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Mass communications --- Sociology of culture --- Television broadcasting --- Television viewers --- Motion picture audiences --- Social aspects --- Research --- 303.8 --- #SBIB:303H14 --- #SBIB:309H400 --- #SBIB:AANKOOP --- -Television broadcasting --- -Television viewers --- -Audiences, Television --- Television audiences --- Television fans --- Television watchers --- Viewers, Television --- Mass media --- Telecasting --- Television --- Television industry --- Broadcasting --- Film audiences --- Filmgoers --- Moviegoers --- Moving-picture audiences --- Performing arts --- Organisatie en leiding van sociaal onderzoek --- Methoden en technieken van de communicatiewetenschap --- Media en publieksgroepen: algemene werken --- Audiences --- Research. --- Social aspects. --- -Organisatie en leiding van sociaal onderzoek --- 303.8 Organisatie en leiding van sociaal onderzoek --- -303.8 Organisatie en leiding van sociaal onderzoek --- Audiences, Television --- Television broadcasting - Social aspects --- Television viewers - Research --- Motion picture audiences - Research

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Mathematical analysis --- Singularities (Mathematics) --- Singularités (mathématiques) --- Holomorphic mappings. --- Applications holomorphes. --- Holomorphic mappings --- Geometry, Algebraic --- Mappings, Holomorphic --- Functions of several complex variables --- Mappings (Mathematics)

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Beckett, Samuel --- Authors, French --- Authors, Irish --- Ecrivains français --- Ecrivains irlandais --- Biography --- Biographies --- Beckett, Samuel, --- Ecrivains français --- BECKETT (SAMUEL), 1906-1989 --- BIOGRAPHIE

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Public buildings --- Theatrical science --- Theaters --- Design and construction. --- 725.82 --- 72.036 --- Theaters van T. Ando, M. Botta, Fr. O Gehry, Z. Hadid, Hardy Holzman Pfeiffer, M. Hopkins, Holt Hinshaw Jones, Kazuhiro Ishi, Arata Isozaki, Kisho Kurokawa, Fumihiko Maki, Moore Ruble Yudell, E. Owen Moss, Barton Myers, J. Nouvel, Im Pei, C. Pelli, A. Predock, A. Rossi, P. Thomas, J. Stirling + M. --- Ando, Tadao --- Botta, Mario --- Hadid, Zaha --- Hardy Holzman Pfeiffer --- Holt ; Hinshaw ; Peau ; Jones --- Kazuhiro Ishi --- Isozaki, Arata --- Kisho Kurokawa --- Fumihiko Maki --- Moore Ruble Yudell --- Moss, Eric Owen --- Barton Myers --- Nouvel, Jean --- Pei, Ieoh Ming --- Pelli, Cesar --- Predock, Antoine --- Rossi, Aldo --- Percy Thomas --- Architectuur ; theatergebouwen ; podiumkunsten ; 1980-1996 --- James Stirling/Michael Wilford --- Gehry, Frank O. --- 725.822 --- Theaters (architectuur) --- Schouwburgen (architectuur) --- Scenografie (architectuur) --- Twintigste eeuw (architectuur) --- 20ste eeuw (architectuur) --- Openbare gebouwen ; schouwburgen, theaters, openluchttheaters --- Theaters van T. Ando, M. Botta, Fr. O Gehry, Z. Hadid, Hardy Holzman Pfeiffer, M. Hopkins, Holt Hinshaw Jones, Kazuhiro Ishi, Arata Isozaki, Kisho Kurokawa, Fumihiko Maki, Moore Ruble Yudell, E. Owen Moss, Barton Myers, J. Nouvel, Im Pei, C. Pelli, A. Predock, A. Rossi, P. Thomas, J. Stirling + M --- Gehry, Frank O

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In Narrative as Rhetoric, James Phelan explores the consequences for narrative theory of two significant principles: (1) narrative is rhetoric because narrative occurs when someone tells a particular story for a particular audience in a particular situation for some particular purpose(s); (2) the reading of narrative is a multidimensional activity, simultaneously engaging our intellects, emotions, ideologies, and ethics. The rhetorical theory of narrative that emerges from these investigations emphasizes the recursive relationships between authorial agency, textual phenomena, and reader response, even as it remains open to insights from a range of critical approaches - including feminism, psychoanalysis, Bakhtinian linguistics, and cultural studies. The rhetorical criticism Phelan advocates and employs seeks, above all, to attend carefully to the multiple demands of reading sophisticated narrative; for that reason, his rhetorical theory moves less toward predictions about the relationships between techniques, ethics, and ideologies and more toward developing some principles and concepts that allow us to recognize the complex diversity of narrative art. Written with clarity and flair and experimenting at times with the conventions of critical writing, this collection, which includes some of Phelan's best work, is itself audience oriented. The book includes an appendix that is in part an experiment with voice, and it ends with a helpful glossary of the technical vocabulary of narrative theory.

Fiction --- Literary rhetorics --- 82-3 --- Proza. Fictie. Narratologie --- 82-3 Proza. Fictie. Narratologie --- Narration (Rhetoric). --- Ideology and literature. --- Novela --- Ideología y literatura. --- Verteltheorie. --- Retorica. --- Narration. --- Roman --- Idéologie et littérature. --- Rhetorik. --- Roman. --- Erzähltechnik. --- Technique. --- Técnica. --- Englisch. --- USA. --- Ideology and literature --- Narration (Rhetoric) --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Literature and ideology --- Literature --- Fiction writing --- Metafiction --- Writing, Fiction --- Authorship --- Technique --- 82-3 Fiction. Prose narrative --- Fiction. Prose narrative