologie) dans la littérature --- Féminité (Psychologie) dans la littérature --- Death --- Death in art. --- Death in literature. --- Feminine beauty (Aesthetics). --- Femininity in literature. --- Women in art. --- Women in literature. --- Mort --- Mort dans l'art --- Mort dans la littérature --- Beauté féminine (Esthétique) --- Femmes dans l'art --- Femmes dans la littérature --- Psychological aspects. --- Aspect psychologique --- Femmes --- Féminité (psychologie) --- Beauté féminine (esthétique) --- Dans la littérature --- Dans l'art
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820 "18" TWAIN, MARK --- Aesthetics, American --- Women in literature --- Femininity in literature --- Femininity (Psychology) in literature --- American aesthetics --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Engelse literatuur--19e eeuw. Periode 1800-1899--TWAIN, MARK --- Twain, Mark --- -Twain, Mark --- -Aesthetics --- Characters --- -Women --- Relations with women --- Aesthetics, American. --- Femininity in literature. --- Women in literature. --- 820 "18" TWAIN, MARK Engelse literatuur--19e eeuw. Periode 1800-1899--TWAIN, MARK --- -Clemens, Samuel Langhorne --- Aesthetics --- Twain, Mark, --- Tvėn, Mark, --- Tuėĭn, Mark, --- Tuwayn, Mārk, --- Twayn, Mārk, --- Tʻu-wen, Ma-kʻo, --- Tven, M. --- Touen, Makū, --- Twain, Marek, --- Make Tuwen, --- Tuwen, Make, --- Make Teviin, --- Твен, Марк, --- Touain, Mark, --- טבןַ, מרק, --- טוויין, מארק, --- טוויין, מרק, --- טווין, מארק, --- טווין, מרק, --- טווען, מארק, --- טוין, מרק, --- טװען, מארק, --- טװײן, מארק, --- 馬克吐温, --- Clemens, Samuel Langhorne, --- Snodgrass, Quintus Curtius, --- Conte, Louis de, --- Aesthetics. --- Women. --- Relations with women. --- Tuvāyn, Mārk, --- تواين، مارک --- Tvāyn, Mārk, --- Tvėn, Mark --- Tuėĭn, Mark --- Tuwayn, Mārk --- Twayn, Mārk --- Tʻu-wen, Ma-kʻo --- Touen, Makū --- Twain, Marek --- Make Tuwen --- Tuwen, Make --- Make Teviin --- Твен, Марк --- Touain, Mark --- Tuvāyn, Mārk --- Tvāyn, Mārk --- Clemens, Samuel Langhorne --- Snodgrass, Quintus Curtius --- Conte, Louis de
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